Before Snapseed there was Camera+. Its photoediting features are a lot better than Instagram’s, and even though it’s not as fully featured as Snapseed, you might like it more because it’s cheaper and bit easier to use. Other than the great filters provided, the best thing about Camera+ is the ability to capture photos by setting the exposure at a different point than the focus (something most camera apps don’t let you do). For only $0.99 Camera+ might be the most cost effective Instagram alternative.

In truth, there are entirely reasonable discussions on Gab; the distasteful stuff you would have to go looking for. If anything, it is perhaps a good argument against online anonymity. All of this controversy is a shame, as the Gab platform is really good, giving you 300 character status updates. The site feels like a combination of Facebook and Twitter, and Gabs can be automatically shared to Twitter (should you want to).
According to sources at the company, the app currently has around 22 million users (Figures accurate as of April 2017). The platform is growing, collecting big investments and extending its functions and features on a regular basis. Its basic idea is the same as Instagram’s: EyeEm is a platform made for sharing photos. Snapshots and professional images can be uploaded and then shared with the community on EyeEm and other linked networks – with a range of different filters and editing tools to add that extra star quality.
There is nothing that can match Facebook right now although some people might argue Twitter is better but it’s not really an alternative and it’s certainly not aimed at people who want to be in touch with friends and families. Well, now that we have established the fact that there are no Facebook alternatives, let’s cut to the chase that we do have several other social networks that aim at specific users. For instance, there are networks aimed at photographers, designers, startups, investors etc.. Well, if you have been looking for a Facebook alternative for a specific need, we are listing down the best Facebook alternatives according to different types and categories.

Unfortunately, while I prefer apps like EyeEm (and I'm curious to check out Steller), the real reason that Instagram works for marketing is that it's also used by people who aren't photographers. So while you might be building a decent following on flickr or 500px, it's other photographers, who probably won't be looking to hire you to shoot their campaign/wedding. If on the other hand you're looking to make a name for yourself doing workshops/training for other photographers then maybe they're a perfect place to market yourself.
This idea is antithetical to current consumer marketing ethos, which strives to reach targeted audiences at scale. If you want targeting at scale, you go to Facebook or Google. Either can give you practically everyone in America who fits your target. To be fair, Twitter, LinkedIn, Instagram, and Pinterest can all serve up pretty big targeted audiences.
One word of warning: Many dating apps require Facebook integration to work, meaning you won't be able to use them if you delete your account. You can still create a Tinder account without Facebook, but you will loose all your current matches and conversations. Hinge and Bumble require you to have a Facebook account to sign up, though the latter company says it's working on dropping that requirement.
Friendster (a portmanteau of “friend” and Napster) launched in March 2002. It was the most popular social network until April 2004, when MySpace (which premiered January 2004) surpassed it. In July 2005, Newscorp purchased MySpace for $580 million, and by 2006, MySpace not only was the most popular social network in the US, it was the most visited website in the US. Interestingly, Twitter launched in 2006 and tripled in size by 2007 (the year of the first “retweet” and the first #hashtag).
2. Was ich nicht tue ist mich mit jeweils einen Acount zu begnügen. Mein Bedarf wäre eigentlich eher ein totale Unterschied zwischen Login in eine Plattform und deren Nutzung. So habe ich je nach Funktion 6 verschiedene identi.ca-Accounts und mehr als 10 verschiedene Blogs. Ich bin immer sehr verwirrt darüber, dass ich für jeden neuen Account eine neue Mailadresse brauche. D.h. ich trenne sehr stark Inhalte. Das ist nocht immer einfach, aber ich brauche das irgendwie. Das ist sowohl für die Abonnenten als auch für mich einfacher zu sortieren. So wie mehrere Ordner unterhalb einer IMAP‐​Inbox.

SlimSocial is a newer Facebook app that keeps it wicked simple. Its claim to fame is its intensely small size (100KB), that it shows no ads, and that it’s open source so you can go view the source code and contribute to its development if you want to. Aside from that, there isn’t much to talk about. It'll be a little slow and clunky like many third party apps. It's not that bad, though. The developer has also expressed interest in adding new features down the road like background notifications along with more stuff. .
You’ll need a server for this, as per our guide to creating your own Mastodon instance Your Own Social Network: How to Set Up a Mastodon Instance on Linux Your Own Social Network: How to Set Up a Mastodon Instance on Linux Twitter's echo chamber is stifling discussion. If you want to get people talking, you can create your own social network with Mastodon. All you need is a web domain and server to get started... Read More .

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Metal for Facebook is actually an app that can replace both your Facebook and Twitter apps. This app allows you to set a “Metal Bar” in your notifications shade, so that you can access it at any time. Push notifications and themes are supported by the app, while the application itself weighs only 3MB. A special theme for OLED displays is included here, while this app also allows you to secure it via a password or your fingerprint.
Not just Facebook but Twitter as well. What I see unfolding in front of my very eyes is an evolutionary process still in beta that is already much superior to both of the above. Complex but clean, fast growing yet still user friendly and last but not least, the community feels real. They talk about important things instead of pretending to be celebs. I sense an intellectual depth ib the Minds community. Cheers Minds!! AJ JPS andrew_jjps • Apr 2017 • 1 agrees and 0 disagrees Disagree   Agree
Today's Twitter calls to mind the plot of Ghostbusters 2: It's a digital sewer of negativity slime we're all wading through. With the company's fortunes tied directly to user count, there's little incentive to purge bad actors or even those who break Twitter's own rules, especially if they're famous enough. In this case, I did what the Ghostbusters might do—I broke with the establishment and took things into my own hands. I (mostly) left Twitter, and joined Mastodon.
Then there's the killer feature: You can hide sensitive content behind a button before posting, so people don't have to see your long rant, political content, or spoiler for a new episode of a TV show. The system is designed to encourage thoughtful posting—not selfish or gratuitous posts. It's even simple to contribute descriptions of images you're posting for the visually impaired, something Twitter doesn't bother turning on by default.

The biggest problem with Plurk is its lack of growth. The service still lacks some quality of life features and makes it difficult to do things like search and manage multiple conversations. This means that Plurk is widely used by long-time users. Since many of those long-time users are based in Taiwan and Asia, you might feel like a stranger in a strange land.
An exciting Facebook alternative that was released in 2015, but has only recently seen a huge influx of new users, is the social network, Vero. At the beginning of March 2018, for example, CEO Ayman Harari, worth billions of euros, announced an increase of more than three million users, after Vero had previously been a relatively niche app with around 200,000 active members. Not only effective influencer campaigns played an important role, but also the current offer of free lifetime membership won users over. The app, which is available for iOS, and Android, might only be available with a paid annual subscription in the future. However, the offer has been initially extended until further notice.
Gab has started with a distinctive motive of promoting free speech, and still successfully manages to escape the rightist policies that rule the other social media networks. This is represented by its Pepe frog logo. The CEO of Gab, Andrew Torba aptly describes it as the ‘left-leaning Big social monopoly.’ Being a complete free speech platform has put Gab in a unique position, and also in troubles.
The world’s most popular online chatting app has also introduced services for businesses to automate their accounts on WhatsApp to interact one-on-one with their customers. The one privacy issue with WhatsApp is its method to sign up which involves the phone number and its default setting to make the phone number public is a bit of a concern too. There is also a limitation of having just one account per mobile number which might be an issue with businesses which would like a unified experience on the App. But apart from this, the platform is well-optimized for direct messaging and group chatting.
If you are a crazy blogger then you must spend time on Tumblr because it can entertain all age groups with impressive interface. Tumblr is currently being used by lots of youngsters and teens and they love to share video clips over here. It also allows users to personalize their blog posts, use unique formats and follow catchy styles so that more readers can be attracted. Followers can easily find all updates on their dashboard and can stay connected with all latest updates easily. Liking different posts and reblogging are the common tasks that people do on Tumblr. There are so many users connected to Tumblr community and they keep on sharing valuable blogs with each other. You will be glad to know that from Tumblr itself, you can easily link your blogs on dashboards of Facebook and Twitter accounts. It is also possible to set timings for post durations over network.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
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