When it comes to searching for additional sources of income to finance the project, Ello’s creators are rather creative: they have plans to begin generating revenue through user transactions carried out on their network – so by taking a commission on CD sales, for example. One of Ello’s principles is that its users aren’t obliged to use their real names, which had previously been the case at Facebook and caused outrage. When it first started out, Ello was a closed network, only accessible through an invitation to join from a registered user. This has since been relaxed, and today Ello is available for all interested parties. Critics of the site claim that Ello can’t really be considered a true Facebook alternative because it’s lacking many of the basic functions required to compete. For example, private communication between users via a chat box function is currently not possible. Ello’s focus instead is on high-quality content for all to see, making it an excellent environment for artists and photographers. Users from creative backgrounds are often attracted by Ello’s simple, minimalistic design, leaving lots of space for user posts to shine.
Lately, I’ve written a lot about the alternative media purge and how Big Tech social media platforms are attempting to control the narrative, the elections, and public perception through censorship and financial blacklisting. Lots of people are ready to leave websites like Facebook, Twitter, and YouTube for less-censored pastures. But what are the social media alternatives that are currently available?
If you have never heard of this social network you may be getting a bit old, because most users of Musical.ly are aged between 13 and 18. Even though teenagers use it, the platform provides some interesting and amusing features that foster artistic expression and allow you to share your creative output with millions of people. Twitter users often share songs and videos posted on Musical.ly, so why not leave Twitter and start sharing your own creative content on this social media network.
The platform Diaspora is a social world online that puts your data back in your own hands, according to its own slogan. Its range of functions is similar to those of Facebook. Users can publish status updates, share posts and images, and comment on other people’s posts. And just like on Facebook, you can control who gets to see your own posts as well. Diaspora uses hashtags to order posts, meaning that you can use these to find like-minded people who share your interests. Linking Diaspora to your Facebook profile is also possible, and the software has its own chat function. Diaspora is also an open source project.

Last year, Mastodon made splashes as an open source Twitter competitor but you can also use it as a Facebook alternative. Apart from all the differences in terms of privacy, character length, what really sets Mastodon apart is the “instance” feature. You can think of the service as a series of connected nodes (instances) and your account belongs to a particular instance.

GAB is a NO CENSOR zone by them, but if you want to control your feed you can censor yourself. You can share from GAB your videos or go live anywhere and anytime. There are many groups or start one for yourself. Post premium content and build subscribers if you want. Follow many sites and people and comment or up/down vote content. And you can control your feed. If something shows up that you do not want mark as spam or mute. Works great. Guest • Sep 2018 Disagree   Agree
Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 5/25/18) and Privacy Policy and Cookie Statement (updated 5/25/18). Your California Privacy Rights. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices.

Arguably, this has been a long time coming. A multitude of changes that regular users saw no need for, confusing direction and changes at the top (founder Jack Dorsey left, then returned) have left Twitter’s raison d’etre somewhat confused. Is Twitter really for social networking, or is it for microblogging? Or, as the results of a 2016 survey show, is it best used for contacting customer services departments of major manufacturers and retailers?
An exciting Facebook alternative that was released in 2015, but has only recently seen a huge influx of new users, is the social network, Vero. At the beginning of March 2018, for example, CEO Ayman Harari, worth billions of euros, announced an increase of more than three million users, after Vero had previously been a relatively niche app with around 200,000 active members. Not only effective influencer campaigns played an important role, but also the current offer of free lifetime membership won users over. The app, which is available for iOS, and Android, might only be available with a paid annual subscription in the future. However, the offer has been initially extended until further notice.
And if all else fails, there is always the option to revisit old social haunts. Myspace still exists, albeit as a mish-mash of pop-culture news and dormant profiles of friends who have not logged in since its relaunch in 2012. However, the fact that the opportunity to mine user data for advertisers was one of the reasons cited by media giant Time Inc when it bought Myspace in 2016, perhaps it is best not to rush to revive your Top Friends list just yet.
This is certainly an excellent alternative to Instagram, the main downside would probably be that highly saturated, HDR images seem to make up large proportion of curated lists which can lead users to be rather formulaic in their attempt to gain popularity on the site rather than being original. The reach to the masses is also no way near Instagram levels so some of your work is likely to be ignored completely.
It has a thumbs down, which FB users asked for but never got, instead, they got the already existent and simple to do emojis. Minds has so far been a place that I am interested in checking in on because the content is diverse in the way newsfeeds used to be before filtering. I find new content and opinions with each visit to the site and the creator is active in the community, sharing, upvoting, and updating users frequently. BadBlackSheep • Mar 2017 • 1 agrees and 1 disagrees Disagree   Agree
It was launched recently in year 2016 but its interactive features have made it popular enough among youngsters. If you have used Muscial.ly app then Live.ly can appear like a potential competitor to that. It allows users to broadcast memorable moments from their life and people can also watch live streams at any corner of world. When you like some live streams then you can simply send “loves” to the broadcaster and update comments. It also allow users to send gift points to each other and these gift points can be bought be spending real money. You will definitely love the Daily Leaderboard feature of Live.ly that assists in easy channel shorting as per number of total “Loves” received b the broadcaster. Anyone can browse for specific categories of streams to enjoy as per mood. Live.ly also gives opportunity to initiate search for friends by using their contact numbers or usernames.
SteamZoo has long been touted as a great—if not better-alternative to Instagram, partially because of the way it turns editing and sharing your photos into more of a social game that's addictive to play. You can earn badges—much like FourSquare—for sharing photos, adding effects and borders, or even for taking pictures of specific subjects, like your dog or your dinner. Whether you encourage the behavior or not, StreamZoo is a pretty addictive app to use.
An Instagram account only takes a few seconds to set up and can be deleted just as quickly – provided you know how. The function to delete the Instagram account is not so easy to find. We show you how to permanently remove all your images and videos from the web as well as social signs and comments on your content. Alternatively, Instagram also offers the option to temporarily disable your...
Now to Steemit. They claim to prevent spammers from posting excessively they limit your posts. Want to upload and share some photos or maybe use the connected DTube ,YouTube alternative, to upload a video go right ahead. You will quickly be silenced and forbidden from posting any further unless you are willing to pay. If you become popular this will go away some due to the fact that you will get more people liking your content and it will give you more “steem power” so much like high school if you are popular you can share your opinion, but if you are not be prepared to pay if you want to comment on that post. This along with the fact that 80-90% of the content is about crypto currency and people talking about Whales while telling minnows to shut up and a two week wait to even set up your account bored me very quickly. It is a horrible platform for anyone other then those who want to eat, think, dream, and talk about crypto 24/7 and who are willing to wait ages to be popular enough to talk about it freely.
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
×