Free speech supporters are going to love using Gab.ai, a social network that has had their mobile app banned from both Google Play and the App Store, for failing to comply with their policies on adult content. Be it as it may, Gab.ai still offers shelter to people who think that hate speech or non-art related public nudity is somehow okay in the public domain. However, you really have to look for unsavory content, and most of the posts on the platform are dedicated to memes, pop culture or art.
In 2016 Apple banned gab’s mobile app on its Appstore for promoting explicit adult content. This was followed by Play Store in 2017, which banned the app for violating hate speech guidelines of Google. Google further noted during its ban that the platform failed in demonstrating a minimum required level of moderation and encouraged violence. Despite all this, Gab still shelters people who are easy on hate speech and non-art nudity. That said, you’ll have to search for things that could offend you on Gab dedicatedly, or else, it is chiefly stuffed with pop culture art, memes, and fair discussions on a variety of topics. And even if you find something that’s offensive to you, like a discussion on online anonymity, you can use the scroll button and explore some memes on Trump.

Plenty of apps will take your photos, from Apple iCloud to Dropbox to Microsoft OneDrive, but at the moment Google Photos makes most sense for most people—not least because you can store an unlimited number of photos and videos if you let it shrink your pictures down to 16 megapixels and your clips down to 1080p (you can also pay to have everything kept at full resolution).
Those who are more addicted to capturing photographs of all routine life moments and love to update them on social media sites are advised to move towards Instagram. It is easier to use and the interactive design make it standout as a popular competitor against Facebook. Currently, about 400 million active users get connected to this site per month and the average user count is becoming more and more.
Instagram may be the alpha and omega of photographic social networks, but it’s not without its discontents. “I have an inherent distrust of Facebook,” says photographer Greg Williams. “I don’t feel like any of it is serving the user, we’re serving them and they’re selling us out to advertisers.” It’s a sentiment echoed by photographers like Erin Marie Miller and...
500px has long been popular with the photography community with it's clean approach to photo sharing. No hashtags muddle this pond, 500px is all about sharing great work. Curated collections are excellent and regularly updated, whilst the Exif data upload is a nice touch to delve into the technical workings in-camera (Flickr also has this function). There are plenty of similarities with Flickr in terms of it being a platform angled towards promotion of the best creative work rather than popular accounts and sponsored posts.
Twitter has become a cultural icon since being introduced in 2006. Even President Donald Trump of the United States has gained notoriety for his use of Twitter. Users of the platform are able to send "tweets" which can be no longer than 280 characters. This is double the original limit of 140 characters. In some Asian languages, 140 characters remains the standard.
All of this stuff was total catnip for me. After all, what Twitter does isn't that impressive. If anything, Twitter's made its elegant platform significantly worse over the last few years, changing the "favorite" icon, introducing a higher character count, pushing obnoxious "suggestions," and messing up the chronological timeline in favor of an algorithmically-generated one. And then there’s the user-hostile API changes that might spell doom for third-party Twitter clients. It's no wonder that even loyal users are fed up.

I have an animal rescue and we’ve been using facebook to communicate within our volunteer group. The algorithm has gotten ridiculous. I don’t get notifications about posts for 10+ hours. Even if I scroll the group page, I’m not shown everything posted there. Facebook is great for getting the word out about animals looking for homes, but it’s becoming unusable as a work/volunteer group tool. We’re currently looking for a new place to call home. Looking forward to checking these suggestions out.


There are very successful focused business-oriented social networks. LinkedIn, for example, attracts job seekers, as does Dribbble, which bills itself as the leading destination to find and showcase creative work. Work-focused networks are thriving. Which raises the question, “Would a big media brand or a big lifestyle brand have consumer permission to found and run a tightly focused social network?”
GitHub is a network for programmers, where developers can take help to develop their projects better. It provides tools for your programming needs along with codes you can fork for your own project. You can also choose to not make your code public but that requires a paid subscription. There’s also issue tracking, code reviews and more. If you would like to use something other than GitHub, there are a number of good alternatives.
Instagram may be the alpha and omega of photographic social networks, but it’s not without its discontents. “I have an inherent distrust of Facebook,” says photographer Greg Williams. “I don’t feel like any of it is serving the user, we’re serving them and they’re selling us out to advertisers.” It’s a sentiment echoed by photographers like Erin Marie Miller and...

It's full of inspiration, it's clean and it's wonderfully simple to use. If you are looking for a unique way of to publish a collection of images and give them an editorial feel very quickly, Steller is the place to be. Steller has also been slow in building an active following, but much like SW/NG, I hope that the developers persist as there is certainly enough room in the market for well thought out image sharing apps like Steller.
The world's fascination with Twitter was well-deserved because this social network offered unique features that actually foster public discussions and that can enable marketers to reach more users of the products they are advertising. Ten years ago, Twitter was one of the rare platforms that offered these opportunities, but today there are countless social media networks which provide the same service while making sure that their users are happy.
The Nextdoor mobile app for Android and iOS is a great way for people to keep up with the Joneses, the Kardashians, or anyone else in your neighborhood. Whether you want to make friends with your neighbors; are looking to easily sell your stuff; want to hire a babysitter, house sitter, or dog walker; or get informed about yard sales, what you need may be as close as a neighbor a few doors away. Nextdoor has also become a popular place for posts that alert users to nearby criminal activity and for sharing critical info during an earthquake or flood, for example.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Tweetlist offers an excellent way to view lists and quickly switch between them. The Tweetlists tab is quick to access and you simply swipe left and right to view different lists. This client is very snappy and has excellent Voice Over accessibility support. Tweetlists also offers support for Twitlonger, Instapaper, and Read it Later. Another fantastic feature of Tweetlist is that conversations open automatically - if a tweet is part of a conversation, the entire conversation will be displayed upon tapping on the tweet.

Metal for Facebook and Twitter is one of the up-and-coming Facebook apps. There has been a lot of positive press over the last couple of years. Like most, this is a web-wrapper (the mobile website inside of an app) with some tweaks and additional features included to improve the experience. It boasts an ad-free experience, advanced notifications, a few UI tweaks, and there are even theming options. The developer has had a good track record with updating the app with new Facebook features (along with fingerprint support) and it’s a pleasant overall experience.


Eyeem is the fastest growing photography sharing sites by the four members (Florian Meissner, Ramzi Rizk, Gen Sadakane, Lorenz Aschoff) launched in 2010 to provide a platform to the internet users to upload and publish their photos to get discovered by the relevant audience.  There is nothing unique about the Eyeem, it works same as the other popular images hosting site do.
Ning lets you create your own social network (or blog, or website) around the topic you care about. Share your ideas, raise awareness, and find people who care about what you care about. Customize the look and feel of your network – with coding knowledge needed – then use it as a hub for fundraisers, events, and more. Ning lets you use an existing social profile (Facebook, LinkedIn, etc.) to sign up and join networks. While Ning is far more customizable than many other private social networks, the idea of building a network from scratch can be daunting. While Ning heavily promotes monetization of your blog, website, or social network, you’ve got to spend money to make money; bigger projects can cost $49 or $99 per month.
Look familiar? We originally published this post shortly after Facebook's acquisition of and the Android launch of Instagram. We were concerned then about the influence Facebook would have on it, and now it's borne fruit in the form of an invasive terms-of-service agreement. The agreement gives Instagram rights to and ownership of your photos to sell and use in ads as they see fit. Sure, you probably don't care if they sell that photo of your coffee foam, but you and your friends may care if they sell photos of your faces or likenesses to a company that uses your shot in their ad material. Unfortunately, at this stage the only way to opt-out is to close your account and move to another service, like some of these great alternatives.

Those who are more addicted to capturing photographs of all routine life moments and love to update them on social media sites are advised to move towards Instagram. It is easier to use and the interactive design make it standout as a popular competitor against Facebook. Currently, about 400 million active users get connected to this site per month and the average user count is becoming more and more.
@Zach Snader I actually somewhat disagree with @Lee Fuhr. I think this would be a great feature. I like Slack, but at the same time I don't. I like it because i know how to use it, but when dealing with teams and clients (especially), some people may not understand how to use Slack. I've seen it many times with people in my circles. For example courses and memberships held within Slack. Navigating the interface was too difficult for some people and they didn't know how to reply and keep a conversation in one thread. And many people complained about it. The idea isn't to compete with Slack, but to innovate and create something that caters to those who aren't necessarily Slack's ideal users.
×