Realistically, Facebook has the advantage of scale – everyone is on it, and it’s not going to be easy to get enough people to switch over to a new network to make it a viable alternative. Networks that focus on niche communities may have better luck, but for average users, the best option is probably to pick a network that appeals to you, join up, explore, and cross-post with your regular social media. Like it or not, Facebook and Twitter are dominant, and any serious competitor is going to have to integrate with them to at least some degree to make switching a softer move for the users.
Swipe for Facebook is a replacement for both Facebook and (Facebook) Messenger, in case you need both in one. The Chat Heads functionality is still available in this app, in case you’re a fan of that, while PiP video functionality is also included, so that you can watch videos while you’re browsing your Facebook feed. This app allows you to sort your news feed by Most Recent, if you want, while the app is available in a ton of language, similar to Fella for Facebook.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
The biggest problem with Plurk is its lack of growth. The service still lacks some quality of life features and makes it difficult to do things like search and manage multiple conversations. This means that Plurk is widely used by long-time users. Since many of those long-time users are based in Taiwan and Asia, you might feel like a stranger in a strange land.
Twitterrific by the Iconfactory was the very first Twitter application for the iPhone, even predating Apple's official App Store. It is full-featured, award-winning client with a beautiful and intuitive UI. Twitterrific supports link shortening and tweet translation in addition to the ability to filter your timeline for specific tweet types and trends. It's clean and elegant and color-codes your timeline so you can see tweets, @mentions, and DMs all in the same stream.
Minds enables growth of connections to occur quickly if you are highly involved on the site and produce good content, when taking into consideration the quantity of users on the site. Boosting of content and profile/channel views can be achieved (via a points system) and not merely bought. Minds also clearly rewards users with points for using the social media site itself, whether in accessing the site each hour or in uploading rich media content such as graphics or videos, unlike Facebook. Guest • Mar 2017 • 3 agrees and 0 disagrees Disagree Agree
We would much rather prefer to use specialized tools (Google Hangouts Chat, Microsoft Teams, Slack, Atlassian Stride) that focus on being a communication hub and integrate with all the other software we use like erp, crm etc. So a focus on integrating existing tools would be very much preferred. And if you really would like to built a chat platform like e.g. Asana with the chance of being subpar, then please make it optional with the possibility to toggle it off.