We would much rather prefer to use specialized tools (Google Hangouts Chat, Microsoft Teams, Slack, Atlassian Stride) that focus on being a communication hub and integrate with all the other software we use like erp, crm etc. So a focus on integrating existing tools would be very much preferred. And if you really would like to built a chat platform like e.g. Asana with the chance of being subpar, then please make it optional with the possibility to toggle it off.
StatusNet funktioniert für den Anwender wie Twitter – oft funktionieren sogar die gleichen Clients mit Twitter und StatusNet. Administratoren können sich aber selbst einen Server einrichten und sind damit nicht direkt abhängig vom Funktionieren einer zentralen Infrastruktur. Wer will, kann sogar einen Twitter‐ähnlichen Dienst nur für den internen Gebrauch zum Beispiel in einer Firma einrichten.
Der Höhepunkt jedes CHAT der WELTEN-Projekts ist der CHAT – ein Austausch über digitale Medien, in der Regel durch Videokonferenzen, zwischen Partnern in Deutschland und dem Globalen Süden. So werden internationale Verflechtungen und globales Miteinander für alle Beteiligten unmittelbar erfahrbar. Zugleich vertiefen sie ihre Sprach- und Medienkompetenz.
Twitter that started as the fastest growing microblogging platform almost about a decade ago seems to be dying with its lack of innovation and senseless censorship. Looking at the current stats, Twitter’s active users have been reduced to 330 million worldwide. The platform is struggling to keep its users interested. Over the past few years, it has introduced GIF and Video support, and other exciting features which were too late to introduce to Social Media. Twitter in current form seems to have no life, except for some tweets from Beyonce and Trump. It started from being an ordinary man’s social platform to a network where people sign up to read what their favorite celebrities are tweeting, and it is failing in that too, as all the celebrities are moving to better-structured platforms like Instagram. This has pushed the bluebird away from our lives and left us with no choice but to look for Twitter alternatives.
Simple for Facebook keeps true to its namesake. It's a simple web-wrapper for the Facebook mobile site. It includes all of the basic features. That includes interacting with posts, uploading photo and video, and all of that. It also boasts support for Facebook Messenger. About the only other noteworthy thing about the app is the small selection of themes. Like we said, this one is really simple. The free version has ads. You can purchase the full version for $1.49 to get rid of them.
I’ve reviewed VSCO before, and I personally think it’s a great platform. VSCO is about sharing creativity, and it’s not about collecting likes, hearts, or comments. You can favorite and republish photos you like, but the main goal is to share your photos with like-minded creators, and find inspiration in the community. VSCO is a camera, editor, and platform in one. | VSCO – Free
Before there was Instagram, there was Flickr. And for many of us, this was our first online portal to have ones photography critiqued. Similar to Instagram, Flickr is a photo sharing platform but has more effective search tools, especially online. There are similarities in following and being followed but does not have the same mass audience as Instagram. Most of the feedback, positive or otherwise, will likely come from other photographers rather than prospective clients. That being said, top Flickr talent is seldom ignored, and the platform has launched many a career in the world of fine art and conceptual photography.
The official Twitter 4.0 for iPhone has a radically overhauled user interface which, while it might potentially make tweeting more discoverable and approachable to new, mainstream users, could also annoy and alienate long time, power users. Luckily, if you're one of he annoyed, the alienated, there are a variety of alternative Twitter apps in the App Store for you to choose from. These are some of our favorites, the ones we consider the very best, most must-have third party Twitter clients for iPhone and iPad.
Tweetbot by Tapbots is it a beauty. A text review can hardly do this app justice because it is impossible to put into words how beautifully Tweetbot is made. Sure, I can describe how, at your touch, a tweet slides up revealing a navigation bar while simultaneous emitting the perfect sound. I can explain that swiping a tweet to right reveals the conversation and swiping to left displays related tweets. I can tell you about smart gestures, multiple timelines, and customizable navigation. I can even spew out a concrete list of every feature that Tweetbot includes. What I can’t provide you, however, is the experience.
Vero lets you share photos and video just like Instagram, plus it lets you talk about music, movies or books you like or hate. Though Vero has been around since 2015, its popularity surged in recent days, thanks in part to sudden, word-of-mouth interest from the cosplay community — comic book fans who like to dress up as characters. That interest then spread to other online groups.
For years, Plurk offered the service that is nearly identical to the ones provided by Twitter, and it increased the number of character you can use in a post to 360 just a few years ago. Nearly 70% of all the traffic on the platform comes from Taiwan, so if you are targeting markets in Western Europe or the United States, Plurk may not be the best social network for you.
Facebook noted on its blog post about the purge: “These networks increasingly use sensational political content – regardless of its political slant – to build an audience and drive traffic to their websites, earning money for every visitor to the site. And like the politically motivated activity we’ve seen, the ‘news’ stories or opinions these accounts and Pages share are often indistinguishable from legitimate political debate. This is why it’s so important we look at these actors’ behavior – such as whether they’re using fake accounts or repeatedly posting spam – rather than their content when deciding which of these accounts, Pages or Groups to remove.” Facebook went on to say that many of the pages used fake accounts to make their posts appear more popular than they were, or were actually ad farms. But some owners of these pages have insisted that they don’t fall under the description that Facebook listed. Sites with conservative, liberal, and Libertarian leanings have been removed.
I have an animal rescue and we’ve been using facebook to communicate within our volunteer group. The algorithm has gotten ridiculous. I don’t get notifications about posts for 10+ hours. Even if I scroll the group page, I’m not shown everything posted there. Facebook is great for getting the word out about animals looking for homes, but it’s becoming unusable as a work/volunteer group tool. We’re currently looking for a new place to call home. Looking forward to checking these suggestions out.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Many might not consider WhatsApp a full-fledged social media platform, but things have changed. Facebook-owned WhatsApp has made its mark in the industry with new features flooding in the App, every other month. It has recently launched video status update with customization options. It has borrowed a feature from Telegram and introduced one way broadcasting on the group chat. WhatsApp also introduced a web client to use the service through a desktop browser, which we found satisfyingly good.
PicPlz used to be my personal favorite, until pressure from Instagram on Android forced them to shut down. In their place though, a new challenger has risen—one with an old name. Flickr's new Android app brings most—if not all—of the same features that Instagram offers and combines them with Flickr's own photo-centric social network where your photos belong to you and no one else. Flickr's new Android app lets you take photos straight from your camera and apply filters to them if you choose, then share them with friends on Flickr, Facebook, Twitter, or anywhere else you choose.
This is certainly an excellent alternative to Instagram, the main downside would probably be that highly saturated, HDR images seem to make up large proportion of curated lists which can lead users to be rather formulaic in their attempt to gain popularity on the site rather than being original. The reach to the masses is also no way near Instagram levels so some of your work is likely to be ignored completely.
The subscriber usage data is the bread and butter of social networks like Facebook. Vero is an option in this case as it’s based on the subscription model; so, it doesn’t show ads and collect data for the same. This fast-growing social media alternative is only app-based. They do collect your usage stats but make it available to you only to monitor how often you use the service. However, this option is turned off by default.
Add Friends – Players can request friends by targeting them in game and confirming the request. The friend display name will always be the name of the character that created the friendship. Characters have a context menu option to refuse friend requests. Players can have up to 50 friends at a time. There is a 30 second delay between sending friend requests.