BuddyPress can be a Facebook alternative, depending on your needs. It's a Wordpress add-on, which means if you self-host or have hosted for you a Wordpress blog or website, you can add BP to enable you to create a social network of your own. Do it on your server and keep your privacy! JohnFastman • Dec 2016 • 4 agrees and 2 disagrees Disagree   Agree
For more general news that can delight and surprise, try Digg, an aggregation site that prioritizes deeply reported features on a range of topics as well as lots of fun and quirky news stories. And of course, iPhone and iPad owners can always just fire up Apple News if they don't want to bother setting up a whole new system. None of those fit the bill? Here's a deeper look at Facebook News Feed alternatives.
There are very successful focused business-oriented social networks. LinkedIn, for example, attracts job seekers, as does Dribbble, which bills itself as the leading destination to find and showcase creative work. Work-focused networks are thriving. Which raises the question, “Would a big media brand or a big lifestyle brand have consumer permission to found and run a tightly focused social network?”
People who enjoy sharing a photo on Twitter from time to time should switch to Instagram because the platform provides much more photo editing features. In addition to amazing photo effects you can use on Instagram, you can post videos, which last up to sixty seconds or Stories that also last less than one minute. The platform's aspect ratio restrictions have been lifted so, you can post square, horizontally and vertically oriented images or videos.
All social networks are a cancer on the body of the Internet. They may be convenient, they may provide some desired services but they also provide as many undesired problems (if not more). If they are controlled or moderated, then everybody is only allowed to say the same things and have the same opinion. If they are open then they become platforms for abuse, cyberbullying, ostracism, etc. If social networks disappeared overnight, the Internet would become a much more civilized space.
Minds is a good alternative to Twitter because it doesn't have the baggage that comes with Twitter's many moderation issues. Minds has a much better transparant policy in which the things you post are actually visible to other people. Minds is hands down the best one-on-one alternative to Twitter's functions without the amateurish censoring of dissenting opinion. stefandekkers • Mar 2017 • 10 agrees and 2 disagrees Disagree   Agree

[AGENDA] Apply to the School for Transnational Activism and participate in a series of 3 workshops in Warsaw, Rijeka and Palermo #migrantsrights #citizenship #feminism #gender #climatejustice #data and #digitalrights https://www.citizensforeurope.eu/agenda/call-for-applications-school-of-transnational-activism … via @EuroAlter Deadline 22 April!pic.twitter.com/MSnUOILZzo


Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.


The world’s most popular online chatting app has also introduced services for businesses to automate their accounts on WhatsApp to interact one-on-one with their customers. The one privacy issue with WhatsApp is its method to sign up which involves the phone number and its default setting to make the phone number public is a bit of a concern too. There is also a limitation of having just one account per mobile number which might be an issue with businesses which would like a unified experience on the App. But apart from this, the platform is well-optimized for direct messaging and group chatting.

Piksel people create and manage OTT video monetization solutions for some of the world’s leading media brands: AT&T U-verse, BSkyB, Celcom, Channel 4, Mediaset, Sky Deutschland, Sky Italia, Televisa Mexico, Vodafone and more. Headquartered in New York City, Piksel offices can be found throughout Europe and the Americas, serving more than 1600 cli… Read more about Piksel
Streamzoo adds a social-gaming element to an otherwise ordinary Instagram-like photo-filtering app. Users can follow popular "#streams" with the use of a hashtag, and as their photos become more popular, they earn badges and compete against others. More social features let you share photos privately with a group of people you invite, or post your pictures to Facebook, Twitter, Google+, Tumblr and Flickr.
Now that Mark Zuckerberg controls your hipster, vintage-inspired photos that you took with Instagram, you might be feeling weighed down with the fear that your favorite photography app will see some major changes. I cried for a few minutes, then I realized that I never used Instagram to edit photos because its filters were actually very limited and pretty crappy. There’s tons of better apps out there. If for whatever reason you’re scared to stick with the new Instagram controlled by Facebook, there are plenty of alternatives to Instagram… and in many ways most of them are better. Take a look at these five awesome Instagram alternatives.
The recent purge and exodus from Facebook was timed quite well, considering Steemit’s recent changes that make it faster for people to join the network. David Jefferys, Business Development Manager for Steemit, said about the timing: “Steemit is open for business and the timing couldn’t be more perfect with the fragmentation and disenfranchisement pervading the major social media networks.” 
GitHub is a network for programmers, where developers can take help to develop their projects better. It provides tools for your programming needs along with codes you can fork for your own project. You can also choose to not make your code public but that requires a paid subscription. There’s also issue tracking, code reviews and more. If you would like to use something other than GitHub, there are a number of good alternatives.
Instagram was launched back in 2010 to accommodate the photo sharing maniacs on the internet. It has set the trend to share beautiful personal and professional photos on the internet and build a following around it. What launched as a simple application to attach relatively low-resolution images has today become the platform of choice for capitalizing, branding and advertising by optimizing photo posts.
Hootsuite is another one of those Twitter -- and Facebook, LinkedIn, and Foursquare -- apps that seems aimed more squarely at social network and social media marketing types rather than average users, but if you have a brand to push and love you some stats, especially if you're already all in with Hootsuite on the app, the app is a great companion.

Whether or not they have a website or a printed portfolio, a photographer’s social media feed is typically the first place potential clients, collectors and others discover their work. Many photographers are doing more than posting single images. Using the tools available on various platforms, they are curating and sharing sequences of images and video clips, and demonstrating their ability...

In March 2018 Vero jumped from 150,000 users to over 3,000,000 in the wake of Facebook’s Cambridge Analytica data breach. The mobile-only platform is well-designed and has some great photo management tools, which may have led to the overall alternative/artistic vibe given off by the current user base. Their privacy policy is not as strong as some others, but they do give users plenty of control and eventually plan to charge a subscription fee in order to avoid advertising, though early adopters will get a free lifetime membership. The mobile-only platform and eventual need to pay for the service may turn some off, but Vero certainly shows some potential.
It has a thumbs down, which FB users asked for but never got, instead, they got the already existent and simple to do emojis. Minds has so far been a place that I am interested in checking in on because the content is diverse in the way newsfeeds used to be before filtering. I find new content and opinions with each visit to the site and the creator is active in the community, sharing, upvoting, and updating users frequently. BadBlackSheep • Mar 2017 • 1 agrees and 1 disagrees Disagree   Agree
DeviantArt is the perfect platform for artists, who want to showcase their art galleries to the world. It has a great community of artists you can interact with and along with that you get to see some great art. There are a number of features that aim at making life easier for artists and moreover, it also makes sure the artists get their due credit.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
×