As another safety net, Edmodo also lets parents join the network. Doing so differentiates it from cyberbullying-ridden apps such as After School 5 Reasons Your Kids Shouldn't Use the After School App 5 Reasons Your Kids Shouldn't Use the After School App Plenty of children use the After School app, but there are some solid reasons why parents should steer their kids clear of it. Read More . By joining, parents can engage in the learning process and coordinate their efforts with teachers and professors.


SlimSocial for Facebook is one of the lightest Facebook alternative apps, it weighs less than 400KB, and it’s free to use. This app does not come with ads, at least not its own, you will see Facebook’s feed ads, though. The design is quite simple, reminiscent of the mobile Facebook app, and the app works really well, even though the developer notes that the app is in development, and that some features may not work as intended. This is a final version of the app despite what the developer's note says, so feel free to try it out.

Buffer is actually one of the most popular apps from this list. This is basically a social media management application, as it allows you to schedule posts and track the performance of your content on various social media channels, including Facebook, Twitter, Instagram, Pinterest, LinkedIn, and Google+. This app offers a simple design, and it’s a great solution if you need to schedule posts on any of the aforementioned social media channels, Facebook included, but it can also serve you as an app to check your Facebook feed, of course.
Lots of services can feed you the latest news. Facebook, though, displays the specific stories your friends and family are talking about. If you value that feature, Nuzzel is a great choice. You can sync the app to other social networks you might use, like Twitter and LinkedIn, and it will feed you the articles your friends, as well as friends of friends, are talking about. The app also has a "Best of Nuzzel" feature where you can see the stories being widely discussed across the whole platform.
There’s a bit of a barrier to entry, but it’s not that tough. If you need help signing up, there’s a great beginner’s guide here. Madeline Stone, who oversees public relations for Steemit, shared some advice on getting started on Steemit with Heavy.com. She advised:  “As far as helping people who are joining Steemit for the first time, posting in the introduceyourself tag is a great way to get started — other Steemians will then comment on your post and provide resources for newbies. People can also look for help by posting questions in the #help channel at https://steem.chat/home.”

Here’s what Mastodon is: an open-source, community-run microblogging website. It lets you post “toots,” and you can “boost” other users’ posts. It’s mostly like Twitter, but instead of living in one place, the social network lives in different chunks, called “instances,” each with its own rules and administrators. That’s what makes up a “federation,” and it protects the integrity of the service—there is no single, central server. So, if one instance stops paying for their internet or forgets to re-up their URL, the rest are unharmed in their semi-permeable silos.
As a Berlin startup, EyeEm has to follow German data protection laws, which are stricter than those in the USA. And the user-friendly presentation of data protection information on the network has also received great praise: Users have access to the full terms and conditions of the data uploaded to the site and how it will/won’t be used, but they also receive a simple, comprehensible summary of this.
Pickup for the app has been slow, and I'm sure this is disappointing for Polaroid, but I implore them to continue to update the app and promote this alternative take on social media. One obvious improvement would be the ability to upload Apple Live Photos to the service rather than only being able to use the in-app camera, thus limiting what you can upload to the present moment.

Facebook has determined that they control thought, speech, and the right to sell your life to others. A syndicate of overreaching leftists! Opinion is just that. Everyone believes something in their inner most thought processes. The have the courage to share it, only to have the grimy boot of Facebook police squash their beliefs. All after they profit handsomely on your private life! Hate Facebook ,and wish there was a good alternative to what used to be a great social site. It is no longer. It is a thought control monster!

If all that has you thinking about deleting Facebook entirely, you're far from alone. (Quitting the social network is also somewhat of a first-world privilege, since for many people Facebook functions as the entire internet itself.) But going cold turkey can be hard; Facebook actually provides useful services sometimes, and there's no one-for-one replacement.

Here is one more social networking application for you all that assists in mobile based instant messaging. Snapchat is growing at faster pace these days and standout like a big competitor against Facebook and Instagram etc. Using this mobile application, you can easily share media content with your friends over network. And it gets disappeared within few seconds when your friend has gone through it. Many people love to use this application due to additional advantage of chat disappearing feature as it keeps their conversations secret. If you are not familiar with Snapchat then it is right time to get it downloaded on your portable device and start enjoying. You can also find many tutorials online that provide step by step guidelines about how to get started with Snapchat.

Friendster (a portmanteau of “friend” and Napster) launched in March 2002. It was the most popular social network until April 2004, when MySpace (which premiered January 2004) surpassed it. In July 2005, Newscorp purchased MySpace for $580 million, and by 2006, MySpace not only was the most popular social network in the US, it was the most visited website in the US. Interestingly, Twitter launched in 2006 and tripled in size by 2007 (the year of the first “retweet” and the first #hashtag).


The platform Diaspora is a social world online that puts your data back in your own hands, according to its own slogan. Its range of functions is similar to those of Facebook. Users can publish status updates, share posts and images, and comment on other people’s posts. And just like on Facebook, you can control who gets to see your own posts as well. Diaspora uses hashtags to order posts, meaning that you can use these to find like-minded people who share your interests. Linking Diaspora to your Facebook profile is also possible, and the software has its own chat function. Diaspora is also an open source project.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
GLOBAL NO.1 - 30 YEARS AGO... Madonna is known for her blatant style- and taboo breaks. With the release of the lead single 'Like A Prayer' for the album of the same name, she came with really heavy guns: a 180 ° image turn-around from the blonde beast to a meekly brunette ... her music changed into an exalted, hymn-like and danceable sound with religious-controversial and provocative texts. But the big bone of contention was the music video, directed by Mary Lambert. It portrays Madonna as a witness to the murder of a girl by white supremacists. While a black man is arrested for the murder, Madonna hides in a church for safety seeking strength to go forth as a witness. The clip depicts a church and Catholic symbols such as stigmata. It also features a Ku Klux Klan-style cross burning, and a dream about kissing a black saint. The Vatican condemned the video, while family and religious groups protested against its broadcast. They boycotted products by soft drink manufacturer Pepsi, who had used the song in their commercial. The company canceled their sponsorship contract with Madonna, but allowed her to retain the fee. 'Like A Prayer' became, not least because of this rather unintentionally publicity through the condemnation of parent associations and church representatives, the world's biggest hit in 1989.
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