You may not realize this, but MySpace still exists and you can still create an account there. In fact, some people’s old MySpace accounts are still there, too. It’s not really clear if anyone’s trying MySpace again after the Facebook issues — they may be gone for good. But it might be worth checking out for nostalgia’s sake at the very least. In June, The Guardian did a story about people who still enjoy using MySpace. However, one dedicated user did say that most profiles on MySpace are abandoned. Meredith Corporation is selling the media brand Time to Salesforce’s founders, Marc and Lynne Benioff. Meredith also owns Viant, which it’s looking into selling. Since Viant owns MySpace, it’s anyone’s guess what will happen to MySpace next.
If you have never heard of this social network you may be getting a bit old, because most users of Musical.ly are aged between 13 and 18. Even though teenagers use it, the platform provides some interesting and amusing features that foster artistic expression and allow you to share your creative output with millions of people. Twitter users often share songs and videos posted on Musical.ly, so why not leave Twitter and start sharing your own creative content on this social media network.
In 2016 Apple banned gab’s mobile app on its Appstore for promoting explicit adult content. This was followed by Play Store in 2017, which banned the app for violating hate speech guidelines of Google. Google further noted during its ban that the platform failed in demonstrating a minimum required level of moderation and encouraged violence. Despite all this, Gab still shelters people who are easy on hate speech and non-art nudity. That said, you’ll have to search for things that could offend you on Gab dedicatedly, or else, it is chiefly stuffed with pop culture art, memes, and fair discussions on a variety of topics. And even if you find something that’s offensive to you, like a discussion on online anonymity, you can use the scroll button and explore some memes on Trump.
Minds looks very similar to Facebook in some ways. Each user has a profile page with a header and a profile photo. You can add stories, images, or status updates just like on Facebook, and users can leave comments, share your posts, or vote them up or down. There’s also a newsfeed, where you can see what other people you’re following have posted. You can also create your own blog or group. However, Minds is different in other ways. As one Minds user, OWNtheNWO, pointed out to me on Minds, “liking” a comment or post doesn’t weigh it in importance like it does on Facebook — they still remain strictly in chronological order. Minds also has a blog system similar to Blogspot, in which you can paywall your content. And you can exchange your Minds tokens on the Etherium blockchain for ETH, and then exchange those into whatever you wish, but the tokens aren’t worth a lot yet.
Karolis Rimkus began building his successful dropshipping store through influencer marketing: “At first I did a lot of influencer outreach. I would offer micro influencers, people with like 8,000 followers, an item they could make a giveaway with, or just send them a few free items in exchange for mentions. It worked, and I was growing and making sales.”
Minds enables growth of connections to occur quickly if you are highly involved on the site and produce good content, when taking into consideration the quantity of users on the site. Boosting of content and profile/channel views can be achieved (via a points system) and not merely bought. Minds also clearly rewards users with points for using the social media site itself, whether in accessing the site each hour or in uploading rich media content such as graphics or videos, unlike Facebook. Guest • Mar 2017 • 3 agrees and 0 disagrees Disagree Agree
It’s an interesting system that is flawed in a few ways. First off, Minds user base isn’t quite large enough to really incentivize you to reach as many users as possible via tokens. As such, you’re still kind of better off using your promotion time on Twitter and Facebook. Even if your content gets sucked into the void, it still feels like you’re getting more attention on popular platforms.
Metal for Facebook is actually an app that can replace both your Facebook and Twitter apps. This app allows you to set a “Metal Bar” in your notifications shade, so that you can access it at any time. Push notifications and themes are supported by the app, while the application itself weighs only 3MB. A special theme for OLED displays is included here, while this app also allows you to secure it via a password or your fingerprint.
My name is Jamie Spencer and I have spent the past 5 years building money making blogs. After growing tired of the 9-5, commuting and never seeing my family I decided that I wanted to make some changes and launched my first blog. Since then I have launched lots of successful niche blogs and after selling my survivalist blog I decided to teach other people how to do the same.
Polaroid's resurrection continued in 2016 with the release of their social multimedia platform SW/NG, and I'd put it down as one of the most under-rated social mobile platforms around. Forget Instagram Boomerangs, SW/NG brings pictures to life much in the same way Live Photos does on iPhone. Using the app feels similar to Instagram with the continued scroll of your feed, but pictures move as you scroll. The app feels cleaner than Instagram, and encourages users to think differently when composing an image given that a moving subject or background is more compelling.
last week's sales, the second figure the total sales: '1989' by Taylor Swift 6,000 / 10,933,000, '21' by Adele 9,000 / 29,516,000, '24k Magic' by Bruno Mars 8,000 / 5,100,000, '25' by Adele 10,000 / 21,912,000, 'American Teen' by Khalid 20,000 / 2,949,000, 'Astroworld' by Travis Scott 38,000 / 3,041,000, 'Beautiful Trauma' by Pink 7,000 / 3,261,000, 'Beerbongs & Bentleys' by Post Malone 52,000 / 4,766,000, the 'Black Panther' soundtrack 9,000 / 1,851,000, 'Camila' by Camila Cabello 9,000 / 1,848,000, 'Championships' Meek Mill 30,000 / 1,082,000, 'Culture II' by Migos 13,000 / 2,031,000, 'Damn.' by Kendrick Lamar 14,000 / 5,216,000, 'Dangerous Woman' by Ariana Grande 8,000 / 2,444,000, 'Divide' by Ed Sheeran 41,000 / 14,226,000, 'DNA' by the Backstreet Boys 8,000 / 546,000, 'Evolve' by Imagine Dragons 21,000 / 4,378,000, 'Goodbye & Good Riddance' by Juice WRLD 30,000 / 1,734,000, 'Head Above Water' by Avril Lavigne 16,000 / 204,000, 'I Am > I Was' by 21 Savage 28,000 / 779,000, 'In The Lonely Hour' by Sam Smith 9,000 / 8,013,000, 'Invasion Of Privacy' by Cardi B 27,000 / 2,623,000, 'Kamikaze' by Eminem 23,000 / 2,461,000, 'Love' by Michael Bublé 10,000 / 1,108,000, 'Love Yourself 轉 Answer' by BTS (Bangtan Boys) 15,000 / 2,286,000, the 'Mamma Mia! Here We Go Again' soundtrack 6,000 / 1,339,000, 'More Life' by Drake 13,000 / 4,133,000, 'Origins' by Imagine Dragons 28,000 / 1,092,000, 'Pray For The Wicked' by Panic! At The Disco 19,000 / 1,187,000, 'Queen' by Nicki Minaj 10,000 / 1,198,000, 'Question Mark' by XXXTentacion 55,000 / 3,210,000, 'Red Pill Blues' by Maroon 5 10,000 / 1,774,000, 'Reputation' by Taylor Swift 12,000 / 4,764,000, 'Scorpion' by Drake 43,000 / 4,936,000, 'Shawn Mendes' by Shawn Mendes 19,000 / 1,687,000, 'Simulation Theory' by Muse 6,000 / 652,000, 'Skins' by XXXTentacion 6,000 / 495,000, the 'Spider Man: Into The Spider-Verse' soundtrack 37,000 / 696,000, 'Starboy' by The Weeknd 10,000 / 4,105,000, 'Staying At Tamara's' by George Ezra 18,000 / 1,297,000, 'Still On My Mind' by Dido 22,000 / 114,000, 'Stoney' by Post Malone 28,000 / 4,391,000, 'Sweetener' by Ariana Grande 25,000 / 2,204,000, 'Tha Carter V' by Lil Wayne 14,000 / 1,491,000, 'The Greatest Showman' soundtrack 49,000 / 6,405,000, 'The Thrill Of It All' by Sam Smith 3,000 / 2,688,000, 'Trench' by Twenty One Pilots 18,000 / 1,065,000, 'Views' by Drake 13,000 / 4,816,000, 'X' by Ed Sheeran 13,000 / 11,616,000, and 'Youngblood' by 5 Seconds Of Summer 10,000 / 1,046,000. As expected, Ariana Grande turns back at no.1 this week with '7 Rings'. The smash rules now for an eighth non-consecutive week with 273,000 points. Last week's chart-topper, 'Jiwaru Days' by AKB 48, tumbles down at no.20 with 103,000 points. Three regional rap acts debuting for the first time on our tally: the French duo PNL (Peace N' Lovés), consisting of the brothers Tarik and Nabil Andrieu, shoots at no.32 with 'Au DD' and 81,000 points. Vladislav Balovatsky, known professionally as Capital Bra, is a German rapper with Ukrainian and Russian heritage. 'Cherry Lady' is currently his 12th no.1 hit in Germany and his first on the Global Top 40, it jumps at no.39 with 72,000 points. Both songs profits from massive streaming... new one-week records in France and Germany! Close behind 'Cherry Lady' bows American rapper Lil Nas X at no.40 with 'Old Town Road' and 72,000 points. The song achieved viral popularity from the 'Yeehaw Challenge' on the social media app Tik Tok. 'Girls Like You' by Maroon 5 feat. Cardi B reaches the Top 100 of the ALL TIME CHART with a jump at no.97 and a total of 9,235,000 points. On our weekly tally it holds no.18 in its 43rd week with 111,000 points. Outside the Top 40 waiting among other 'Baila Baila Baila' by Ozuna at no.43 and 'Look Back At It' by A Boogie Wit Da Hoodie at no.44 for their first appearance on the big list.
Last year, Mastodon made splashes as an open source Twitter competitor but you can also use it as a Facebook alternative. Apart from all the differences in terms of privacy, character length, what really sets Mastodon apart is the “instance” feature. You can think of the service as a series of connected nodes (instances) and your account belongs to a particular instance.
It's like twitter, but minus the stuff you don't like, and made better. It introduces instances, which are connected but are their own separate site with their own rules and moderation, It has a 500 character limit for every "toot", and most of the instances have an amazing community from what I can tell. It honestly is the best alternative to Twitter. Veencorr • Mar 2018 • 3 agrees and 0 disagrees Disagree Agree
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).