When you log into MeWe, you’ll be taken to your homepage, which operates much like a Facebook newsfeed. (This story originally said you would be taken to a MyWorlds page, but that was actually in an older version of MeWe. The new version has a homepage with a newsfeed.) On the homepage, you’ll see posts by all your friends, a photostream, and a chat box where you can talk to people. MeWe also has groups you can join and an Events feature too. You have a notifications icon at the top of the page too, to let you know if any activity has happened related to your posts.  Here is what the homepage looks like on dekstop:
If you remember life online before the days of Friendster, Facebook, and Myspace, this might feel familiar. Everything old is new again, as pre-Mega Social Networks, social groups would gather and collaborate in semi-private spaces that they owned, like chat rooms or forums. Over time many of these social spaces often petered out because people migrated to the bigger networks like Facebook simply because they were free to use and often easier too. Hosting and running a forum, on the other hand, takes both money and time that few people are interested in spending long-term.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
There’s a bit of a barrier to entry, but it’s not that tough. If you need help signing up, there’s a great beginner’s guide here. Madeline Stone, who oversees public relations for Steemit, shared some advice on getting started on Steemit with Heavy.com. She advised:  “As far as helping people who are joining Steemit for the first time, posting in the introduceyourself tag is a great way to get started — other Steemians will then comment on your post and provide resources for newbies. People can also look for help by posting questions in the #help channel at https://steem.chat/home.”
It’s an interesting system that is flawed in a few ways. First off, Minds user base isn’t quite large enough to really incentivize you to reach as many users as possible via tokens. As such, you’re still kind of better off using your promotion time on Twitter and Facebook. Even if your content gets sucked into the void, it still feels like you’re getting more attention on popular platforms.

You can capture and edit images in the app, and there are plenty of filters on offer, but the main aim is to share your content. Followers can favorite your images and can also republish them, but there are no options for comments and there is less of a focus on winning ‘likes’. In fact, the amount of followers that every user has is hidden, so it’s a completely level playing field for novices and professionals alike. The ‘discover’ section of the app makes it easy to find and follow photographers, making it a great place to gather inspiration and broaden your photography skills.
With this network, you’re able to use your phone as a microphone, and record songs, bits of dialogue, and more. Uploading it to Musical.ly then attracts views, and comments and likes. It’s here where things can get a bit sticky with privacy, however. Would a parent be happy for a child’s performance (potentially wearing an outfit that emulates a star known for their sex appeal) to be publicly available online?
SteamZoo has long been touted as a great—if not better-alternative to Instagram, partially because of the way it turns editing and sharing your photos into more of a social game that's addictive to play. You can earn badges—much like FourSquare—for sharing photos, adding effects and borders, or even for taking pictures of specific subjects, like your dog or your dinner. Whether you encourage the behavior or not, StreamZoo is a pretty addictive app to use.

You see, there are two types of people in this world, those who love Twitter and those who think that Twitter is nothing but a total waste. If you are the second one, then this article is for you. Here, I am going to post a few websites which are considered as the best alternatives of Twitter. So without uttering any more word, here we are discussing those sites.


It doesn't bother with a social network on the back-end (and honestly, why bother if your friends are all on Twitter or Facebook and you're going to send the photo there anyway) which we can't fault them for. The real focus of Pixlr-O-Matic is the filters, the borders, the tweaks, and all of the changes you can make to your photos. In the end, you get over 2 million different permutations and options to make your photos look just right (or all wrong, depending) before you save the finished product to your camera roll or gallery and then share it with your friends.
500px is a money making machine and reward certain types of photography. (It’s also full of bots). Flickr was great, but it’s now a dinosaur. Tumblr is owned by Verizon and crippled with bots and porn. EyeEm is great as a platform to sell your images. Unsplash has a tremendous visibility but your work is then available for free even for commercial use. Behance is great to showcase projects, but not really made for sharing single images.

Trusted platform that does not ban people for offensive speech... speak freely is their motto. No Ads, and you can freely speak your mind without fear of being suspended, and without bias developers controlling statistics. As long as you follow the few simple guidelines that prevent bots, parody sites, and fake account abuse, you can speak freely without retribution. troberge • Apr 2017 • 15 agrees and 8 disagrees Disagree   Agree
Plurk utilizes a horizontal timeline, with messages summarized by single verbs (“feels”, “loves”, etc.). As you would expect, media files can be shared, and Plurks can be liked. Emoticons are an important element of the Plurk user experience, and your selection increases as your karma grows. Karma is based on your activity on the social networking site. Group chat and direct messaging are also featured on Plurk.
TweetDeck, now owned by Twitter, is a desktop powerhouse that tries to bring the same multi-column, quick filtering functionality to the iPhone. Favored by social media marketing, analyst, and engagement types because of the ability to sort, organize, manage, and push out tons of Twitter material, the approach translates down to the much smaller screen with okay but not great results.

Minds enables growth of connections to occur quickly if you are highly involved on the site and produce good content, when taking into consideration the quantity of users on the site. Boosting of content and profile/channel views can be achieved (via a points system) and not merely bought. Minds also clearly rewards users with points for using the social media site itself, whether in accessing the site each hour or in uploading rich media content such as graphics or videos, unlike Facebook. Guest • Mar 2017 • 3 agrees and 0 disagrees Disagree   Agree
@Zach Snader I actually somewhat disagree with @Lee Fuhr. I think this would be a great feature. I like Slack, but at the same time I don't. I like it because i know how to use it, but when dealing with teams and clients (especially), some people may not understand how to use Slack. I've seen it many times with people in my circles. For example courses and memberships held within Slack. Navigating the interface was too difficult for some people and they didn't know how to reply and keep a conversation in one thread. And many people complained about it. The idea isn't to compete with Slack, but to innovate and create something that caters to those who aren't necessarily Slack's ideal users.
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