When you log into MeWe, you’ll be taken to your homepage, which operates much like a Facebook newsfeed. (This story originally said you would be taken to a MyWorlds page, but that was actually in an older version of MeWe. The new version has a homepage with a newsfeed.) On the homepage, you’ll see posts by all your friends, a photostream, and a chat box where you can talk to people. MeWe also has groups you can join and an Events feature too. You have a notifications icon at the top of the page too, to let you know if any activity has happened related to your posts.  Here is what the homepage looks like on dekstop:
As a Berlin startup, EyeEm has to follow German data protection laws, which are stricter than those in the USA. And the user-friendly presentation of data protection information on the network has also received great praise: Users have access to the full terms and conditions of the data uploaded to the site and how it will/won’t be used, but they also receive a simple, comprehensible summary of this.
Since its founding in 2012, the operators of Ello have taken on a challenging task: they want to establish Ello as the leading, ad-free alternative to Facebook and other social platforms. This means that they’ll avoid personalized advertising at all costs. With Ello, there’s absolutely no forwarding of user data for advertising purposes and that isn’t likely to change. The platform is financed by a freemium model that involves the exchange of individual functions for small payments. There’s no official data about the number of users currently on the Ello network, but various sources range from 1.5 million to 4 million registered users, although the number of active users is assumed to be relatively low.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
There are very successful focused business-oriented social networks. LinkedIn, for example, attracts job seekers, as does Dribbble, which bills itself as the leading destination to find and showcase creative work. Work-focused networks are thriving. Which raises the question, “Would a big media brand or a big lifestyle brand have consumer permission to found and run a tightly focused social network?”
My name is Jamie Spencer and I have spent the past 5 years building money making blogs. After growing tired of the 9-5, commuting and never seeing my family I decided that I wanted to make some changes and launched my first blog. Since then I have launched lots of successful niche blogs and after selling my survivalist blog I decided to teach other people how to do the same.
No matter which Twitter alternative you use; you would see the growing influence of Musical.ly on other platforms. Muical.ly allows you to use famous audio cues from the platform to record a video performance. After you record the video, you are given plenty of filters and effects to add upon it. It then gives you an ability to share between the other social media platforms. After you publish your performance, it goes out in the public thread. This might raise an arrow or two for its lousy privacy, but Musical.ly have its privacy policy in place, fortunately. You can quickly change the privacy setting and select who can see your posts.
I have had Twitter since 2008, never used it until this Winter when we did daily treks to another city for health treatments. The rotten weather, road closures and guess what, the cops use Twitter, hydro guys, the road guys, the weather guys, they all use Twitter, so I'm sticking with Twitter. I'm probably in the minority, but I use my phone for texting and communicating when necessary. Gave up my landline 3 years ago and have a good data plan (2 phones, one for me, one for hubs). Twitter it is!
Now that Mark Zuckerberg controls your hipster, vintage-inspired photos that you took with Instagram, you might be feeling weighed down with the fear that your favorite photography app will see some major changes. I cried for a few minutes, then I realized that I never used Instagram to edit photos because its filters were actually very limited and pretty crappy. There’s tons of better apps out there. If for whatever reason you’re scared to stick with the new Instagram controlled by Facebook, there are plenty of alternatives to Instagram… and in many ways most of them are better. Take a look at these five awesome Instagram alternatives.
Each person also has a profile page, similar to Facebook’s, where you can add a cover photo, a profile photo, and status updates. You can also add fun little anecdotes on a sidebar, including what you’re eating, drinking, reading, watching, or quoting. In that sense, it’s a little reminiscent of the features some people enjoyed on MySpace. In the other sidebar, you can share bio details like your job, college, interests, and relationship status.
Gab has a strong commitment to ensuring freedom of expression for it's users. It is continually improving the it's usability and has a growing userbase of individuals. Unlike Twitter you get 300 characters, the ability to downvote posts and no ads. It's like Twitter before Jack become CEO again and started shadowbanning, deverifying and banning certain users for their politics. Guest • Sep 2018 • 2 agrees and 0 disagrees Disagree   Agree
MeWe bills itself as the ad-free, spyware-free, and censorship-free social network. Share your photos, videos, voice messages, GIFs, memes, and more to just one person, a specific group, or all your contacts. You can also send people disappearing GIFs and photos. Either way, MeWe won't track you. If you want to send end-to-end encrypted chats, however, it'll cost you 99 cents per month or $5.99 per year.

A simple chat (slack style) it's enough. Just having the possibility to send messages either single user or team (#channel). But please don't forgive to give an useful appeal to mobile app (worst error of competitors is, have a good app but totally no mobile friendly!) i would expect to have a similar whatsapp or slack app for messaging within the slack mobile app!
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