Das Programm ist in den Bundesländern Baden-Württemberg, Brandenburg, Nordrhein-Westfalen, Saarland und Thüringen aktiv. Die Durchführung der CHAT der WELTEN-Projekte wird durch die jeweiligen Partner in den Bundesländern vorgenommen. Die durchführenden Organisationen sind in Baden-Württemberg das Entwicklungspädagogische Informationszentrum (EPiZ) in Reutlingen, in Brandenburg die Regionalen Arbeitsstellen für Bildung, Integration und Demokratie (RAA), im Saarland das Netzwerk Entwicklungspolitik im Saarland e.V. (NES) und in Thüringen das Eine Welt Netzwerk Thüringen e.V. (EWNT).
These decentralized networks run on open-source software, which means anyone can contribute to the software to make it better, or download the code and modify it for their own instance. The software being open source doesn’t guarantee that the code itself is any more or less secure than the proprietary software that runs private social networks, but one of the main benefits of an open source platform is that anyone who has the technical knowledge can look “under the hood” and see exactly how Mastodon or Diaspora works.
It’s an interesting system that is flawed in a few ways. First off, Minds user base isn’t quite large enough to really incentivize you to reach as many users as possible via tokens. As such, you’re still kind of better off using your promotion time on Twitter and Facebook. Even if your content gets sucked into the void, it still feels like you’re getting more attention on popular platforms.

Feature for feature, Hubzilla is the best decentralized, open source competitor to Facebook. Compatibility with the Diaspora, OStatus (includes Mastodon), & ActivityPub (includes NextCloud) protocols allows it to communicate with nearly every other existing. I am happy that after he created Friendica, Mike Macgirvin & friends have continued to push forward by creating and developing Hubzilla. themagician • Mar 2018 • 1 agrees and 0 disagrees Disagree   Agree
Back in the day, pundits and thought leaders liked to ask, “Is ____ a nightclub or a public utility?” The theory is that nightclubs go in and out of style, but you’ll pay for and use the electric company’s product forever. With roughly 2.6 billion users, Facebook is clearly a utility. No digital product has ever been this size. The company has to break new ground every day just to keep from collapsing under its own weight. That said, the public sentiment combined with the political climate has created, at least in a small way, a market for alternative solutions.
Twitter, the platform I once loved, has turned into a terrible place. It's become a way to pervert the political discourse, to enable trolls, and to fuel the spread of conspiracy theories. And that's just lately. Seeing people I generally like and agree with subtweeting and attacking others—on top of the world's perpetually bleak news—has begun to gnaw away at my mental health and spiritual wellbeing. It simply isn't what I signed up for.

The subscriber usage data is the bread and butter of social networks like Facebook. Vero is an option in this case as it’s based on the subscription model; so, it doesn’t show ads and collect data for the same. This fast-growing social media alternative is only app-based. They do collect your usage stats but make it available to you only to monitor how often you use the service. However, this option is turned off by default.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Facebook noted on its blog post about the purge: “These networks increasingly use sensational political content – regardless of its political slant – to build an audience and drive traffic to their websites, earning money for every visitor to the site. And like the politically motivated activity we’ve seen, the ‘news’ stories or opinions these accounts and Pages share are often indistinguishable from legitimate political debate. This is why it’s so important we look at these actors’ behavior – such as whether they’re using fake accounts or repeatedly posting spam – rather than their content when deciding which of these accounts, Pages or Groups to remove.” Facebook went on to say that many of the pages used fake accounts to make their posts appear more popular than they were, or were actually ad farms. But some owners of these pages have insisted that they don’t fall under the description that Facebook listed. Sites with conservative, liberal, and Libertarian leanings have been removed.
Following local, national, and international news sources is a good place to start of course, but you can also keep an eye on relevant hashtags or create a Twitter list if you want to keep your news gathering separate from your socializing. For a boosted news experience on Twitter, connect your account to TweetDeck, where you’ve got more advanced search and filter tools.
As a Berlin startup, EyeEm has to follow German data protection laws, which are stricter than those in the USA. And the user-friendly presentation of data protection information on the network has also received great praise: Users have access to the full terms and conditions of the data uploaded to the site and how it will/won’t be used, but they also receive a simple, comprehensible summary of this.
Invitations to dinner parties; updates about work; an away day with the college football team: if you’re not using WhatsApp, you run the risk of missing out on important information. With more than a billion worldwide users to date, the app is more popular than almost any other on the market. But this networking comes with its disadvantages too: the main one being that WhatsApp shares user data...
Lately, I’ve written a lot about the alternative media purge and how Big Tech social media platforms are attempting to control the narrative, the elections, and public perception through censorship and financial blacklisting. Lots of people are ready to leave websites like Facebook, Twitter, and YouTube for less-censored pastures. But what are the social media alternatives that are currently available?
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If you have never heard of this social network you may be getting a bit old, because most users of Musical.ly are aged between 13 and 18. Even though teenagers use it, the platform provides some interesting and amusing features that foster artistic expression and allow you to share your creative output with millions of people. Twitter users often share songs and videos posted on Musical.ly, so why not leave Twitter and start sharing your own creative content on this social media network.
It’s an interesting system that is flawed in a few ways. First off, Minds user base isn’t quite large enough to really incentivize you to reach as many users as possible via tokens. As such, you’re still kind of better off using your promotion time on Twitter and Facebook. Even if your content gets sucked into the void, it still feels like you’re getting more attention on popular platforms.

@Lee Fuhr: Totally agree, For us I say leave this and use a tool built for the job - i.e. slack, I don't wish to have yet one more "chat" app on my phone and other devices, slack does the job well, supports multiple accounts and a bunch of cool stuff including clickup integration - why re-invent a nice round wheel which already comes with neat white walls? :)
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