Dan Caplen were No.1 and No.2, respectively, for eight weeks in a row. The duopoly continues: Lewis Capaldi’s Someone You Loved and Calvin Harris & Rag’n’Bone Man’s Giant are No.1 and No.2, respectively, in the singles chart for the fifth straight week – the longest such freeze since early 2018 when God’s Plan by Drake and These Days by Rudimental feat. Jess Glynne, Macklemore and Dan Caplen were No.1 and No.2, respectively, for eight weeks in a row. Someone You Loved hit a new high this week, with Capaldi’s song increasing consumption 2.38% week-on-week to 66,725 units – its 12th increase in 13 weeks - surpassing its previous best of 65,216 sales registered three weeks ago. In danger of falling into ACR, after its sales fell two weeks in a row, Giant rallies 5.12% to 55,502 sales. Cumulative consumption of both tracks passed the half million mark in the week, with Someone You Loved ending on 556,623 sales, and Giant on 545,482.
Facebook has been under relentless attack since the Cambridge Analytica scandal in early 2018. Broadcasters and news publishers have declared open season on Mark Zuckerberg, Sheryl Sandberg, and other senior executives at the company. And while not quite ubiquitous, #deletefacebook pops up every time there’s a story about data privacy. The EU has fined them, the US is trying to figure out how to regulate them, and the notion that free services should be absolutely free (as opposed to checking a box on a terms and conditions page that allows the free service to use your data as payment) is gaining traction.
Firstly, you can make all of your images available for purchase through the EyeEm app. EyeEm do this via Getty, take a handsome cut for the trouble, and you must have model and location releases as per other stock photography selling sites. But I must hand it to the EyeEm team, it is wonderfully simple to submit your photography for review to go on sale, and the app itself is enjoyable to browse.
Photographer Cole Barash likes to think of images in sequences. Whether he’s editing his work for a book, a zine or a gallery exhibition, he says, “I typically think in a conversation of images. It’s about the relationship of one image to another, communicating an idea or message.” He has carried those same principles to social media. When he posts...
Twitter, the platform I once loved, has turned into a terrible place. It's become a way to pervert the political discourse, to enable trolls, and to fuel the spread of conspiracy theories. And that's just lately. Seeing people I generally like and agree with subtweeting and attacking others—on top of the world's perpetually bleak news—has begun to gnaw away at my mental health and spiritual wellbeing. It simply isn't what I signed up for.
Metal for Facebook and Twitter is one of the up-and-coming Facebook apps. There has been a lot of positive press over the last couple of years. Like most, this is a web-wrapper (the mobile website inside of an app) with some tweaks and additional features included to improve the experience. It boasts an ad-free experience, advanced notifications, a few UI tweaks, and there are even theming options. The developer has had a good track record with updating the app with new Facebook features (along with fingerprint support) and it’s a pleasant overall experience.

Thanks to its distributed design and because no person owns it, it’s away from any kind of advertisement and corporate interference. After making an account, you retain the ownership of your personal data. It’s also better than Facebook for people who wish to hide their real identity as it allows pseudonyms. You can use hashtags, mentions, text formatting, etc.
While a free speech focused service might not seem unreasonable, it hasn’t worked out well for Gab so far. Its mobile app was banned in 2016 from the Apple App Store due to adult content. In 2017, meanwhile, Google removed the app from the Play Store for violating its hate speech policy, noting that Gab failed to “demonstrate a sufficient level of moderation, including for content that encourages violence and advocates hate against groups of people.”
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
Vero is a subscription based social network. It shows no ads and doesn’t collect data. It’s a totally different model to Facebook in the sense that Facebook needs user data in order to make money from them. Vero does collect some usage data which is used to see how often the app is used, but note that this option by default is off. Unlike Facebook where they have everything turned on and you have to go into your settings and turn them off.
Users are allowed to self-censor by flagging (although flagging is discouraged), and they vote on the merits of a post through upvotes, much like you would “like” a Facebook post or upvote a Reddit submission. But the big thing that makes Steemit stand out is that you get paid for your posts in the form of Steem cryptocurrency, based on how many votes your posts get. And you also get paid based on your own curation of other people’s posts, and the upvotes that your comments on posts receive.
Instagram, owned by Facebook has grown over the past few years by leaps and bounds. It’s an all round social network, as it lets you upload photos, short videos and even exchange texts with others. The great thing is you can set Instagram to post your updates on your Facebook, Twitter and other profiles as well. Thanks to Instagram’s popularity, there has been a rise in various similar apps, which you can check out.
Photographer Cole Barash likes to think of images in sequences. Whether he’s editing his work for a book, a zine or a gallery exhibition, he says, “I typically think in a conversation of images. It’s about the relationship of one image to another, communicating an idea or message.” He has carried those same principles to social media. When he posts...
Unlike Twitter, Instagram doesn’t have a word limit on its posts, although the users insist that there is a cap after 2,200 characters, which is relatively long anyway. Instagram allows three types of posts: picture, video, and GIF. It also features hashtags and allows up to 30 hashtags on a single post. There is a Direct Message facility to send texts, photos, videos, GIFs and stickers to anyone on the platform, even Beyonce. Addition to that, it has Stories, which is a status update with photos and videos with 24 hours of life, after which they are automatically deleted.
I think that when using Instagram you have to let go of the "full glory" thought process, just as anyone who prints their images on a large scale would tell you that you cant see the real image on a computer screen. Instagram was designed for mobile platforms, it's geared more towards composition and story than technical perfection. One could argue that if your image relies on being seen larger and doesn't look any good on instagram, maybe your composition or story isn't strong enough. Do a google image search on "Gregory Crewdson" and look at the images as thumbnails, obviously his work is designed to be viewed on a much larger scale so you'll miss some of the subtitles, but even as thumbnails the images are strong.
My American cousins would describe this selection to be "out of left-field" and rightly so. Steller is more of a story sharing app, and at it's best combines excellent photography paired with engaging narratives. Stellar's story building tools are template based, simple to use and make your content look slick very quickly. It has a similar feed scroll feel to Instagram, but clicking on a title page lets you delve into an in-depth project rather than just a collection of hashtags and comments.

Reddit is a public forum where people post and comment on things they are interested in. Generally, Reddit users share questions, stories, images or anything that may be interesting. Then, people connect with each other through comments. The great community Reddit has built over the years makes it a great social platform. There are also some cool Reddit alternatives you should check out.

For my money, at least, I'd much rather you focus on solving the other ten zillion things than go up against Slack. You'll have a hard time displacing Slack for us, and I'm confident nearly everyone we work with would say the same. Even if we liked CU's chat, we'd still have Slack open for the other 15 teams I chat with, so we'd end up going right back to it, methinks…
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