Although Vero is similar in many respects to competitors such as Facebook and Instagram (profile, structure, timeline, news feed), the platform offers some interesting unique selling points: The messages in the timeline are not pre-filtered by an algorithm, but appear in chronological order. Contacts can also be divided into four categories: 'followers', 'acquaintances', 'friends', and 'close friends'. These groups can then be selected or deselected as the target group when a post is published, so that only the desired audience is informed.
The aptly named Hipster borrows a lot from Instagram, including the snappy photo shooting and all of the great filters you can apply to your photos. Hipster also allows you to add text captions to your photo "postcards" before sharing them, and then post your photos to Twiter, Facebook, Flickr, or Tumblr for others to see. It's fast, easy to use, and probably the simplest to get started with in the roundup.

Dan Caplen were No.1 and No.2, respectively, for eight weeks in a row. The duopoly continues: Lewis Capaldi’s Someone You Loved and Calvin Harris & Rag’n’Bone Man’s Giant are No.1 and No.2, respectively, in the singles chart for the fifth straight week – the longest such freeze since early 2018 when God’s Plan by Drake and These Days by Rudimental feat. Jess Glynne, Macklemore and Dan Caplen were No.1 and No.2, respectively, for eight weeks in a row. Someone You Loved hit a new high this week, with Capaldi’s song increasing consumption 2.38% week-on-week to 66,725 units – its 12th increase in 13 weeks - surpassing its previous best of 65,216 sales registered three weeks ago. In danger of falling into ACR, after its sales fell two weeks in a row, Giant rallies 5.12% to 55,502 sales. Cumulative consumption of both tracks passed the half million mark in the week, with Someone You Loved ending on 556,623 sales, and Giant on 545,482.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Upvote! If ClickUp implements an effective chat function, just like Slack, then I am going to ditch Slack entirely and migrate my team to ClickUp once and for all. Slack is a simple idea (compared to something like Git), but has achieved tremendous success because it fulfills an essential and important need for running any kinds of businesses or organizations. Of course, its sophistication makes it a better tool than alternative solutions like whatsapp. But it is still a pain in the neck to go back and forth between Slack and ClickUp or another management tool. I seriously feel that ClickUp has the potential to compete with Slack. I also feel the philosophy of the ClickUp is compatible with this model of combining communication with project management. You care about UX, and not just what you could make and sell. From a user's perspective, I'd like to have a tool where I could talk to my team members and manage projects/tasks at the same time.
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