Diaspora is a nonprofit social networking platform similar to Instagram that you can share your status, images, and see other people’s comment on the material. This tool also ensures the users that it will not sell its member’s information to advertisers. However, unlike the other social networking programs above, it has few users. This program is not widely known in many countries.
In the last quarter of 2017, Twitter had only 330 million users, much less than Facebook that had 2,07 billion users or Instagram that had approximately 700 million users over that same period. Despite being easy to use and a powerful tool for reaching like-minded people or potential customers for your company's products Twitter is slowly losing the reputation it once had.
Phoenix is an app that can replace both your Facebook and (Facebook) Messenger applications. This app supports custom layouts and themes, while the same can be said for voice calling as well. Chat heads feature is supported by the application, and the developer has made a custom photo viewer for the application, and the same can be said for a video player as well. This app also offers a familiar design which has been somewhat adapted by the developer, of course, for the better.
Vero is a subscription based social network. It shows no ads and doesn’t collect data. It’s a totally different model to Facebook in the sense that Facebook needs user data in order to make money from them. Vero does collect some usage data which is used to see how often the app is used, but note that this option by default is off. Unlike Facebook where they have everything turned on and you have to go into your settings and turn them off.
Some argue that the only reason Twitter is holding onto 330 million users is because the 45th POTUS uses the platform. But Donald Trump isn’t the worst person on the social network. Trolls, extremists of all political and religious persuasions, terrorists, criminals, mob rule and partisanship… and then there’s virtue signaling celebrities, splitting their audience with a typical lack of self-awareness.

Edmodo is focused on the education sector. Social media connections between students and teachers How Facebook Plans to Disrupt Education How Facebook Plans to Disrupt Education Facebook recently made a deal with Summit Public Schools, and the implications of this partnership might change everything we know about public education. Read More are playing an increasingly important role in the classroom, but the more public and open platform of services like Facebook tempers their suitability. This has left educators looking around for Facebook alternatives.
When it comes to searching for additional sources of income to finance the project, Ello’s creators are rather creative: they have plans to begin generating revenue through user transactions carried out on their network – so by taking a commission on CD sales, for example. One of Ello’s principles is that its users aren’t obliged to use their real names, which had previously been the case at Facebook and caused outrage. When it first started out, Ello was a closed network, only accessible through an invitation to join from a registered user. This has since been relaxed, and today Ello is available for all interested parties. Critics of the site claim that Ello can’t really be considered a true Facebook alternative because it’s lacking many of the basic functions required to compete. For example, private communication between users via a chat box function is currently not possible. Ello’s focus instead is on high-quality content for all to see, making it an excellent environment for artists and photographers. Users from creative backgrounds are often attracted by Ello’s simple, minimalistic design, leaving lots of space for user posts to shine.
Photographer Cole Barash likes to think of images in sequences. Whether he’s editing his work for a book, a zine or a gallery exhibition, he says, “I typically think in a conversation of images. It’s about the relationship of one image to another, communicating an idea or message.” He has carried those same principles to social media. When he posts...
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
A truly transnational campaign. Ahead of May elections @EuroAlter will send 5 caravans to 15 countries to meet social movements, NGOs, and citizens initiatives. Another Europe is not something to aspire to. But something that already exists on the ground.https://transeuropacaravans.eu/?fbclid=IwAR1GD7vRt7N5NxrEEww87vgwdO9ugI3waHFo9klWiHb-HNcmiB6nv2P2D9s …

External companies are also looking at reining in the data that Facebook has access to. Mozilla, which makes the Firefox web browser, has just launched a Facebook Container Extension (a downloadable plug-in) that prevents Facebook from tracking you across other websites. Other plug-ins, such as Ghostery for Google’s Chrome browser (also available for other browsers) and Facebook Disconnect 2016, offer their own tracker-blocking features.
Facebook kind of took the internet world by storm when it went global in 2006 and it is arguably the biggest social network now. We all have a Facebook account and it would be lying if anyone said they haven’t had one ever. Facebook has been loved so much by people and it continues to add new features in a bid to remain at the top of the social network world. But there are times when we get a little saturated by Facebook and want a new fresh alternative. Although the truth is, there are no worthy Facebook alternatives.

Diaspora's key advantage is that it's based on open source software that multiple servers can run. It does not put your private information, your likes, your contacts and your photos in the hands of one corporation who then use it to increase their own private profits by selling your privacy. Diaspora is much smaller though. The UI feels more like Google Plus than Facebook. JohnFastman • Dec 2016 • 8 agrees and 2 disagrees Disagree   Agree
Someone seeking to join a Mastodon or Diaspora instance only needs to set up an account on the instance they want to join, no specialized tech knowledge needed. And both platforms are designed with ease of use in mind, so people joining will likely find the interfaces familiar enough to adopt quickly – the default Mastodon styles are similar to Twitter, for example.
People who enjoy sharing a photo on Twitter from time to time should switch to Instagram because the platform provides much more photo editing features. In addition to amazing photo effects you can use on Instagram, you can post videos, which last up to sixty seconds or Stories that also last less than one minute. The platform's aspect ratio restrictions have been lifted so, you can post square, horizontally and vertically oriented images or videos.
Instagram may be the alpha and omega of photographic social networks, but it’s not without its discontents. “I have an inherent distrust of Facebook,” says photographer Greg Williams. “I don’t feel like any of it is serving the user, we’re serving them and they’re selling us out to advertisers.” It’s a sentiment echoed by photographers like Erin Marie Miller and...

Believe it or not, there are plenty of social networks and messaging apps that you can use instead of Facebook. For years these networks and apps have been living in the shadows of the mighty beast that is Facebook. But now is the time to explore a better way of interacting with friends and family without the fear of your data being stolen and stored on huge servers in far flung places.
Since its founding in 2012, the operators of Ello have taken on a challenging task: they want to establish Ello as the leading, ad-free alternative to Facebook and other social platforms. This means that they’ll avoid personalized advertising at all costs. With Ello, there’s absolutely no forwarding of user data for advertising purposes and that isn’t likely to change. The platform is financed by a freemium model that involves the exchange of individual functions for small payments. There’s no official data about the number of users currently on the Ello network, but various sources range from 1.5 million to 4 million registered users, although the number of active users is assumed to be relatively low.
This is certainly an excellent alternative to Instagram, the main downside would probably be that highly saturated, HDR images seem to make up large proportion of curated lists which can lead users to be rather formulaic in their attempt to gain popularity on the site rather than being original. The reach to the masses is also no way near Instagram levels so some of your work is likely to be ignored completely.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
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