You will be amazed to know that Instagram allows users to upload about thousands of images on its platform within few seconds. It can instantly connect you to many other networking sites too like Facebook, Twitter and Tumblr etc for easy sharing of stories. The best part is that this platform is not just limited to Photo sharing rather it can also be used for sharing eye catching videos but the maximum supported time duration for videos is 15 seconds only. Instagram also allows people to follow others like most of the social media applications. Users can customize their account settings with ease so that privacy of all uploaded photos or videos can be maintained.
The fragmentation that easily happens in decentralized networks can be a blessing, especially for groups that form around beliefs or identities where it can be hard to meet people safely. For instance, those belonging to marginalized groups, or folks with more fringe or misunderstood interests tend to appreciate the in-group feeling they get from a federated social network.
PicPlz used to be my personal favorite, until pressure from Instagram on Android forced them to shut down. In their place though, a new challenger has risen—one with an old name. Flickr's new Android app brings most—if not all—of the same features that Instagram offers and combines them with Flickr's own photo-centric social network where your photos belong to you and no one else. Flickr's new Android app lets you take photos straight from your camera and apply filters to them if you choose, then share them with friends on Flickr, Facebook, Twitter, or anywhere else you choose.
With this network, you’re able to use your phone as a microphone, and record songs, bits of dialogue, and more. Uploading it to Musical.ly then attracts views, and comments and likes. It’s here where things can get a bit sticky with privacy, however. Would a parent be happy for a child’s performance (potentially wearing an outfit that emulates a star known for their sex appeal) to be publicly available online?

MeWe bills itself as the ad-free, spyware-free, and censorship-free social network. Share your photos, videos, voice messages, GIFs, memes, and more to just one person, a specific group, or all your contacts. You can also send people disappearing GIFs and photos. Either way, MeWe won't track you. If you want to send end-to-end encrypted chats, however, it'll cost you 99 cents per month or $5.99 per year.
The fragmentation that easily happens in decentralized networks can be a blessing, especially for groups that form around beliefs or identities where it can be hard to meet people safely. For instance, those belonging to marginalized groups, or folks with more fringe or misunderstood interests tend to appreciate the in-group feeling they get from a federated social network.
Today's Twitter calls to mind the plot of Ghostbusters 2: It's a digital sewer of negativity slime we're all wading through. With the company's fortunes tied directly to user count, there's little incentive to purge bad actors or even those who break Twitter's own rules, especially if they're famous enough. In this case, I did what the Ghostbusters might do—I broke with the establishment and took things into my own hands. I (mostly) left Twitter, and joined Mastodon.
Steemit is still a work in progress, and new features are being added constantly. For example, Steemit recently changed many underpinnings of how the network operates in order to help onboard new users faster. (Sometimes there is a waiting period before a new account is approved.) Stone told Heavy: “Hardfork 20 is going to improve the account creation process and user experience (post editing and voting, specifically) on Steemit and other decentralized apps on the Steem blockchain.”
First let’s talk about Vero. Anyone that is leaving FB due to privacy concerns and data management concerns would be foolish to trust Vero. Ayman Hariri the founder of Vero is the son of a currupt politician from the Islamic country of Jordan, Ayman himself is personally is a currupt billionaire businessman with serious humanitarian concerns in his recent history, just check on the abandonment of his foreign workers in his former construction company. Not exactly people I would trust with my personal information, but do with it as you will.
Feature for feature, Hubzilla is the best decentralized, open source competitor to Facebook. Compatibility with the Diaspora, OStatus (includes Mastodon), & ActivityPub (includes NextCloud) protocols allows it to communicate with nearly every other existing. I am happy that after he created Friendica, Mike Macgirvin & friends have continued to push forward by creating and developing Hubzilla. themagician • Mar 2018 • 1 agrees and 0 disagrees Disagree   Agree
Fire up the app, and when you tap to take a picture, you're shunted to your phone's default camera app to take your photo. Snap it, and you're returned to Flickr to edit it. Best of all, Flickr gives you ultimate control over the licensing of your photos. You can make them public or private, license them yourself via Getty, make them remix-friendly via Creative Commons, or keep them locked down, all rights reserved to you. And contrary to previous reports, Flickr is still a buzzing social network with thousands of users and thousands more photos.

All social networks are a cancer on the body of the Internet. They may be convenient, they may provide some desired services but they also provide as many undesired problems (if not more). If they are controlled or moderated, then everybody is only allowed to say the same things and have the same opinion. If they are open then they become platforms for abuse, cyberbullying, ostracism, etc. If social networks disappeared overnight, the Internet would become a much more civilized space.


Another worry with deleting Facebook is that without it, you won't be able to remember anyone's birthday. Luckily, there's a way to export your friends' birthdays directly from Facebook before you delete your account. First, log into the social network, then click Events on the left-hand side. Toward the bottom, there's an option to add events to your calendar of choice, like Microsoft Outlook, Google Calendar, or Apple Calendar. There, tap "Learn More." You'll be led to a full set of instructions for how to export all your friends' birthdays.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.

Firstly, you can make all of your images available for purchase through the EyeEm app. EyeEm do this via Getty, take a handsome cut for the trouble, and you must have model and location releases as per other stock photography selling sites. But I must hand it to the EyeEm team, it is wonderfully simple to submit your photography for review to go on sale, and the app itself is enjoyable to browse.
The recent purge and exodus from Facebook was timed quite well, considering Steemit’s recent changes that make it faster for people to join the network. David Jefferys, Business Development Manager for Steemit, said about the timing: “Steemit is open for business and the timing couldn’t be more perfect with the fragmentation and disenfranchisement pervading the major social media networks.” 
Polaroid's resurrection continued in 2016 with the release of their social multimedia platform SW/NG, and I'd put it down as one of the most under-rated social mobile platforms around. Forget Instagram Boomerangs, SW/NG brings pictures to life much in the same way Live Photos does on iPhone. Using the app feels similar to Instagram with the continued scroll of your feed, but pictures move as you scroll. The app feels cleaner than Instagram, and encourages users to think differently when composing an image given that a moving subject or background is more compelling.
The biggest problem with Plurk is its lack of growth. The service still lacks some quality of life features and makes it difficult to do things like search and manage multiple conversations. This means that Plurk is widely used by long-time users. Since many of those long-time users are based in Taiwan and Asia, you might feel like a stranger in a strange land.
last week's sales, the second figure the total sales: '1989' by Taylor Swift 6,000 / 10,933,000, '21' by Adele 9,000 / 29,516,000, '24k Magic' by Bruno Mars 8,000 / 5,100,000, '25' by Adele 10,000 / 21,912,000, 'American Teen' by Khalid 20,000 / 2,949,000, 'Astroworld' by Travis Scott 38,000 / 3,041,000, 'Beautiful Trauma' by Pink 7,000 / 3,261,000, 'Beerbongs & Bentleys' by Post Malone 52,000 / 4,766,000, the 'Black Panther' soundtrack 9,000 / 1,851,000, 'Camila' by Camila Cabello 9,000 / 1,848,000, 'Championships' Meek Mill 30,000 / 1,082,000, 'Culture II' by Migos 13,000 / 2,031,000, 'Damn.' by Kendrick Lamar 14,000 / 5,216,000, 'Dangerous Woman' by Ariana Grande 8,000 / 2,444,000, 'Divide' by Ed Sheeran 41,000 / 14,226,000, 'DNA' by the Backstreet Boys 8,000 / 546,000, 'Evolve' by Imagine Dragons 21,000 / 4,378,000, 'Goodbye & Good Riddance' by Juice WRLD 30,000 / 1,734,000, 'Head Above Water' by Avril Lavigne 16,000 / 204,000, 'I Am > I Was' by 21 Savage 28,000 / 779,000, 'In The Lonely Hour' by Sam Smith 9,000 / 8,013,000, 'Invasion Of Privacy' by Cardi B 27,000 / 2,623,000, 'Kamikaze' by Eminem 23,000 / 2,461,000, 'Love' by Michael Bublé 10,000 / 1,108,000, 'Love Yourself 轉 Answer' by BTS (Bangtan Boys) 15,000 / 2,286,000, the 'Mamma Mia! Here We Go Again' soundtrack 6,000 / 1,339,000, 'More Life' by Drake 13,000 / 4,133,000, 'Origins' by Imagine Dragons 28,000 / 1,092,000, 'Pray For The Wicked' by Panic! At The Disco 19,000 / 1,187,000, 'Queen' by Nicki Minaj 10,000 / 1,198,000, 'Question Mark' by XXXTentacion 55,000 / 3,210,000, 'Red Pill Blues' by Maroon 5 10,000 / 1,774,000, 'Reputation' by Taylor Swift 12,000 / 4,764,000, 'Scorpion' by Drake 43,000 / 4,936,000, 'Shawn Mendes' by Shawn Mendes 19,000 / 1,687,000, 'Simulation Theory' by Muse 6,000 / 652,000, 'Skins' by XXXTentacion 6,000 / 495,000, the 'Spider Man: Into The Spider-Verse' soundtrack 37,000 / 696,000, 'Starboy' by The Weeknd 10,000 / 4,105,000, 'Staying At Tamara's' by George Ezra 18,000 / 1,297,000, 'Still On My Mind' by Dido 22,000 / 114,000, 'Stoney' by Post Malone 28,000 / 4,391,000, 'Sweetener' by Ariana Grande 25,000 / 2,204,000, 'Tha Carter V' by Lil Wayne 14,000 / 1,491,000, 'The Greatest Showman' soundtrack 49,000 / 6,405,000, 'The Thrill Of It All' by Sam Smith 3,000 / 2,688,000, 'Trench' by Twenty One Pilots 18,000 / 1,065,000, 'Views' by Drake 13,000 / 4,816,000, 'X' by Ed Sheeran 13,000 / 11,616,000, and 'Youngblood' by 5 Seconds Of Summer 10,000 / 1,046,000. As expected, Ariana Grande turns back at no.1 this week with '7 Rings'. The smash rules now for an eighth non-consecutive week with 273,000 points. Last week's chart-topper, 'Jiwaru Days' by AKB 48, tumbles down at no.20 with 103,000 points. Three regional rap acts debuting for the first time on our tally: the French duo PNL (Peace N' Lovés), consisting of the brothers Tarik and Nabil Andrieu, shoots at no.32 with 'Au DD' and 81,000 points. Vladislav Balovatsky, known professionally as Capital Bra, is a German rapper with Ukrainian and Russian heritage. 'Cherry Lady' is currently his 12th no.1 hit in Germany and his first on the Global Top 40, it jumps at no.39 with 72,000 points. Both songs profits from massive streaming... new one-week records in France and Germany! Close behind 'Cherry Lady' bows American rapper Lil Nas X at no.40 with 'Old Town Road' and 72,000 points. The song achieved viral popularity from the 'Yeehaw Challenge' on the social media app Tik Tok. 'Girls Like You' by Maroon 5 feat. Cardi B reaches the Top 100 of the ALL TIME CHART with a jump at no.97 and a total of 9,235,000 points. On our weekly tally it holds no.18 in its 43rd week with 111,000 points. Outside the Top 40 waiting among other 'Baila Baila Baila' by Ozuna at no.43 and 'Look Back At It' by A Boogie Wit Da Hoodie at no.44 for their first appearance on the big list.
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