Ich habe eine Frage zum global chat. Bisher war es immer so, dass man durch Enter das Textfenster für den Global chat öffnet. Jetzt wird dadurch allerdings das Fenster für den local geöffnet. In den Settings steht, dass die Taste für den Local entweder Einfügen (insert) oder / ist. Auch diese Tasten rufen bei mir das Textfeld für den local auf. Nur gibt es jetzt für mich halt keine Taste mehr für den Global. In den settings kann man auch gar keine Taste für den Global belegen.

I think that when using Instagram you have to let go of the "full glory" thought process, just as anyone who prints their images on a large scale would tell you that you cant see the real image on a computer screen. Instagram was designed for mobile platforms, it's geared more towards composition and story than technical perfection. One could argue that if your image relies on being seen larger and doesn't look any good on instagram, maybe your composition or story isn't strong enough. Do a google image search on "Gregory Crewdson" and look at the images as thumbnails, obviously his work is designed to be viewed on a much larger scale so you'll miss some of the subtitles, but even as thumbnails the images are strong.
Metal for Facebook is actually an app that can replace both your Facebook and Twitter apps. This app allows you to set a “Metal Bar” in your notifications shade, so that you can access it at any time. Push notifications and themes are supported by the app, while the application itself weighs only 3MB. A special theme for OLED displays is included here, while this app also allows you to secure it via a password or your fingerprint.
Gab has started with a distinctive motive of promoting free speech, and still successfully manages to escape the rightist policies that rule the other social media networks. This is represented by its Pepe frog logo. The CEO of Gab, Andrew Torba aptly describes it as the ‘left-leaning Big social monopoly.’ Being a complete free speech platform has put Gab in a unique position, and also in troubles.

Coworkers.com - How's Your Work? Get And Give Professional Feedback. Analyze And Improve Your Performance. Show Off Your Expertise. Advance Your Career. Users connect with current and former colleagues for honest and, if desired, anonymous feedback on their professional profile, their overall work performance, and the quality and effectiveness of… Read more about Coworkers.com

Puffin for Facebook is by the same developers that made Puffin Browser. This is a browser app specifically made for Facebook. It features data compression that allows you to surf Facebook while using less data and also includes a tweaked UI for more enjoyable browsing. It works better on lower-end devices on slower network connections. Those with faster connections and newer phones may have a better experience with a different app. It's completely free with no in-app purchases.

Pros & Cons Of course, Twitter has its disadvantages as well as advantages. To determine whether this social media platform would be the right fit for your  pros and cons of twitter for businessnegatives of twittertwitter 280 characters pros and conspros and cons instagrampros and cons of snapchat for businessbenefits of twitter vs facebookPeople also search for ...
MeWe bills itself as the ad-free, spyware-free, and censorship-free social network. Share your photos, videos, voice messages, GIFs, memes, and more to just one person, a specific group, or all your contacts. You can also send people disappearing GIFs and photos. Either way, MeWe won't track you. If you want to send end-to-end encrypted chats, however, it'll cost you 99 cents per month or $5.99 per year.

But what if consumers are ready for a new new thing? What if smaller, higher-quality, more engaged audiences can self-assemble around a brand? What if consumers are yearning for restored trust, a semblance of privacy, and true transparency? A tall order, to be sure. But if you could leverage a trusted brand to fill the bill, is the time right for the emergence of focused branded social networks? I’m pretty sure the answer is yes.


I’ve reviewed VSCO before, and I personally think it’s a great platform. VSCO is about sharing creativity, and it’s not about collecting likes, hearts, or comments. You can favorite and republish photos you like, but the main goal is to share your photos with like-minded creators, and find inspiration in the community.  VSCO is a camera, editor, and platform in one. | VSCO – Free

Minds is an open source alternative to Facebook that values freedom of speech above all else. They do not censor post or videos because they disagree with them. Minds has a built in blogging system as well as video uploads. Best of all is Minds ability to use points to buy views for your post, enabling self-advertising on the site! Guest • Mar 2017 • 6 agrees and 1 disagrees Disagree   Agree

Users can upload images and videos and use them to tell a story using various layout templates. If you want to tell a story with a series of images, you can then add new videos or images before sharing them. These images can then be seen in the ‘storyline’ feed along with any other stories that a particular user follows. Other users can like and comment on posts in the exact same way as on Instagram, and can also share them to other social media platforms: as can you.
An exciting Facebook alternative that was released in 2015, but has only recently seen a huge influx of new users, is the social network, Vero. At the beginning of March 2018, for example, CEO Ayman Harari, worth billions of euros, announced an increase of more than three million users, after Vero had previously been a relatively niche app with around 200,000 active members. Not only effective influencer campaigns played an important role, but also the current offer of free lifetime membership won users over. The app, which is available for iOS, and Android, might only be available with a paid annual subscription in the future. However, the offer has been initially extended until further notice.
I’d be remiss to not mention Slack or Discord here as well. Those services are good, but they are too insular to be a real threat to Twitter. You have to know someone on the inside to get in yourself, and there are so many versions/channels/servers for you to join it’s hard to keep them all straight. They can be good for you and a couple dozen (hundred) of friends to stay in touch, but it’s not great for a Twitter-style experience.
Jolyn, I agree with you wholeheartedly. This very same thing has happened to me. This will be the 4th time. I already started 3 times, and my friends can still see there are 3 more FB’s that belong to me out there. I don’t feel right about sending any more info. It all seems wrong… Come to think of it, Because I was hacked, then why would I want to use that same one anyway…I wish there was an alternative to fb.
Someone seeking to join a Mastodon or Diaspora instance only needs to set up an account on the instance they want to join, no specialized tech knowledge needed. And both platforms are designed with ease of use in mind, so people joining will likely find the interfaces familiar enough to adopt quickly – the default Mastodon styles are similar to Twitter, for example.
Traditional e-mail is still a big part of online communication for private and for business use, with many users typically opting for Outlook as their e-mail client. For PC users, Microsoft is practically an essential, but many private users and small businesses often look for alternatives. Luckily, there is a great number of free e-mail programs available for anyone put off by Outlook’s licensing...
Realistically, Facebook has the advantage of scale – everyone is on it, and it’s not going to be easy to get enough people to switch over to a new network to make it a viable alternative. Networks that focus on niche communities may have better luck, but for average users, the best option is probably to pick a network that appeals to you, join up, explore, and cross-post with your regular social media. Like it or not, Facebook and Twitter are dominant, and any serious competitor is going to have to integrate with them to at least some degree to make switching a softer move for the users.
When it comes to searching for additional sources of income to finance the project, Ello’s creators are rather creative: they have plans to begin generating revenue through user transactions carried out on their network – so by taking a commission on CD sales, for example. One of Ello’s principles is that its users aren’t obliged to use their real names, which had previously been the case at Facebook and caused outrage. When it first started out, Ello was a closed network, only accessible through an invitation to join from a registered user. This has since been relaxed, and today Ello is available for all interested parties. Critics of the site claim that Ello can’t really be considered a true Facebook alternative because it’s lacking many of the basic functions required to compete. For example, private communication between users via a chat box function is currently not possible. Ello’s focus instead is on high-quality content for all to see, making it an excellent environment for artists and photographers. Users from creative backgrounds are often attracted by Ello’s simple, minimalistic design, leaving lots of space for user posts to shine.
Osfoora is a lot like the official Twitter for iPhone app was before the recent changes in version 4.0. That is to say, anyone who liked the original Tweetie will be immediately familiar with most of Osfoora. But Osfoora doesn't just stick to conventions, it jams a lot more features in as well. There's everything from a "home screen" with big icons for major functions to unread badges on the major sections.
MeWe’s Alexa ranking is lower than Steemit’s, coming in at 28,506 globally and 7,300 in the U.S. But it’s definitely growing in interest. David Westreich from MeWe shared some interesting statistics about the site with Heavy. MeWe currently has more than 70,000 groups, and it’s available on iOS, Android, and Desktop in eight languages. MeWe is currently the number 6 trending app in the Google Play Store. Its global appeal is seen in that it ranked number one as the most downloaded app in Saudi Arabia last month.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
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