There’s no end-to-end encryption on either platform’s private messaging at the moment, and to be fair there isn’t for Twitter or Facebook either (though Facebook is rumored to be looking into it for their Messenger). Both Mastodon and Diaspora are built on the idea that the conversations happening are meant to be public, so the privacy emphasis is on keeping user data in user ownership and out of advertiser’s hands, not keeping conversations out of the public eye.


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Users are allowed to self-censor by flagging (although flagging is discouraged), and they vote on the merits of a post through upvotes, much like you would “like” a Facebook post or upvote a Reddit submission. But the big thing that makes Steemit stand out is that you get paid for your posts in the form of Steem cryptocurrency, based on how many votes your posts get. And you also get paid based on your own curation of other people’s posts, and the upvotes that your comments on posts receive.

If you're friends with hundreds or thousands of people on Facebook, it understandably might not be worthwhile to put them all in your Gcal. In this case, it might be easiest just to take 20 minutes or so to add your close friends and family member's special days to your calendar. And really, did the annual onslaught of best wishes on Facebook add much to your life in the first place?

Here's what I think you'll find: Mastodon users are nice people. The wider federated network has posts in English, Japanese, Spanish, and from techy open source enthusiasts. It's way more queer and trans-friendly. Neurodivergent users are out and proud. Furries are all about it. I'm seeing more and more amazing artists posting their work. Sex workers exiled from other social media have even made their home on a Mastodon instance.

Firstly, you can make all of your images available for purchase through the EyeEm app. EyeEm do this via Getty, take a handsome cut for the trouble, and you must have model and location releases as per other stock photography selling sites. But I must hand it to the EyeEm team, it is wonderfully simple to submit your photography for review to go on sale, and the app itself is enjoyable to browse.
Emoticons are one of the main ways to interact with your friends and followers on the platform. The number of emoticons on your profile increases with your involvement, which it calls ‘Karma.’ Plurk also has mainstream features like Direct and group messaging. It is a very indistinguishable platform compared to Twitter but, it’s a happy, colorful place.
A press release about the change, which was just implemented at the end of September, reads that this is “a software upgrade that will take the Steem blockchain from its current bandwidth system to a new system based on Resource Credits, or RCs. This upgrade will enable Steem DApps to create free accounts, making it easier than ever to onboard new users and cementing Steem’s lead as the blockchain with the lowest barriers-to-entry… Hardfork 20 also improves user experiences on Steem by enabling unlimited post editing on steemit.com, allowing curators to vote on a post within 15 minutes of it being published (a change from 30 minutes) and putting more rewards back in the hands of curators by removing an unfair advantage that self-voting authors had.”

More and more people are wanting to leave Facebook, especially after Facebook recently deleted (or “unpublished”) more than 800 pages. On Thursday, Facebook acknowledged that it purged more than 800 Facebook accounts. They said the pages were focused on politically oriented content that violated Facebook’s spam policies. Facebook said in a blog post that it was deleting 559 pages and 251 accounts “that have consistently broken our rules against spam and coordinated inauthentic behavior.” But the problem is that many owners of those pages don’t understand why they were deleted. Some pages focused on police brutality were removed. Other deleted pages, like Anti-Media, were alternative or independent news sources. And some were pages belonging to individuals who reported on the news, like Press for Truth. It’s unclear if any of these pages will be able to get their accounts back, but many account owners have publicly said they’re not sure why they were deleted. Some lost their Twitter accounts nearly simultaneously.
Eyeem is the fastest growing photography sharing sites by the four members (Florian Meissner, Ramzi Rizk, Gen Sadakane, Lorenz Aschoff) launched in 2010 to provide a platform to the internet users to upload and publish their photos to get discovered by the relevant audience.  There is nothing unique about the Eyeem, it works same as the other popular images hosting site do.
Pickup for the app has been slow, and I'm sure this is disappointing for Polaroid, but I implore them to continue to update the app and promote this alternative take on social media. One obvious improvement would be the ability to upload Apple Live Photos to the service rather than only being able to use the in-app camera, thus limiting what you can upload to the present moment.
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
It is good to read these comments. I am also looking for somewhere else to go. I do not like what fb is doing either. I have been reading some on these othe websites and as for me, i think i will try Mastodon. I like the things i have read about it. Good luck to everyone that is deciding to go somewhere else. Because it isn’t right that fb is trying to control everybody.
The subscriber usage data is the bread and butter of social networks like Facebook. Vero is an option in this case as it’s based on the subscription model; so, it doesn’t show ads and collect data for the same. This fast-growing social media alternative is only app-based. They do collect your usage stats but make it available to you only to monitor how often you use the service. However, this option is turned off by default.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Add Friends – Players can request friends by targeting them in game and confirming the request. The friend display name will always be the name of the character that created the friendship. Characters have a context menu option to refuse friend requests. Players can have up to 50 friends at a time. There is a 30 second delay between sending friend requests.
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