Facebook has been under relentless attack since the Cambridge Analytica scandal in early 2018. Broadcasters and news publishers have declared open season on Mark Zuckerberg, Sheryl Sandberg, and other senior executives at the company. And while not quite ubiquitous, #deletefacebook pops up every time there’s a story about data privacy. The EU has fined them, the US is trying to figure out how to regulate them, and the notion that free services should be absolutely free (as opposed to checking a box on a terms and conditions page that allows the free service to use your data as payment) is gaining traction.
Polaroid's resurrection continued in 2016 with the release of their social multimedia platform SW/NG, and I'd put it down as one of the most under-rated social mobile platforms around. Forget Instagram Boomerangs, SW/NG brings pictures to life much in the same way Live Photos does on iPhone. Using the app feels similar to Instagram with the continued scroll of your feed, but pictures move as you scroll. The app feels cleaner than Instagram, and encourages users to think differently when composing an image given that a moving subject or background is more compelling.
Gab.ai is a platform that is similar to Twitter. You have 300 characters with which to make your point. It has been called the Alt-Right’s social media alternative and although Gab itself doesn’t censor its users, Microsoft has threatened to take them down due to “hate speech.” A lot of folks who got banned, shadowbanned, or censored by Twitter are there.
The fragmentation that easily happens in decentralized networks can be a blessing, especially for groups that form around beliefs or identities where it can be hard to meet people safely. For instance, those belonging to marginalized groups, or folks with more fringe or misunderstood interests tend to appreciate the in-group feeling they get from a federated social network.
Groups are the hardest feature of Facebook to replace, since they serve a wide range of purposes for different people. If you're looking to organize friends and family in one place, GroupMe is a great choice. The app helps create an organized group chat, where you can share photos and messages. If you're looking for a larger circle of people interested in the same topic, there's almost certainly a sub-group on Reddit to fill your needs. The forum site has active communities organized around everything from skincare to anime.
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
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last week's sales, the second figure the total sales: '1989' by Taylor Swift 6,000 / 10,933,000, '21' by Adele 9,000 / 29,516,000, '24k Magic' by Bruno Mars 8,000 / 5,100,000, '25' by Adele 10,000 / 21,912,000, 'American Teen' by Khalid 20,000 / 2,949,000, 'Astroworld' by Travis Scott 38,000 / 3,041,000, 'Beautiful Trauma' by Pink 7,000 / 3,261,000, 'Beerbongs & Bentleys' by Post Malone 52,000 / 4,766,000, the 'Black Panther' soundtrack 9,000 / 1,851,000, 'Camila' by Camila Cabello 9,000 / 1,848,000, 'Championships' Meek Mill 30,000 / 1,082,000, 'Culture II' by Migos 13,000 / 2,031,000, 'Damn.' by Kendrick Lamar 14,000 / 5,216,000, 'Dangerous Woman' by Ariana Grande 8,000 / 2,444,000, 'Divide' by Ed Sheeran 41,000 / 14,226,000, 'DNA' by the Backstreet Boys 8,000 / 546,000, 'Evolve' by Imagine Dragons 21,000 / 4,378,000, 'Goodbye & Good Riddance' by Juice WRLD 30,000 / 1,734,000, 'Head Above Water' by Avril Lavigne 16,000 / 204,000, 'I Am > I Was' by 21 Savage 28,000 / 779,000, 'In The Lonely Hour' by Sam Smith 9,000 / 8,013,000, 'Invasion Of Privacy' by Cardi B 27,000 / 2,623,000, 'Kamikaze' by Eminem 23,000 / 2,461,000, 'Love' by Michael Bublé 10,000 / 1,108,000, 'Love Yourself 轉 Answer' by BTS (Bangtan Boys) 15,000 / 2,286,000, the 'Mamma Mia! Here We Go Again' soundtrack 6,000 / 1,339,000, 'More Life' by Drake 13,000 / 4,133,000, 'Origins' by Imagine Dragons 28,000 / 1,092,000, 'Pray For The Wicked' by Panic! At The Disco 19,000 / 1,187,000, 'Queen' by Nicki Minaj 10,000 / 1,198,000, 'Question Mark' by XXXTentacion 55,000 / 3,210,000, 'Red Pill Blues' by Maroon 5 10,000 / 1,774,000, 'Reputation' by Taylor Swift 12,000 / 4,764,000, 'Scorpion' by Drake 43,000 / 4,936,000, 'Shawn Mendes' by Shawn Mendes 19,000 / 1,687,000, 'Simulation Theory' by Muse 6,000 / 652,000, 'Skins' by XXXTentacion 6,000 / 495,000, the 'Spider Man: Into The Spider-Verse' soundtrack 37,000 / 696,000, 'Starboy' by The Weeknd 10,000 / 4,105,000, 'Staying At Tamara's' by George Ezra 18,000 / 1,297,000, 'Still On My Mind' by Dido 22,000 / 114,000, 'Stoney' by Post Malone 28,000 / 4,391,000, 'Sweetener' by Ariana Grande 25,000 / 2,204,000, 'Tha Carter V' by Lil Wayne 14,000 / 1,491,000, 'The Greatest Showman' soundtrack 49,000 / 6,405,000, 'The Thrill Of It All' by Sam Smith 3,000 / 2,688,000, 'Trench' by Twenty One Pilots 18,000 / 1,065,000, 'Views' by Drake 13,000 / 4,816,000, 'X' by Ed Sheeran 13,000 / 11,616,000, and 'Youngblood' by 5 Seconds Of Summer 10,000 / 1,046,000. As expected, Ariana Grande turns back at no.1 this week with '7 Rings'. The smash rules now for an eighth non-consecutive week with 273,000 points. Last week's chart-topper, 'Jiwaru Days' by AKB 48, tumbles down at no.20 with 103,000 points. Three regional rap acts debuting for the first time on our tally: the French duo PNL (Peace N' Lovés), consisting of the brothers Tarik and Nabil Andrieu, shoots at no.32 with 'Au DD' and 81,000 points. Vladislav Balovatsky, known professionally as Capital Bra, is a German rapper with Ukrainian and Russian heritage. 'Cherry Lady' is currently his 12th no.1 hit in Germany and his first on the Global Top 40, it jumps at no.39 with 72,000 points. Both songs profits from massive streaming... new one-week records in France and Germany! Close behind 'Cherry Lady' bows American rapper Lil Nas X at no.40 with 'Old Town Road' and 72,000 points. The song achieved viral popularity from the 'Yeehaw Challenge' on the social media app Tik Tok. 'Girls Like You' by Maroon 5 feat. Cardi B reaches the Top 100 of the ALL TIME CHART with a jump at no.97 and a total of 9,235,000 points. On our weekly tally it holds no.18 in its 43rd week with 111,000 points. Outside the Top 40 waiting among other 'Baila Baila Baila' by Ozuna at no.43 and 'Look Back At It' by A Boogie Wit Da Hoodie at no.44 for their first appearance on the big list.
Flickr also has a higher grouping called collections where albums can be grouped. I had two projects going in 2012, the Full Moon project and the Equinox/Solstice project. I grouped my monthly full moons into individual albums and for the Equinox/Solstice, spring, summer. fall, and winter had an album. The monthly full moon albums were grouped into the Full Moon collection, and the spring, summer, fall, and winter albums were grouped in the Equinox/Solstice collection.
Look familiar? We originally published this post shortly after Facebook's acquisition of and the Android launch of Instagram. We were concerned then about the influence Facebook would have on it, and now it's borne fruit in the form of an invasive terms-of-service agreement. The agreement gives Instagram rights to and ownership of your photos to sell and use in ads as they see fit. Sure, you probably don't care if they sell that photo of your coffee foam, but you and your friends may care if they sell photos of your faces or likenesses to a company that uses your shot in their ad material. Unfortunately, at this stage the only way to opt-out is to close your account and move to another service, like some of these great alternatives.
Oracle Social Cloud is a social media management and communication tool that serves multiple departments, including marketing, sales, customer service, and commerce. Oracle integrates its social media tools with a host of Customer Experience apps. Oracle enables marketers to generate awareness, drive demand and boost sales. Read more about Oracle Social Cloud
Here’s what Mastodon is: an open-source, community-run microblogging website. It lets you post “toots,” and you can “boost” other users’ posts. It’s mostly like Twitter, but instead of living in one place, the social network lives in different chunks, called “instances,” each with its own rules and administrators. That’s what makes up a “federation,” and it protects the integrity of the service—there is no single, central server. So, if one instance stops paying for their internet or forgets to re-up their URL, the rest are unharmed in their semi-permeable silos.
Plurk features a horizontal timeline and it lets you share pictures, videos or URLs for web-based articles. The platform stimulates its users to spend more time engaging with other Plurk members through the concept of Karma, which grants you access to more emoticons. This social network can be accessed from iPhones, Android devices or from PC or Mac computers.
Ello first gained popularity in the US about 3 years ago when it posed itself as a Facebook killer social network. This happened due to Facebook’s policy of forcing the members to use their legal name. Since then, it had made headlines on different occasions due to different reasons. Now that Zuckerberg’s service is facing flak, Ello is again gaining some traction. Primarily focused on artists and creative people, Ello is also ad-free. It also refrains itself from selling the information about the users to third parties. By being a niche website, Ello continues to attract users and establishing as a creators network.
Whether he’s planning a book, an exhibition, or an editorial or commercial client, Cole Barash puts a lot of thought into sequencing and is always aware that the arrangement of images will influence their meaning. As Barash explains in our story on visual storytelling on social media (“Social Media Strategy: Cole Barash on Sequencing Personal and Assignment Work“), he is...
SteamZoo has long been touted as a great—if not better-alternative to Instagram, partially because of the way it turns editing and sharing your photos into more of a social game that's addictive to play. You can earn badges—much like FourSquare—for sharing photos, adding effects and borders, or even for taking pictures of specific subjects, like your dog or your dinner. Whether you encourage the behavior or not, StreamZoo is a pretty addictive app to use.
Tumblr is only a year younger than Twitter, and on April 8.2018 it hosted as many as 406.9 million blogs. Tumblr apps are available on both Android and iOS-based devices, which makes it available to the almost entire online community. The micro-blogging platform focuses on visual content more than on words, and for that reason, it has become an inexhaustible source of images that can be shared on downloaded.
I think that when using Instagram you have to let go of the "full glory" thought process, just as anyone who prints their images on a large scale would tell you that you cant see the real image on a computer screen. Instagram was designed for mobile platforms, it's geared more towards composition and story than technical perfection. One could argue that if your image relies on being seen larger and doesn't look any good on instagram, maybe your composition or story isn't strong enough. Do a google image search on "Gregory Crewdson" and look at the images as thumbnails, obviously his work is designed to be viewed on a much larger scale so you'll miss some of the subtitles, but even as thumbnails the images are strong.
Not just Facebook but Twitter as well. What I see unfolding in front of my very eyes is an evolutionary process still in beta that is already much superior to both of the above. Complex but clean, fast growing yet still user friendly and last but not least, the community feels real. They talk about important things instead of pretending to be celebs. I sense an intellectual depth ib the Minds community. Cheers Minds!! AJ JPS andrew_jjps • Apr 2017 • 1 agrees and 0 disagrees Disagree Agree
Mit dem Einsatz digitaler Medien überwindet es geografische Distanzen zwischen Menschen und bietet die Möglichkeit zu authentischen Begegnungen. Schulklassen in Deutschland bekommen die Chance, sich in einem Computer-Chat mit Schulklassen oder Einzelpersonen im Globalen Süden auszutauschen. Ebenso haben Schulklassen aus dem Globalen Süden die Möglichkeit, mit Schulklassen und Einzelpersonen in Deutschland in Kontakt zu kommen.