Facebook 2004 Around 2.1 billion active users Personalized advertising Facebook’s constant troubles with data protection and claims to a lack of paid tax have damaged its reputation greatly in recent years. It openly admits to using user information to run targeted advertising campaigns, and it gives users the option to hand their Facebook data on to other third parties in exchange for faster registration on external sites

Periscope is popular as a live web video broadcasting platform that supports all popular mobile devices. This Twitter owned application has creating great market value within very less time and today it is competing against Meerkat with all potential feature updates. It allows users to get connected with ease and they can immediately start sharing interesting broadcasts. All broadcasts can be accompanied with instant notifications and viewers can update comments when they like a new update. The best feature of Periscope is those lovely hearts that viewers can update to broadcasts when they like. These hearts are same as the like button on Facebook platform. In case if you have missed any update on your account then Periscope allows easy replay options. It is also possible to rate content as private or public so that only desired viewers can watch it.


Swift for Facebook Lite is among the lightest Android Facebook options. It boasts an install size of 30MB and 20MB of RAM use. The install size isn't that impressive but the RAM use is. It also boasts Facebook and Facebook Messenger features. You can do the basic stuff. That includes uploading photo/video, tagging friends, posting updates, and interacting with posts. It's not going to blow you out of the water. However, it gets you to where you need to go without taking up too many of your phone resources. You can get rid of the ads for a single $0.99 in-app purchase.
LinkedIn has been a popular platform for professionals and it continues to remain so. LinkedIn gives you the ability to interact with other professionals, recruit employees and find jobs. It’s also great if you want to be up to date on the latest business and industry news. There’s also LinkedIn Pulse if you want to share new ideas with other big names of the industry.
Many might not consider WhatsApp a full-fledged social media platform, but things have changed. Facebook-owned WhatsApp has made its mark in the industry with new features flooding in the App, every other month. It has recently launched video status update with customization options. It has borrowed a feature from Telegram and introduced one way broadcasting on the group chat. WhatsApp also introduced a web client to use the service through a desktop browser, which we found satisfyingly good.
If you have never heard of this social network you may be getting a bit old, because most users of Musical.ly are aged between 13 and 18. Even though teenagers use it, the platform provides some interesting and amusing features that foster artistic expression and allow you to share your creative output with millions of people. Twitter users often share songs and videos posted on Musical.ly, so why not leave Twitter and start sharing your own creative content on this social media network.
More and more people are wanting to leave Facebook, especially after Facebook recently deleted (or “unpublished”) more than 800 pages. On Thursday, Facebook acknowledged that it purged more than 800 Facebook accounts. They said the pages were focused on politically oriented content that violated Facebook’s spam policies. Facebook said in a blog post that it was deleting 559 pages and 251 accounts “that have consistently broken our rules against spam and coordinated inauthentic behavior.” But the problem is that many owners of those pages don’t understand why they were deleted. Some pages focused on police brutality were removed. Other deleted pages, like Anti-Media, were alternative or independent news sources. And some were pages belonging to individuals who reported on the news, like Press for Truth. It’s unclear if any of these pages will be able to get their accounts back, but many account owners have publicly said they’re not sure why they were deleted. Some lost their Twitter accounts nearly simultaneously.
It’s incredibly hard, and involves a good deal of luck, but if something is going to be a real Twitter successor/alternative, it needs to first and foremost find a way to get a critical mass of people using it. That can be a critical mass of a Twitter sub-culture, but it needs to be some group that moves in mass. App.Net get “Tech Twitter” to move, but it failed to get more than that (or to make them actually leave Twitter), but I don’t see that happening with Micro.Blog or Mastodon yet. I don’t know how you do that, but I think that’s how you get the momentum.
Twittelator Neue is pure eye candy. There's a new wave of apps that are trying out new layering effects and physics, new animations and interactions. Twittelator Neue is one of those leading the way. This is not Apple's Twitter client. It's not flat and utilitarian like Mail or overly skeumorphic like Find my Friends. It's glossy, it's polished, it's fresh, and it's refreshing.
The biggest problem with Plurk is its lack of growth. The service still lacks some quality of life features and makes it difficult to do things like search and manage multiple conversations. This means that Plurk is widely used by long-time users. Since many of those long-time users are based in Taiwan and Asia, you might feel like a stranger in a strange land.
What about Ello or Diaspora? I have been getting kicked completely out of Facebook and I have had to delete my app several times. And I know that I have let my friends on Facebook know that I was looking for something outside of Facebook. My Aunt as well as a few others are looking too. But I told them as soon as I find something I would let them know. I don’t think I should be discriminated against for being conservative and this to is happening on Facebook as well.

GitHub is a network for programmers, where developers can take help to develop their projects better. It provides tools for your programming needs along with codes you can fork for your own project. You can also choose to not make your code public but that requires a paid subscription. There’s also issue tracking, code reviews and more. If you would like to use something other than GitHub, there are a number of good alternatives.


One of the main features that Diaspora prides itself on is its decentralization. This is to do with its technical background: the platform consists of many different networks, known as pods. User data isn’t collected and stored centrally by the provider, instead the infrastructure is distributed by users themselves, with data carried by these so-called pods. If you have good technical know-how, you can actually operate your own pod, which essentially functions as a server. This means that you can be certain that your private data remains private and in your own hands. Less technically gifted users can use ‘open pods’ in the network instead.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
She loses the no.1 position on the Global Track Chart, but on the Album Chart Ariana Grande turns back at the summit with her current album 'Thank U, Next' for a fifth non-consecutive week with 125,000 equivalent sales, a total of 1,502 million so far. And there are three debuts on this week's Top 10... highest is 'Pages', the sixth studio album by the Japanese boy band Sexy Zone with 121,000 sales (according to Oricon). Germany's new rap sensation, 18 year-old Enes Meral, known professionally as Mero, bows at no.6 with his debut set 'Ya Hero Ya Mero' and 81,000 consumption units. His career started in November last year and since then he had four no.1 singles in Germany. Final new entry of the week is 'Music', the new album by the Japanese idol girl group Shiritsu Ebisu Chûkagu. The effort lands at no.9 with 49,000 sales. And now, as every week, additional stats from outside the current Global Top 10 in alphabetic order, the first figure means
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