Secondly, there are regular competitions or "Missions" with specific briefs. Prizes come in various forms such as being published in an exhibition, having your work used in commercial campaigns, or cold hard cash. This is a great way for marketing teams of commercial brands or exhibition curators to hunt for new, enthusiastic talent. This gives any aspiring photographer the feeling that the playing field has been leveled, and if the quality is there, then you wont be ignored.
Tinfoil is a little bit older, but many people still swear by it. Tinfoil’s claim to fame is being a Facebook app that doesn’t ask for any of your permissions, hence the name. It’s a web-wrapper like many of these. Thus, most of its features are similar to the web version. The update schedule is a tad unpredictable. It's completely free with no ads and no in-app purchases. That makes it hard to complain too much.
While Path isn’t necessarily a true competitor to Instagram, it has many of the same features. You can capture photos in the app, apply filters, export them to other apps, or post them on your stream for friends to view. Most of the privacy concerns surrounding Path have been resolved, and it offers a very intimate approach to sharing. Rather than imploring you to build an army of followers, Path strives to keep things intimate by sharing photos with the people you care about most. The photo-editing features aren’t as good as the other apps mentioned here, but as a social network it is argueably a better experience than Instagram.
It’s early days for the app but it already has users from over 30 different countries, and there are thousands of photographers, media managers and content creators using Dayflash to share their aesthetic. We love the focus that Dayflash has on providing creators with a platform for their art, and because you can link your Instagram, the app is a nice way to get extra exposure if it’s still your go-to image sharing site.
This is the best photo editing app you can get on the iPhone for free. It works really well and rivals Camera+ in the features department with a number of great vintage filters that will give your photos a unique look. Extra packs of filters only cost $1. Like Snapseed, it’s available on multiple platforms so you can get the same experience no matter what device you’re on.
The aptly named Hipster borrows a lot from Instagram, including the snappy photo shooting and all of the great filters you can apply to your photos. Hipster also allows you to add text captions to your photo "postcards" before sharing them, and then post your photos to Twiter, Facebook, Flickr, or Tumblr for others to see. It's fast, easy to use, and probably the simplest to get started with in the roundup.
Steemit is still a work in progress, and new features are being added constantly. For example, Steemit recently changed many underpinnings of how the network operates in order to help onboard new users faster. (Sometimes there is a waiting period before a new account is approved.) Stone told Heavy: “Hardfork 20 is going to improve the account creation process and user experience (post editing and voting, specifically) on Steemit and other decentralized apps on the Steem blockchain.”

Minds is a Facebook clone of sorts that is encrypted, open source, and focuses extensively on free speech. Recently, the site rolled out crypto tokens so users can be rewarded for their participation. You’re rewarded with tokens for your participation, and you can exchange tokens to gain more views if you prefer. You can also send tokens to other channels as tips or for subscriptions.  Learn more about how Minds’ tokens work in Heavy’s story here. If tokens aren’t your thing, you can still use Minds solely for its Facebook alternative option.

Minds enables growth of connections to occur quickly if you are highly involved on the site and produce good content, when taking into consideration the quantity of users on the site. Boosting of content and profile/channel views can be achieved (via a points system) and not merely bought. Minds also clearly rewards users with points for using the social media site itself, whether in accessing the site each hour or in uploading rich media content such as graphics or videos, unlike Facebook. Guest • Mar 2017 • 3 agrees and 0 disagrees Disagree   Agree
Edmodo is focused on the education sector. Social media connections between students and teachers How Facebook Plans to Disrupt Education How Facebook Plans to Disrupt Education Facebook recently made a deal with Summit Public Schools, and the implications of this partnership might change everything we know about public education. Read More are playing an increasingly important role in the classroom, but the more public and open platform of services like Facebook tempers their suitability. This has left educators looking around for Facebook alternatives.
One of the primary reasons to stay on Facebook is not to miss an invite to a party or other event. It's worth unpacking that notion in the first place: If your friend or family member doesn't realize you're not on Facebook, do they really value your presence at the event they're planning? If someone genuinely wants you somewhere, they'll find a way to invite you, Facebook or no.
Maki is not only a replacement for Facebook, but for a number of other apps, including (Facebook) Messenger, Twitter, Instagram, and so on. This app allows you to customize not only themes, but also its navigation panel, while you can also save bookmarks via the app, and make some layout changes. Power saving mode is included in the app, while you can also lock this app via a password or your fingerprint, which is a feature that is built into the app.

Here’s what Mastodon is: an open-source, community-run microblogging website. It lets you post “toots,” and you can “boost” other users’ posts. It’s mostly like Twitter, but instead of living in one place, the social network lives in different chunks, called “instances,” each with its own rules and administrators. That’s what makes up a “federation,” and it protects the integrity of the service—there is no single, central server. So, if one instance stops paying for their internet or forgets to re-up their URL, the rest are unharmed in their semi-permeable silos.
Twitterrific by the Iconfactory was the very first Twitter application for the iPhone, even predating Apple's official App Store. It is full-featured, award-winning client with a beautiful and intuitive UI. Twitterrific supports link shortening and tweet translation in addition to the ability to filter your timeline for specific tweet types and trends. It's clean and elegant and color-codes your timeline so you can see tweets, @mentions, and DMs all in the same stream.
Simple for Facebook keeps true to its namesake. It's a simple web-wrapper for the Facebook mobile site. It includes all of the basic features. That includes interacting with posts, uploading photo and video, and all of that. It also boasts support for Facebook Messenger. About the only other noteworthy thing about the app is the small selection of themes. Like we said, this one is really simple. The free version has ads. You can purchase the full version for $1.49 to get rid of them.

Firstly, you can make all of your images available for purchase through the EyeEm app. EyeEm do this via Getty, take a handsome cut for the trouble, and you must have model and location releases as per other stock photography selling sites. But I must hand it to the EyeEm team, it is wonderfully simple to submit your photography for review to go on sale, and the app itself is enjoyable to browse.
Here's the thing—putting aside the fact that some very vocal iOS users are very upset that their precious app has descended to the likes of Android users (let's be clear, some iOS users, not all - most people understand that the device you use, OS you prefer, or browser you surf with is not who you are) and the social commentary the whole depressing fiasco gives us, the truth is that while Instagram has great hype, slick sex appeal, and a bolted-on social aspect, it doesn't do anything that a half-dozen other apps for iOS and Android don't do. In fact, some of those Android apps do it just as well or better.

LinkedIn is where you go to look for a job, but it's also a great place to network with colleagues, stay up to date on your industry, and follow influencers in your field, who can inspire you to take your career to the next level. Keep in mind, though, that LinkedIn is a professional social site, so your posts, whether they're status updates, photos, or links to articles should all be safe-for-work. LinkedIn allows you to control how others see your profile and network information as well as your profile activity.


I have an animal rescue and we’ve been using facebook to communicate within our volunteer group. The algorithm has gotten ridiculous. I don’t get notifications about posts for 10+ hours. Even if I scroll the group page, I’m not shown everything posted there. Facebook is great for getting the word out about animals looking for homes, but it’s becoming unusable as a work/volunteer group tool. We’re currently looking for a new place to call home. Looking forward to checking these suggestions out.
We realize you’re likely on this list to get away from this app. However, sometimes it's unavoidable. Whenever Facebook rolls out a new feature, the official app will have it long before the third party Facebook apps. Facebook’s official suite of apps include Facebook Messenger, Facebook Groups, Facebook at Work, and Facebook Mentions (if you’re famous). They aren’t great for battery life, but they’ll always get the new features first. Facebook Messenger is also notoriously hard to use outside of the official app. Consequently, Facebook also makes Facebook Lite. It's a super light, simple, and surprisingly good alternative to its larger, battery swilling sibling.
There’s always a risk that a network turns into a home solely for niche sites, alienating folks who are simply looking for a new home – the experiment that was (and still is) SecondLife springs to mind. Most detractors of decentralized networks say that they’re too niche, and maybe a bit too nerdy, to ever catch on enough to supplant something like Facebook. Really though, only time will tell.
This social media application is best solution for those who want to share small duration music rich videos with friends. It possesses so many features same as that of Instagram means you can easily record new videos, post them instantly or edit them to customize with special effects. This application makes it possible to synchronize audios and videos together in professional manner and the built in type music library can be accessed with one touch access to get appealing tracks for videos. If you are creative enough to customize things with your special editing skills and personal lip syncing options then Musical.ty can provide you best results for every post. Further, you will definitely love its duet feature that assists two users to work on single video screen with same music track.
The platform primarily targets the youngsters, the majority of which are between 18-34 years of age. Snapchat features an explore section where users can access viral and premium content on the platform. Snapchat features video status update, which apparently Instagram and Whatsapp copied on their platforms. The videos are limited to 10 seconds which is fairly short, but you can tag more videos to complete the message if you require more time. The videos and photos only stay on the platform for 24 hours, and automatically gets deleted past the time. There is also no way to share someone else’s videos or photos, unlike Twitter which easily allows the option to retweet. Getting a Snapshot and sharing is only the way out.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
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