Users are allowed to self-censor by flagging (although flagging is discouraged), and they vote on the merits of a post through upvotes, much like you would “like” a Facebook post or upvote a Reddit submission. But the big thing that makes Steemit stand out is that you get paid for your posts in the form of Steem cryptocurrency, based on how many votes your posts get. And you also get paid based on your own curation of other people’s posts, and the upvotes that your comments on posts receive.
Although Vero is similar in many respects to competitors such as Facebook and Instagram (profile, structure, timeline, news feed), the platform offers some interesting unique selling points: The messages in the timeline are not pre-filtered by an algorithm, but appear in chronological order. Contacts can also be divided into four categories: 'followers', 'acquaintances', 'friends', and 'close friends'. These groups can then be selected or deselected as the target group when a post is published, so that only the desired audience is informed.
Facebook hasn't been very fun for the last few years. From political fighting to fake news to privacy concerns, many users are logging on less and others are deleting their accounts altogether. For those who primarily use Facebook today but are looking for alternatives, we've put together a list of the best options—from the most popular challengers to a few of the latest upstarts.

Part of Vero’s appeal to Facebook deleters is its determination to be ad-free. It is planning instead to start charging a small annual subscription at some point – although the app has already experienced its own backlash. In February, founder Ayman Hariri was criticised over past associations with a company that was the subject of allegations concerning employee conditions. The fact that Vero has several Russian developers has also become a talking point.


Minds is a Facebook clone of sorts that is encrypted, open source, and focuses extensively on free speech. Recently, the site rolled out crypto tokens so users can be rewarded for their participation. You’re rewarded with tokens for your participation, and you can exchange tokens to gain more views if you prefer. You can also send tokens to other channels as tips or for subscriptions.  Learn more about how Minds’ tokens work in Heavy’s story here. If tokens aren’t your thing, you can still use Minds solely for its Facebook alternative option.
Simple for Facebook keeps true to its namesake. It's a simple web-wrapper for the Facebook mobile site. It includes all of the basic features. That includes interacting with posts, uploading photo and video, and all of that. It also boasts support for Facebook Messenger. About the only other noteworthy thing about the app is the small selection of themes. Like we said, this one is really simple. The free version has ads. You can purchase the full version for $1.49 to get rid of them.
The beautifully designed Camera+ app gives users more shooting options and better effects than they'll find with the native iOS Camera app. The app's area of expertise is in snapping the best photo possible from the get-go, which it does with the aid of shooting options like the stabilizer, timer, burst mode, and separate exposure and focus points.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.

Musical.ly isn’t for adults, at least that’s what the main media would tell you. The platform targets 13-18 years old, although there has been a consistent debate if an app like Musical.ly is appropriate for that age group or not. However, Musical.ly, despite its target age group, provides a very functional social media platform. It has its own powerful artistic expression, which is both unique and sticky viral in nature.

Everyone know Twitter! This platform has gained enough popularity among users throughout the world. It allows people to create feeds with specific character limit that goes up to 140 characters. Within last few years, Twitter developers have updated so many interesting features to this network and today people love it’s all new version with feature rich design. But at the same time, many people hate this site just because its presence is somewhat same as that of Facebook. One recent update to Twitter was related to its poll creation abilities and it received great response from users. Besides the simple twitter card integration service, Twitter also allows users to share many short duration multimedia files using tweets. This platform is also popular for contests that are launched for the common people and they can participate with creative images, videos etc. The one who gets higher ranking is able to receive rewards from contest organizer.

Snapchat will be hoping to pick up some Facebook refuseniks in the coming weeks, especially since a recent (controversial) redesign of its app to make it less confusing for new users. Last year saw plenty of speculation that Snapchat was losing customers to Instagram in particular, although for the moment there is no sense yet that the flow is reversing following the Cambridge Analytica revelations.
All of this stuff was total catnip for me. After all, what Twitter does isn't that impressive. If anything, Twitter's made its elegant platform significantly worse over the last few years, changing the "favorite" icon, introducing a higher character count, pushing obnoxious "suggestions," and messing up the chronological timeline in favor of an algorithmically-generated one. And then there’s the user-hostile API changes that might spell doom for third-party Twitter clients. It's no wonder that even loyal users are fed up.

Now to Minds. Minds doesn’t limit their posts or their speech this unfortunately encourages bots to share, like, and reshare everything to earn “minds coins.” There is a huge vietnamese community on minds and that is not a bad thing, but when vietnamese bots are sharing Nazi propaganda for likes it gets confusing very quickly. Yes that’s right I said Nazi! One of the largest demographics on Minds is the Nazi party. Be prepared to be called the worst things possible and read some of the worst hate speech known to man on even a flower photo. Minds considers this free speech so Nazi propaganda goes right up there with porn, transvestite porn, and a lot of swearing. Not to mention nobody ever comments on anything and if the do it’s like two words “nice pic.” Overall I truly can’t get behind minds it is filled with filth and hate and that is too bad because outside of its buggy confusing interface that requires both the mobile app and the web browser site to access all of the functions I kinda wanted to pull for it.
Lately, I’ve written a lot about the alternative media purge and how Big Tech social media platforms are attempting to control the narrative, the elections, and public perception through censorship and financial blacklisting. Lots of people are ready to leave websites like Facebook, Twitter, and YouTube for less-censored pastures. But what are the social media alternatives that are currently available?
Ich habe eine Frage zum global chat. Bisher war es immer so, dass man durch Enter das Textfenster für den Global chat öffnet. Jetzt wird dadurch allerdings das Fenster für den local geöffnet. In den Settings steht, dass die Taste für den Local entweder Einfügen (insert) oder / ist. Auch diese Tasten rufen bei mir das Textfeld für den local auf. Nur gibt es jetzt für mich halt keine Taste mehr für den Global. In den settings kann man auch gar keine Taste für den Global belegen.
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