Twitter is the one app and website on this list that not only duplicates many of Instagrams photo-filtering capabilities, but also has a huge social network behind it. The people on Instagram are, after all, an enormous part of its appeal. Since late 2012, Twitter's iPhone app has a photo editing feature that mimicks Instagram's core photo-editing capabilities. Twitter is one of the best alternatives to Instagram, with its enormous and active community.

MeWe bills itself as the ad-free, spyware-free, and censorship-free social network. Share your photos, videos, voice messages, GIFs, memes, and more to just one person, a specific group, or all your contacts. You can also send people disappearing GIFs and photos. Either way, MeWe won't track you. If you want to send end-to-end encrypted chats, however, it'll cost you 99 cents per month or $5.99 per year.
There’s no end-to-end encryption on either platform’s private messaging at the moment, and to be fair there isn’t for Twitter or Facebook either (though Facebook is rumored to be looking into it for their Messenger). Both Mastodon and Diaspora are built on the idea that the conversations happening are meant to be public, so the privacy emphasis is on keeping user data in user ownership and out of advertiser’s hands, not keeping conversations out of the public eye.
The world’s most popular online chatting app has also introduced services for businesses to automate their accounts on WhatsApp to interact one-on-one with their customers. The one privacy issue with WhatsApp is its method to sign up which involves the phone number and its default setting to make the phone number public is a bit of a concern too. There is also a limitation of having just one account per mobile number which might be an issue with businesses which would like a unified experience on the App. But apart from this, the platform is well-optimized for direct messaging and group chatting.
In 2016 Apple banned gab’s mobile app on its Appstore for promoting explicit adult content. This was followed by Play Store in 2017, which banned the app for violating hate speech guidelines of Google. Google further noted during its ban that the platform failed in demonstrating a minimum required level of moderation and encouraged violence. Despite all this, Gab still shelters people who are easy on hate speech and non-art nudity. That said, you’ll have to search for things that could offend you on Gab dedicatedly, or else, it is chiefly stuffed with pop culture art, memes, and fair discussions on a variety of topics. And even if you find something that’s offensive to you, like a discussion on online anonymity, you can use the scroll button and explore some memes on Trump.
Last year, we launched YouTube Go in India, a brand new app built from the ground up to unlock the power of YouTube for the next generation of users. Since then, we've also launched YouTube Go in 14 additional countries, including Indonesia, Nigeria and Thailand, and we've seen firsthand the impact that bringing more people into the world of video can have.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
For my money, at least, I'd much rather you focus on solving the other ten zillion things than go up against Slack. You'll have a hard time displacing Slack for us, and I'm confident nearly everyone we work with would say the same. Even if we liked CU's chat, we'd still have Slack open for the other 15 teams I chat with, so we'd end up going right back to it, methinks…
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