Der Höhepunkt jedes CHAT der WELTEN-Projekts ist der CHAT – ein Austausch über digitale Medien, in der Regel durch Videokonferenzen, zwischen Partnern in Deutschland und dem Globalen Süden. So werden internationale Verflechtungen und globales Miteinander für alle Beteiligten unmittelbar erfahrbar. Zugleich vertiefen sie ihre Sprach- und Medienkompetenz.
Pros & Cons The Pros and Cons of using Twitter for your Online Marketing. Twitter is a social networking microblogging service that allows registered  pros and cons of twitter for businessnegatives of twittertwitter 280 characters pros and conspros and cons instagrampros and cons of twitter advertisingpros and cons of snapchatPeople also search for ...
Sprinkl offers a range of social media management products to help brands improve their presence on social media channels; increasing engagement, improving insight and becoming more strategic. Sprinkl is a social experience management platform with a suite of applications to ensure brand consistency among both customers and staff. Read more about Sprinklr
If Gab doesn’t taste like your cup of coffee with its conservative undertoned discussion on alt-right topics, Mastodon could be your next social networking home. It is an open source Twitter alternative where you have complete control over your news feed and conversations. Since it is an open source platform, it gives you the freedom to set up your own little social media platform based on your set of interests.
Ich habe eine Frage zum global chat. Bisher war es immer so, dass man durch Enter das Textfenster für den Global chat öffnet. Jetzt wird dadurch allerdings das Fenster für den local geöffnet. In den Settings steht, dass die Taste für den Local entweder Einfügen (insert) oder / ist. Auch diese Tasten rufen bei mir das Textfeld für den local auf. Nur gibt es jetzt für mich halt keine Taste mehr für den Global. In den settings kann man auch gar keine Taste für den Global belegen.
Feature for feature, Hubzilla is the best decentralized, open source competitor to Facebook. Compatibility with the Diaspora, OStatus (includes Mastodon), & ActivityPub (includes NextCloud) protocols allows it to communicate with nearly every other existing. I am happy that after he created Friendica, Mike Macgirvin & friends have continued to push forward by creating and developing Hubzilla. themagician • Mar 2018 • 1 agrees and 0 disagrees Disagree   Agree
Minds is a good alternative to Twitter because it doesn't have the baggage that comes with Twitter's many moderation issues. Minds has a much better transparant policy in which the things you post are actually visible to other people. Minds is hands down the best one-on-one alternative to Twitter's functions without the amateurish censoring of dissenting opinion. stefandekkers • Mar 2017 • 10 agrees and 2 disagrees Disagree   Agree
I’m having a similar problem with Facebook. I have an assistant who was supposed to conduct a Facebook campaign for me; she still hasn’t started but in the meantime, she told me she couldn’t conduct the campaign unless I gave her my Facebook log-in info., which to my sorrow I gave to her. Now, I can’t get into my Facebook account. They’ve asked for documents to prove who I am and, like you, I don’t like the invasion of privacy. They have a second level of documents that they will supposedly accept, such as library cards, professional membership cards, and health insurance cards which don’t have the kind of personal information that I am unwilling to share. When I sent them these, they e-mailed me to say I hadn’t sent the kinds of documents they require (untrue) and when I e-mailed them in response, well, they have not responded to me and I am still locked out of my account. BIG BUMMER. I also don’t like the uses that Facebook has allowed, such as influencing elections and recently, allowing the U.S. government to pursue certain types of suspected mis-deeds through Facebook. When/if I can get back in, I am very seriously considering deleting my Facebook account and finding an alternative.
The world’s most popular online chatting app has also introduced services for businesses to automate their accounts on WhatsApp to interact one-on-one with their customers. The one privacy issue with WhatsApp is its method to sign up which involves the phone number and its default setting to make the phone number public is a bit of a concern too. There is also a limitation of having just one account per mobile number which might be an issue with businesses which would like a unified experience on the App. But apart from this, the platform is well-optimized for direct messaging and group chatting.
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
According to sources at the company, the app currently has around 22 million users (Figures accurate as of April 2017). The platform is growing, collecting big investments and extending its functions and features on a regular basis. Its basic idea is the same as Instagram’s: EyeEm is a platform made for sharing photos. Snapshots and professional images can be uploaded and then shared with the community on EyeEm and other linked networks – with a range of different filters and editing tools to add that extra star quality.
This platform is aiming to be the best place to show your work on your smartphone either for fun or for business, and it’s doing a pretty good job of achieving this. You can’t create galleries directly on the app, but what you can do is create them ahead of time on your computer and then have them in your pocket ready for whenever you need to show off your work.
(function(){"use strict";function s(e){return"function"==typeof e||"object"==typeof e&&null!==e}function a(e){return"function"==typeof e}function l(e){X=e}function u(e){G=e}function c(){return function(){r.nextTick(p)}}function f(){var e=0,n=new ne(p),t=document.createTextNode("");return n.observe(t,{characterData:!0}),function(){t.data=e=++e%2}}function d(){var e=new MessageChannel;return e.port1.onmessage=p,function(){e.port2.postMessage(0)}}function h(){return function(){setTimeout(p,1)}}function p(){for(var e=0;et.length)&&(n=t.length),n-=e.length;var r=t.indexOf(e,n);return-1!==r&&r===n}),String.prototype.startsWith||(String.prototype.startsWith=function(e,n){return n=n||0,this.substr(n,e.length)===e}),String.prototype.trim||(String.prototype.trim=function(){return this.replace(/^[\s\uFEFF\xA0]+|[\s\uFEFF\xA0]+$/g,"")}),String.prototype.includes||(String.prototype.includes=function(e,n){"use strict";return"number"!=typeof n&&(n=0),!(n+e.length>this.length)&&-1!==this.indexOf(e,n)})},"./shared/require-global.js":function(e,n,t){e.exports=t("./shared/require-shim.js")},"./shared/require-shim.js":function(e,n,t){var r=t("./shared/errors.js"),i=(this.window,!1),o=null,s=null,a=new Promise(function(e,n){o=e,s=n}),l=function(e){if(!l.hasModule(e)){var n=new Error('Cannot find module "'+e+'"');throw n.code="MODULE_NOT_FOUND",n}return t("./"+e+".js")};l.loadChunk=function(e){return a.then(function(){return"main"==e?t.e("main").then(function(e){t("./main.js")}.bind(null,t))["catch"](t.oe):"dev"==e?Promise.all([t.e("main"),t.e("dev")]).then(function(e){t("./shared/dev.js")}.bind(null,t))["catch"](t.oe):"internal"==e?Promise.all([t.e("main"),t.e("internal"),t.e("qtext2"),t.e("dev")]).then(function(e){t("./internal.js")}.bind(null,t))["catch"](t.oe):"ads_manager"==e?Promise.all([t.e("main"),t.e("ads_manager")]).then(function(e){t("./ads_manager/main.js")}.bind(null,t))["catch"](t.oe):"publisher_dashboard"==e?t.e("publisher_dashboard").then(function(e){undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined}.bind(null,t))["catch"](t.oe):"content_widgets"==e?Promise.all([t.e("main"),t.e("content_widgets")]).then(function(e){t("./content_widgets.iframe.js")}.bind(null,t))["catch"](t.oe):void 0})},l.whenReady=function(e,n){Promise.all(window.webpackChunks.map(function(e){return l.loadChunk(e)})).then(function(){n()})},l.installPageProperties=function(e,n){window.Q.settings=e,window.Q.gating=n,i=!0,o()},l.assertPagePropertiesInstalled=function(){i||(s(),r.logJsError("installPageProperties","The install page properties promise was rejected in require-shim."))},l.prefetchAll=function(){t("./settings.js");Promise.all([t.e("main"),t.e("qtext2")]).then(function(){}.bind(null,t))["catch"](t.oe)},l.hasModule=function(e){return!!window.NODE_JS||t.m.hasOwnProperty("./"+e+".js")},l.execAll=function(){var e=Object.keys(t.m);try{for(var n=0;n=c?n():document.fonts.load(u(o,'"'+o.family+'"'),a).then(function(n){1<=n.length?e():setTimeout(t,25)},function(){n()})}t()});var w=new Promise(function(e,n){l=setTimeout(n,c)});Promise.race([w,m]).then(function(){clearTimeout(l),e(o)},function(){n(o)})}else t(function(){function t(){var n;(n=-1!=y&&-1!=g||-1!=y&&-1!=v||-1!=g&&-1!=v)&&((n=y!=g&&y!=v&&g!=v)||(null===f&&(n=/AppleWebKit\/([0-9]+)(?:\.([0-9]+))/.exec(window.navigator.userAgent),f=!!n&&(536>parseInt(n[1],10)||536===parseInt(n[1],10)&&11>=parseInt(n[2],10))),n=f&&(y==b&&g==b&&v==b||y==x&&g==x&&v==x||y==j&&g==j&&v==j)),n=!n),n&&(null!==_.parentNode&&_.parentNode.removeChild(_),clearTimeout(l),e(o))}function d(){if((new Date).getTime()-h>=c)null!==_.parentNode&&_.parentNode.removeChild(_),n(o);else{var e=document.hidden;!0!==e&&void 0!==e||(y=p.a.offsetWidth,g=m.a.offsetWidth,v=w.a.offsetWidth,t()),l=setTimeout(d,50)}}var p=new r(a),m=new r(a),w=new r(a),y=-1,g=-1,v=-1,b=-1,x=-1,j=-1,_=document.createElement("div");_.dir="ltr",i(p,u(o,"sans-serif")),i(m,u(o,"serif")),i(w,u(o,"monospace")),_.appendChild(p.a),_.appendChild(m.a),_.appendChild(w.a),document.body.appendChild(_),b=p.a.offsetWidth,x=m.a.offsetWidth,j=w.a.offsetWidth,d(),s(p,function(e){y=e,t()}),i(p,u(o,'"'+o.family+'",sans-serif')),s(m,function(e){g=e,t()}),i(m,u(o,'"'+o.family+'",serif')),s(w,function(e){v=e,t()}),i(w,u(o,'"'+o.family+'",monospace'))})})},void 0!==e?e.exports=a:(window.FontFaceObserver=a,window.FontFaceObserver.prototype.load=a.prototype.load)}()},"./third_party/tracekit.js":function(e,n){/**

@Lee Fuhr: Totally agree, For us I say leave this and use a tool built for the job - i.e. slack, I don't wish to have yet one more "chat" app on my phone and other devices, slack does the job well, supports multiple accounts and a bunch of cool stuff including clickup integration - why re-invent a nice round wheel which already comes with neat white walls? :)
×