Tinfoil is a little bit older, but many people still swear by it. Tinfoil’s claim to fame is being a Facebook app that doesn’t ask for any of your permissions, hence the name. It’s a web-wrapper like many of these. Thus, most of its features are similar to the web version. The update schedule is a tad unpredictable. It's completely free with no ads and no in-app purchases. That makes it hard to complain too much.
Simple for Facebook keeps true to its namesake. It's a simple web-wrapper for the Facebook mobile site. It includes all of the basic features. That includes interacting with posts, uploading photo and video, and all of that. It also boasts support for Facebook Messenger. About the only other noteworthy thing about the app is the small selection of themes. Like we said, this one is really simple. The free version has ads. You can purchase the full version for $1.49 to get rid of them.
Swift for Facebook Lite is among the lightest Android Facebook options. It boasts an install size of 30MB and 20MB of RAM use. The install size isn't that impressive but the RAM use is. It also boasts Facebook and Facebook Messenger features. You can do the basic stuff. That includes uploading photo/video, tagging friends, posting updates, and interacting with posts. It's not going to blow you out of the water. However, it gets you to where you need to go without taking up too many of your phone resources. You can get rid of the ads for a single $0.99 in-app purchase.
My American cousins would describe this selection to be "out of left-field" and rightly so. Steller is more of a story sharing app, and at it's best combines excellent photography paired with engaging narratives. Stellar's story building tools are template based, simple to use and make your content look slick very quickly. It has a similar feed scroll feel to Instagram, but clicking on a title page lets you delve into an in-depth project rather than just a collection of hashtags and comments.
Sprout Social is a social media management tool created to help businesses find new customers & grow their social media presence. Small businesses can manage their entire social media presence from a single, intuitive platform. Twitter, Facebook, LinkedIn, Foursquare and more are managed via powerful tools to you listen, engage and grow their audien… Read more about Sprout Social
Facebook has been and remains the undisputed king of the social network market. Granted, in some regions of the world, like Russia or China for example, there is a more level playing field with the success of popular alternatives to Facebook who take an equal market share. But for the most part, Facebook is the worldwide leader when it comes to social interaction online. If you’re using the platform, you’ve got no choice but to accept the network’s settings on privacy and data protection and live with them. If you don’t want to do this, then you’ll have to find a good and conservative alternative to Facebook – and either convince all of your friends, family, colleagues, and acquaintances to join you, or be prepared for the fact that your online friendship circle will be significantly reduced (to begin with at least).
I’d be remiss to not mention Slack or Discord here as well. Those services are good, but they are too insular to be a real threat to Twitter. You have to know someone on the inside to get in yourself, and there are so many versions/channels/servers for you to join it’s hard to keep them all straight. They can be good for you and a couple dozen (hundred) of friends to stay in touch, but it’s not great for a Twitter-style experience.
GLOBAL NO.1 - 30 YEARS AGO... Madonna is known for her blatant style- and taboo breaks. With the release of the lead single 'Like A Prayer' for the album of the same name, she came with really heavy guns: a 180 ° image turn-around from the blonde beast to a meekly brunette ... her music changed into an exalted, hymn-like and danceable sound with religious-controversial and provocative texts. But the big bone of contention was the music video, directed by Mary Lambert. It portrays Madonna as a witness to the murder of a girl by white supremacists. While a black man is arrested for the murder, Madonna hides in a church for safety seeking strength to go forth as a witness. The clip depicts a church and Catholic symbols such as stigmata. It also features a Ku Klux Klan-style cross burning, and a dream about kissing a black saint. The Vatican condemned the video, while family and religious groups protested against its broadcast. They boycotted products by soft drink manufacturer Pepsi, who had used the song in their commercial. The company canceled their sponsorship contract with Madonna, but allowed her to retain the fee. 'Like A Prayer' became, not least because of this rather unintentionally publicity through the condemnation of parent associations and church representatives, the world's biggest hit in 1989.
Vero lets you share photos and video just like Instagram, plus it lets you talk about music, movies or books you like or hate. Though Vero has been around since 2015, its popularity surged in recent days, thanks in part to sudden, word-of-mouth interest from the cosplay community — comic book fans who like to dress up as characters. That interest then spread to other online groups.
I will be 77 years old in a few weeks and the last 5 years I had built a network of friends and family of course, like everyone else, posted family pictures for posterity… anyway, was locked out due to a technicality and was so very lonely after 3 months I started a new account – my frieds were excited to reconnect and I felt like a kid in a candy store. 5 Days later am locked out again and bereft.
Simple for Facebook keeps true to its namesake. It's a simple web-wrapper for the Facebook mobile site. It includes all of the basic features. That includes interacting with posts, uploading photo and video, and all of that. It also boasts support for Facebook Messenger. About the only other noteworthy thing about the app is the small selection of themes. Like we said, this one is really simple. The free version has ads. You can purchase the full version for $1.49 to get rid of them.
There’s a bit of a barrier to entry, but it’s not that tough. If you need help signing up, there’s a great beginner’s guide here. Madeline Stone, who oversees public relations for Steemit, shared some advice on getting started on Steemit with Heavy.com. She advised:  “As far as helping people who are joining Steemit for the first time, posting in the introduceyourself tag is a great way to get started — other Steemians will then comment on your post and provide resources for newbies. People can also look for help by posting questions in the #help channel at https://steem.chat/home.”
I'm in the same boat. I'm as conservative as they come, but I was alarmed at all the racism and anti-Semitism over there. I started muting users over there (you can't completely block them) but now I'm realizing it may be just too hard. It's a shame since I would like to see a good Twitter alternative emerge in the future. Right now, Twitter is just too ingrained into our culture to be removed quite so easily.

The platform is a community-owned social networking platform that rewards its users for their activity online, similar to the Steemit platform.  They do this with paying users in crypto and providing users with more views on their posted content. Minds will monitor each users daily contribution and relative to the community. The amount a user gets will be determined by their percentage across the network which then determines their share of the Daily Reward Pool of tokens.
Before we get into the alternatives, please understand that all of them will start small. None of them will be able to take on Big Tech without a lot of help and support. We’ve gotten used to free social media because the companies with whom we’ve dealt have virtually raped us, reading our so-called “private” messages, and pillaging our date to sell to the highest bidders. So really, it isn’t that free after all.
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Each person also has a profile page, similar to Facebook’s, where you can add a cover photo, a profile photo, and status updates. You can also add fun little anecdotes on a sidebar, including what you’re eating, drinking, reading, watching, or quoting. In that sense, it’s a little reminiscent of the features some people enjoyed on MySpace. In the other sidebar, you can share bio details like your job, college, interests, and relationship status.

Eyeem is the fastest growing photography sharing sites by the four members (Florian Meissner, Ramzi Rizk, Gen Sadakane, Lorenz Aschoff) launched in 2010 to provide a platform to the internet users to upload and publish their photos to get discovered by the relevant audience.  There is nothing unique about the Eyeem, it works same as the other popular images hosting site do.
And if all else fails, there is always the option to revisit old social haunts. Myspace still exists, albeit as a mish-mash of pop-culture news and dormant profiles of friends who have not logged in since its relaunch in 2012. However, the fact that the opportunity to mine user data for advertisers was one of the reasons cited by media giant Time Inc when it bought Myspace in 2016, perhaps it is best not to rush to revive your Top Friends list just yet.
“In the future, MeWe will also revolutionize social media with decentralization, which will render Facebook’s spying and tracking data model completely obsolete,” Weinstein added, a comment that suggests he is indeed trying to replace Facebook. “Awareness around the world has never been higher regarding news feed manipulation and privacy infractions. Government regulations will never truly interfere with Facebook’s data collection model, evidenced in both California’s new 2020 privacy rules and Europe’s GDPR. But the free market can — and MeWe is here giving people great communication technology in a true multi-feature platform, with none of Facebook’s BS.” (source)
2. Was ich nicht tue ist mich mit jeweils einen Acount zu begnügen. Mein Bedarf wäre eigentlich eher ein totale Unterschied zwischen Login in eine Plattform und deren Nutzung. So habe ich je nach Funktion 6 verschiedene identi.ca-Accounts und mehr als 10 verschiedene Blogs. Ich bin immer sehr verwirrt darüber, dass ich für jeden neuen Account eine neue Mailadresse brauche. D.h. ich trenne sehr stark Inhalte. Das ist nocht immer einfach, aber ich brauche das irgendwie. Das ist sowohl für die Abonnenten als auch für mich einfacher zu sortieren. So wie mehrere Ordner unterhalb einer IMAP‐​Inbox.
The biggest problem with Plurk is its lack of growth. The service still lacks some quality of life features and makes it difficult to do things like search and manage multiple conversations. This means that Plurk is widely used by long-time users. Since many of those long-time users are based in Taiwan and Asia, you might feel like a stranger in a strange land.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
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