And if all else fails, there is always the option to revisit old social haunts. Myspace still exists, albeit as a mish-mash of pop-culture news and dormant profiles of friends who have not logged in since its relaunch in 2012. However, the fact that the opportunity to mine user data for advertisers was one of the reasons cited by media giant Time Inc when it bought Myspace in 2016, perhaps it is best not to rush to revive your Top Friends list just yet.
It’s incredibly hard, and involves a good deal of luck, but if something is going to be a real Twitter successor/alternative, it needs to first and foremost find a way to get a critical mass of people using it. That can be a critical mass of a Twitter sub-culture, but it needs to be some group that moves in mass. App.Net get “Tech Twitter” to move, but it failed to get more than that (or to make them actually leave Twitter), but I don’t see that happening with Micro.Blog or Mastodon yet. I don’t know how you do that, but I think that’s how you get the momentum.
Users are allowed to self-censor by flagging (although flagging is discouraged), and they vote on the merits of a post through upvotes, much like you would “like” a Facebook post or upvote a Reddit submission. But the big thing that makes Steemit stand out is that you get paid for your posts in the form of Steem cryptocurrency, based on how many votes your posts get. And you also get paid based on your own curation of other people’s posts, and the upvotes that your comments on posts receive.
“In the future, MeWe will also revolutionize social media with decentralization, which will render Facebook’s spying and tracking data model completely obsolete,” Weinstein added, a comment that suggests he is indeed trying to replace Facebook. “Awareness around the world has never been higher regarding news feed manipulation and privacy infractions. Government regulations will never truly interfere with Facebook’s data collection model, evidenced in both California’s new 2020 privacy rules and Europe’s GDPR. But the free market can — and MeWe is here giving people great communication technology in a true multi-feature platform, with none of Facebook’s BS.” (source)
There’s a bit of a barrier to entry, but it’s not that tough. If you need help signing up, there’s a great beginner’s guide here. Madeline Stone, who oversees public relations for Steemit, shared some advice on getting started on Steemit with Heavy.com. She advised:  “As far as helping people who are joining Steemit for the first time, posting in the introduceyourself tag is a great way to get started — other Steemians will then comment on your post and provide resources for newbies. People can also look for help by posting questions in the #help channel at https://steem.chat/home.”
The next Instagram alternative is Vero, which is an emerging social networking platform launched last 2015. The mentioned image-sharing app reportedly became the most downloaded social networking platform in 18 countries. In case you are looking for an ad-free community, this is the best choice for you. Due to popular demand for this app in other countries, it extended its “free for life” offer for every new member.
It’s incredibly hard, and involves a good deal of luck, but if something is going to be a real Twitter successor/alternative, it needs to first and foremost find a way to get a critical mass of people using it. That can be a critical mass of a Twitter sub-culture, but it needs to be some group that moves in mass. App.Net get “Tech Twitter” to move, but it failed to get more than that (or to make them actually leave Twitter), but I don’t see that happening with Micro.Blog or Mastodon yet. I don’t know how you do that, but I think that’s how you get the momentum.
The app supports 14 different filters, 15 photo borders, and operates a social stream much like Twitter where you can @-reply other users and follow # hashtags to see photos of specific places, topics, or events. You even get the missing-from-Instagram tilt-shift option for your shots, in rectangular, elliptical, circular, and parallel varieties. Finally, you can also edit your photos—crop them, rotate them, edit the contrast or color balance, whatever you choose. It's also available for both Android and IOS, and with the number of features it's packed with, it's surprising it's not more popular than Instagram.

Swipe for Facebook is a replacement for both Facebook and (Facebook) Messenger, in case you need both in one. The Chat Heads functionality is still available in this app, in case you’re a fan of that, while PiP video functionality is also included, so that you can watch videos while you’re browsing your Facebook feed. This app allows you to sort your news feed by Most Recent, if you want, while the app is available in a ton of language, similar to Fella for Facebook.
The app supports 14 different filters, 15 photo borders, and operates a social stream much like Twitter where you can @-reply other users and follow # hashtags to see photos of specific places, topics, or events. You even get the missing-from-Instagram tilt-shift option for your shots, in rectangular, elliptical, circular, and parallel varieties. Finally, you can also edit your photos—crop them, rotate them, edit the contrast or color balance, whatever you choose. It's also available for both Android and IOS, and with the number of features it's packed with, it's surprising it's not more popular than Instagram.
I don’t expect to move over to either of these as my main social network, but Twitter’s latest waves of jack-assery has kickstarted the conversation again. There are a few problems with these other services, but the main thing is that they just haven’t managed to get enough people to stick around and use them for long. People tend to try them and bounce off them pretty quickly. I know I have bounced off each of them numerous times.

External companies are also looking at reining in the data that Facebook has access to. Mozilla, which makes the Firefox web browser, has just launched a Facebook Container Extension (a downloadable plug-in) that prevents Facebook from tracking you across other websites. Other plug-ins, such as Ghostery for Google’s Chrome browser (also available for other browsers) and Facebook Disconnect 2016, offer their own tracker-blocking features.


Fella for Facebook is one of the most customizable replacements for the official Facebook application. You can choose between a number of colorful themes in this application, though this is a paid app, it’s currently on sale for $1, but it usually costs about $1.50. This app uses way less data than the regular Facebook app, which applies for pretty much all apps here, while you can also download videos from Facebook using this app, not to mention that it is available in over 35 languages.
Mit dem Einsatz digitaler Medien überwindet es geografische Distanzen zwischen Menschen und bietet die Möglichkeit zu authentischen Begegnungen. Schulklassen in Deutschland bekommen die Chance, sich in einem Computer-Chat mit Schulklassen oder Einzelpersonen im Globalen Süden auszutauschen. Ebenso haben Schulklassen aus dem Globalen Süden die Möglichkeit, mit Schulklassen und Einzelpersonen in Deutschland in Kontakt zu kommen.
Mastodon is decentralized and open to all kinds of people. It is closer to Twitter than it is to Facebook. It doesn't seem to attract the alt right like other Facebook alternatives do. I love the interface. It is very well structured and even though you join up for only one instance, you can interact with the whole world! Guest • Apr 2018 • 3 agrees and 1 disagrees Disagree   Agree
Auf diese Art „twittere” ich nun schon einige Wochen wieder über beide Kanäle. Als heute bei Twitter nach dem Ausfall eine kleine Diskussion begann, ob man nicht mal wieder Identi.ca ausprobieren sollte. Das bekam eine ziemliche Dynamik und ich musste feststellen, dass fast jeder meiner regelmäßigen Twitterkontakte bereits einen Identi.ca-Account hatte – zum Teil schon sehr lange, oft aber auch lange nicht genutzt.

The world's fascination with Twitter was well-deserved because this social network offered unique features that actually foster public discussions and that can enable marketers to reach more users of the products they are advertising. Ten years ago, Twitter was one of the rare platforms that offered these opportunities, but today there are countless social media networks which provide the same service while making sure that their users are happy.
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
×