If you have never heard of this social network you may be getting a bit old, because most users of Musical.ly are aged between 13 and 18. Even though teenagers use it, the platform provides some interesting and amusing features that foster artistic expression and allow you to share your creative output with millions of people. Twitter users often share songs and videos posted on Musical.ly, so why not leave Twitter and start sharing your own creative content on this social media network.
Facebook has been under relentless attack since the Cambridge Analytica scandal in early 2018. Broadcasters and news publishers have declared open season on Mark Zuckerberg, Sheryl Sandberg, and other senior executives at the company. And while not quite ubiquitous, #deletefacebook pops up every time there’s a story about data privacy. The EU has fined them, the US is trying to figure out how to regulate them, and the notion that free services should be absolutely free (as opposed to checking a box on a terms and conditions page that allows the free service to use your data as payment) is gaining traction.
If you're friends with hundreds or thousands of people on Facebook, it understandably might not be worthwhile to put them all in your Gcal. In this case, it might be easiest just to take 20 minutes or so to add your close friends and family member's special days to your calendar. And really, did the annual onslaught of best wishes on Facebook add much to your life in the first place?
Another idea is to purchase an old school video cam and record real, permanent, physical video on cassette or reel-to-reel. You could also start a video/photo library made of SIM cards from your digital devices so you always have an original hard copy which you can upload to social media at any time without worrying about permanently losing it. I don’t know how much of my life I’ve wasted online, but It’s been too much.
Auf diese Art „twittere” ich nun schon einige Wochen wieder über beide Kanäle. Als heute bei Twitter nach dem Ausfall eine kleine Diskussion begann, ob man nicht mal wieder Identi.ca ausprobieren sollte. Das bekam eine ziemliche Dynamik und ich musste feststellen, dass fast jeder meiner regelmäßigen Twitterkontakte bereits einen Identi.ca-Account hatte – zum Teil schon sehr lange, oft aber auch lange nicht genutzt.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
Emoticons are one of the main ways to interact with your friends and followers on the platform. The number of emoticons on your profile increases with your involvement, which it calls ‘Karma.’ Plurk also has mainstream features like Direct and group messaging. It is a very indistinguishable platform compared to Twitter but, it’s a happy, colorful place.
It doesn't bother with a social network on the back-end (and honestly, why bother if your friends are all on Twitter or Facebook and you're going to send the photo there anyway) which we can't fault them for. The real focus of Pixlr-O-Matic is the filters, the borders, the tweaks, and all of the changes you can make to your photos. In the end, you get over 2 million different permutations and options to make your photos look just right (or all wrong, depending) before you save the finished product to your camera roll or gallery and then share it with your friends.
It brings the best of both Instagram and Facebook together into one beautiful app for sharing everything from photos and videos, to music and books. And if you ever find yourself overwhelmed with too many friends on Path, you can take advantage of the convenient "Inner Circle" feature to bring you back to your connections with those you care about most.
I’d be remiss to not mention Slack or Discord here as well. Those services are good, but they are too insular to be a real threat to Twitter. You have to know someone on the inside to get in yourself, and there are so many versions/channels/servers for you to join it’s hard to keep them all straight. They can be good for you and a couple dozen (hundred) of friends to stay in touch, but it’s not great for a Twitter-style experience.

Why not have a standalone chat feature that integrates well with slack? Not sure how do-able that would be but it would be cool if you could send slack messages right from the Clickup chat session and vise versa -- sort of have them synconized. That way non-slack users still have built in chat and slack users can continue to use slack but the relevant message stream would be viewable from within the clickup chat feature. Not sure if it's possible ... maybe I'm dreaming ...
×