It’s early days for the app but it already has users from over 30 different countries, and there are thousands of photographers, media managers and content creators using Dayflash to share their aesthetic. We love the focus that Dayflash has on providing creators with a platform for their art, and because you can link your Instagram, the app is a nice way to get extra exposure if it’s still your go-to image sharing site.
I'm in the same boat. I'm as conservative as they come, but I was alarmed at all the racism and anti-Semitism over there. I started muting users over there (you can't completely block them) but now I'm realizing it may be just too hard. It's a shame since I would like to see a good Twitter alternative emerge in the future. Right now, Twitter is just too ingrained into our culture to be removed quite so easily.
While deleting Facebook might feel like a step in a more private direction, it's ultimately not going to do much to change the online digital economy that profits by collecting your personal information and selling it to data brokers. Facebook collects arguably the most private information, but plenty of other popular social networking apps like Snapchat and Twitter collect your data too. That's their entire business model: When you're not paying for a product, you are the product. Even your internet-service provider is likely collecting your personal information. In fact, through its expansive ad network, Facebook even collects info from people who aren't even on the platform.
last week's sales, the second figure the total sales: '1989' by Taylor Swift 6,000 / 10,933,000, '21' by Adele 9,000 / 29,516,000, '24k Magic' by Bruno Mars 8,000 / 5,100,000, '25' by Adele 10,000 / 21,912,000, 'American Teen' by Khalid 20,000 / 2,949,000, 'Astroworld' by Travis Scott 38,000 / 3,041,000, 'Beautiful Trauma' by Pink 7,000 / 3,261,000, 'Beerbongs & Bentleys' by Post Malone 52,000 / 4,766,000, the 'Black Panther' soundtrack 9,000 / 1,851,000, 'Camila' by Camila Cabello 9,000 / 1,848,000, 'Championships' Meek Mill 30,000 / 1,082,000, 'Culture II' by Migos 13,000 / 2,031,000, 'Damn.' by Kendrick Lamar 14,000 / 5,216,000, 'Dangerous Woman' by Ariana Grande 8,000 / 2,444,000, 'Divide' by Ed Sheeran 41,000 / 14,226,000, 'DNA' by the Backstreet Boys 8,000 / 546,000, 'Evolve' by Imagine Dragons 21,000 / 4,378,000, 'Goodbye & Good Riddance' by Juice WRLD 30,000 / 1,734,000, 'Head Above Water' by Avril Lavigne 16,000 / 204,000, 'I Am > I Was' by 21 Savage 28,000 / 779,000, 'In The Lonely Hour' by Sam Smith 9,000 / 8,013,000, 'Invasion Of Privacy' by Cardi B 27,000 / 2,623,000, 'Kamikaze' by Eminem 23,000 / 2,461,000, 'Love' by Michael Bublé 10,000 / 1,108,000, 'Love Yourself 轉 Answer' by BTS (Bangtan Boys) 15,000 / 2,286,000, the 'Mamma Mia! Here We Go Again' soundtrack 6,000 / 1,339,000, 'More Life' by Drake 13,000 / 4,133,000, 'Origins' by Imagine Dragons 28,000 / 1,092,000, 'Pray For The Wicked' by Panic! At The Disco 19,000 / 1,187,000, 'Queen' by Nicki Minaj 10,000 / 1,198,000, 'Question Mark' by XXXTentacion 55,000 / 3,210,000, 'Red Pill Blues' by Maroon 5 10,000 / 1,774,000, 'Reputation' by Taylor Swift 12,000 / 4,764,000, 'Scorpion' by Drake 43,000 / 4,936,000, 'Shawn Mendes' by Shawn Mendes 19,000 / 1,687,000, 'Simulation Theory' by Muse 6,000 / 652,000, 'Skins' by XXXTentacion 6,000 / 495,000, the 'Spider Man: Into The Spider-Verse' soundtrack 37,000 / 696,000, 'Starboy' by The Weeknd 10,000 / 4,105,000, 'Staying At Tamara's' by George Ezra 18,000 / 1,297,000, 'Still On My Mind' by Dido 22,000 / 114,000, 'Stoney' by Post Malone 28,000 / 4,391,000, 'Sweetener' by Ariana Grande 25,000 / 2,204,000, 'Tha Carter V' by Lil Wayne 14,000 / 1,491,000, 'The Greatest Showman' soundtrack 49,000 / 6,405,000, 'The Thrill Of It All' by Sam Smith 3,000 / 2,688,000, 'Trench' by Twenty One Pilots 18,000 / 1,065,000, 'Views' by Drake 13,000 / 4,816,000, 'X' by Ed Sheeran 13,000 / 11,616,000, and 'Youngblood' by 5 Seconds Of Summer 10,000 / 1,046,000. As expected, Ariana Grande turns back at no.1 this week with '7 Rings'. The smash rules now for an eighth non-consecutive week with 273,000 points. Last week's chart-topper, 'Jiwaru Days' by AKB 48, tumbles down at no.20 with 103,000 points. Three regional rap acts debuting for the first time on our tally: the French duo PNL (Peace N' Lovés), consisting of the brothers Tarik and Nabil Andrieu, shoots at no.32 with 'Au DD' and 81,000 points. Vladislav Balovatsky, known professionally as Capital Bra, is a German rapper with Ukrainian and Russian heritage. 'Cherry Lady' is currently his 12th no.1 hit in Germany and his first on the Global Top 40, it jumps at no.39 with 72,000 points. Both songs profits from massive streaming... new one-week records in France and Germany! Close behind 'Cherry Lady' bows American rapper Lil Nas X at no.40 with 'Old Town Road' and 72,000 points. The song achieved viral popularity from the 'Yeehaw Challenge' on the social media app Tik Tok. 'Girls Like You' by Maroon 5 feat. Cardi B reaches the Top 100 of the ALL TIME CHART with a jump at no.97 and a total of 9,235,000 points. On our weekly tally it holds no.18 in its 43rd week with 111,000 points. Outside the Top 40 waiting among other 'Baila Baila Baila' by Ozuna at no.43 and 'Look Back At It' by A Boogie Wit Da Hoodie at no.44 for their first appearance on the big list.
Everything has its pros and cons and so does Facebook. While Facebook has become a part of our lives and it is loved by millions, it has got its share of criticisms. It has been panned across the globe for its ever changing privacy settings, which gives Facebook total control over the information that we provide on our accounts. If you are in mood for a surprise, just compare the privacy disclaimers of Facebook from its past to present to know the difference. Facebook’s experiments with the News Feed has also not gone down too well with users. The company’s Internet.org initiative has also made sure to irk net neutrality enthusiasts. To sum it up, these are good enough reasons to need Facebook alternatives.
GLOBAL NO.1 - 30 YEARS AGO... Madonna is known for her blatant style- and taboo breaks. With the release of the lead single 'Like A Prayer' for the album of the same name, she came with really heavy guns: a 180 ° image turn-around from the blonde beast to a meekly brunette ... her music changed into an exalted, hymn-like and danceable sound with religious-controversial and provocative texts. But the big bone of contention was the music video, directed by Mary Lambert. It portrays Madonna as a witness to the murder of a girl by white supremacists. While a black man is arrested for the murder, Madonna hides in a church for safety seeking strength to go forth as a witness. The clip depicts a church and Catholic symbols such as stigmata. It also features a Ku Klux Klan-style cross burning, and a dream about kissing a black saint. The Vatican condemned the video, while family and religious groups protested against its broadcast. They boycotted products by soft drink manufacturer Pepsi, who had used the song in their commercial. The company canceled their sponsorship contract with Madonna, but allowed her to retain the fee. 'Like A Prayer' became, not least because of this rather unintentionally publicity through the condemnation of parent associations and church representatives, the world's biggest hit in 1989.
Instagram's real appeal is the closed nature of its product—the fact that it's walled off by default, with no open browsing of user photos by just anyone, and before its Android release, built a brand off of being iPhone only, private, and that thing that a select few used to take photos on their phone and then, for fear that no one would see it, pushed it over to Twitter, Facebook, Tumblr, Flickr, or anywhere else that people actually hang out. Aside from design and marketing, there's little that makes the app special to this writer. (Your view may differ, and if so, that's cool. You should use Instagram!)
There are very successful focused business-oriented social networks. LinkedIn, for example, attracts job seekers, as does Dribbble, which bills itself as the leading destination to find and showcase creative work. Work-focused networks are thriving. Which raises the question, “Would a big media brand or a big lifestyle brand have consumer permission to found and run a tightly focused social network?”
One feature that’s specific to the business model for EyeEm is that users can offer their own photos voluntarily on the startup’s marketplace. EyeEm sells these images with stock licenses to Getty Images and other purchasers. Users then receive a share of the revenue generated. This means that EyeEm isn’t just a platform for displaying images – you can make money from them too. And it’s not just an incentive for the user to post as high-quality photographic content as possible: the social network itself requires this in order to finance its business through advertising.
DeviantArt is the perfect platform for artists, who want to showcase their art galleries to the world. It has a great community of artists you can interact with and along with that you get to see some great art. There are a number of features that aim at making life easier for artists and moreover, it also makes sure the artists get their due credit.
Vero is a subscription based social network. It shows no ads and doesn’t collect data. It’s a totally different model to Facebook in the sense that Facebook needs user data in order to make money from them. Vero does collect some usage data which is used to see how often the app is used, but note that this option by default is off. Unlike Facebook where they have everything turned on and you have to go into your settings and turn them off.
I have had Twitter since 2008, never used it until this Winter when we did daily treks to another city for health treatments. The rotten weather, road closures and guess what, the cops use Twitter, hydro guys, the road guys, the weather guys, they all use Twitter, so I'm sticking with Twitter. I'm probably in the minority, but I use my phone for texting and communicating when necessary. Gave up my landline 3 years ago and have a good data plan (2 phones, one for me, one for hubs). Twitter it is!
500px has long been popular with the photography community with it's clean approach to photo sharing. No hashtags muddle this pond, 500px is all about sharing great work. Curated collections are excellent and regularly updated, whilst the Exif data upload is a nice touch to delve into the technical workings in-camera (Flickr also has this function). There are plenty of similarities with Flickr in terms of it being a platform angled towards promotion of the best creative work rather than popular accounts and sponsored posts.
This is the only app that you have to pay for on our list, but according to the creators you’ll be treated as a priority rather than a product because of this. There’s a 14 day free trial available so you can play around with the features on offer, but if you want to be part of their community it’ll cost you between $47.88 per year for the basic package and $359.88 per year for the business package which provides you with all the tools you need to make your account a professional, client friendly portfolio.
Why not have a standalone chat feature that integrates well with slack? Not sure how do-able that would be but it would be cool if you could send slack messages right from the Clickup chat session and vise versa -- sort of have them synconized. That way non-slack users still have built in chat and slack users can continue to use slack but the relevant message stream would be viewable from within the clickup chat feature. Not sure if it's possible ... maybe I'm dreaming ...