For years, Plurk offered the service that is nearly identical to the ones provided by Twitter, and it increased the number of character you can use in a post to 360 just a few years ago. Nearly 70% of all the traffic on the platform comes from Taiwan, so if you are targeting markets in Western Europe or the United States, Plurk may not be the best social network for you.
Ein paar Dinge sind in den letzten Tagen zusammengekommen, über die man sich bei Twitter ärgern kann: Zunächst hat Twitter angekündigt, die eigene CI gegen freie Entwickler durchzusetzen. Und dann bricht der Dienst nach der Einführung eines neuen Sicherheits‐​Features zusammen. Zeit sich einmal wieder an die freie Alternative zu erinnern: Das auch unter dem Namen „Identi.ca” bekannte StatusNet.
Whether or not they have a website or a printed portfolio, a photographer’s social media feed is typically the first place potential clients, collectors and others discover their work. Many photographers are doing more than posting single images. Using the tools available on various platforms, they are curating and sharing sequences of images and video clips, and demonstrating their ability... 

In the last quarter of 2017, Twitter had only 330 million users, much less than Facebook that had 2,07 billion users or Instagram that had approximately 700 million users over that same period. Despite being easy to use and a powerful tool for reaching like-minded people or potential customers for your company's products Twitter is slowly losing the reputation it once had.

Socialtext is an enterprise social network solution that aids in team collaboration and knowledge sharing. Your employees can use Socialtext to gather key customer information, share expertise and ideas, and to collaborate on tasks and projects. The enterprise social software integrates with other systems, such as your CRM and ERP, to streamline you… Read more about Socialtext
When it comes to searching for additional sources of income to finance the project, Ello’s creators are rather creative: they have plans to begin generating revenue through user transactions carried out on their network – so by taking a commission on CD sales, for example. One of Ello’s principles is that its users aren’t obliged to use their real names, which had previously been the case at Facebook and caused outrage. When it first started out, Ello was a closed network, only accessible through an invitation to join from a registered user. This has since been relaxed, and today Ello is available for all interested parties. Critics of the site claim that Ello can’t really be considered a true Facebook alternative because it’s lacking many of the basic functions required to compete. For example, private communication between users via a chat box function is currently not possible. Ello’s focus instead is on high-quality content for all to see, making it an excellent environment for artists and photographers. Users from creative backgrounds are often attracted by Ello’s simple, minimalistic design, leaving lots of space for user posts to shine.
But what if consumers are ready for a new new thing? What if smaller, higher-quality, more engaged audiences can self-assemble around a brand? What if consumers are yearning for restored trust, a semblance of privacy, and true transparency? A tall order, to be sure. But if you could leverage a trusted brand to fill the bill, is the time right for the emergence of focused branded social networks? I’m pretty sure the answer is yes.
500px is a money making machine and reward certain types of photography. (It’s also full of bots). Flickr was great, but it’s now a dinosaur. Tumblr is owned by Verizon and crippled with bots and porn. EyeEm is great as a platform to sell your images. Unsplash has a tremendous visibility but your work is then available for free even for commercial use. Behance is great to showcase projects, but not really made for sharing single images.

There’s no end-to-end encryption on either platform’s private messaging at the moment, and to be fair there isn’t for Twitter or Facebook either (though Facebook is rumored to be looking into it for their Messenger). Both Mastodon and Diaspora are built on the idea that the conversations happening are meant to be public, so the privacy emphasis is on keeping user data in user ownership and out of advertiser’s hands, not keeping conversations out of the public eye.
Believe it or not, there are plenty of social networks and messaging apps that you can use instead of Facebook. For years these networks and apps have been living in the shadows of the mighty beast that is Facebook. But now is the time to explore a better way of interacting with friends and family without the fear of your data being stolen and stored on huge servers in far flung places.
Someone You Loved is Capaldi’s first single to pass the mark, while Giant is Harris’ 20th and Rag’n’Bone Man’s third. Overall consumption of Harris tracks since his 2007 debut Acceptable In The 80s stand at 22,544,175. That’s a huge amount but Rihanna - with whom he spent six weeks at No.1 with We Found Love in 2011 – dwarfs that with a to-date tally of 41,073,313 since her 2005 debut. Steel Banglez, AJ Tracey and MoStack all score their first Top 10 single, with their collaboration Fashion Week becoming the highest of this week’s five new entries to the Top 75 at No.7 (31,270 sales). It is Steel Banglez’ third Top 75 hit as a credited artist – he has many more as a producer - AJ Tracey’s 10th and MoStack’s sixth. Four weeks after peaking at No.7, Options makes gains for the second week in a row for NSG feat. Tion Wayne, and returns to the Top 10, climbing 11-10 (24,899 sales). And four weeks after debuting and peaking at No.8, Walk Me Home rallies 12-9 (27,350 sales) for Pink, helped by its newly-released promotional video. There are new peaks inside the Top 10 for Just You And I (4-3, 40,727 sales) by Tom Walker, Sucker (5-4, 36,898 sales) by Jonas Brothers, Location (8-6, 31,564 sales) by Dave feat. Burna Boy and - improving its chart position for the eighth straight week since it debuted at No.43 - I’m So Tired (9-8, 28,138 sales) by Lauv & Troye Sivan. Completing a rare Top 10 in which eight tracks climb two are static and none fall, Break Up With Your Girlfriend, I’m Bored surfs 6-5 (32,922 sales) for Ariana Grande. Overall singles sales are up 4.66% week-on-week at 18,494,978. That is their second highest level to date, and 12.33% above same week 2018 sales of 16,465,382. Paid-for sales are down 0.44% week-on-week at 741,229, and are 28.55% below same week 2018 sales of 1,037,469. 27 years after he topped the album chart with his eponymous debut solo album, Michael Ball returns to the summit with Coming Home To You. The album is a collection of covers by the 56-year-old, with many of the songs pre-dating Ball’s first album, including To Love Somebody (The Bee Gees, 1967), Love Is Like A Butterfly (Dolly Parton, 1974) and Miss You Nights (Cliff Richard, 1975) and Sail On (The Commodores, 1979). Coming Home To You is Ball’s first album since his back-to-back No.1 collaborations with fellow tenor Alfie Boe, Together (November 2016), and Together Again (November 2017). Thus providing his fourth No.1 in all, it is also his 22nd Top 75 album, and his ninth Top 10 album, it can’t match those Boe collaborations for first week sales. Consumption of 18,039 units (including 114 from sales-equivalent streams) – the lowest for a No.1 since Ed Sheeran’s Divide topped 83 weeks ago with 13,975 sales - is considerably below Together’s first week tally of 44,860 and Together Again’s 43,795. It is also below the 19,087 copies that Boe’s subsequent solo album, As Time Goes By, sold when it debuted and peaked 17 weeks ago at No.10. Blending original recordings of the former with newly-recorded instrumental elements provided by the latter, The Carpenters With Royal Philharmonic Orchestra reached No.8 last December and, with Richard Carpenter on a UK promotional tour, re-enters this week at No.10 (5,880 sales). George Ezra scores his sixth Top 40 single with Pretty Shining People (41-38), while parent album Staying At Tamara’s sales increase 13.17% week-on-week to 11,541 – a 10 week high – as it climbs 6-5. The rest of the Top 10: Singing To Strangers (1-2, 14,046 sales) by Jack Savoretti, The Greatest Showman soundtrack (4-3, 13,799 sales), What A Time To Be Alive (3-4, 1,534 sales) by Tom Walker, Bohemian Rhapsody (5-6, 10,710 sales) by Queen, Psychodrama (2-7, 10,495 sales) by Dave, Thank U Next (7-8, 9,119 sales) by Ariana Grande and A Star Is Born (8-9, 7,438 sales by Lady Gaga & Bradley Cooper. Overall album sales are up 4.86% week-on-week at 1,796,945, 4.67% below same week 2018 sales of 1,882,925. Sales-equivalent streams accounted for a record 1,182,979 sales, 65.83% of the total. Sales of paid-for albums are up 4.25% week-on-week at 613,966, 33.84% below same week 2018 sales of 928,024.
The fragmentation that easily happens in decentralized networks can be a blessing, especially for groups that form around beliefs or identities where it can be hard to meet people safely. For instance, those belonging to marginalized groups, or folks with more fringe or misunderstood interests tend to appreciate the in-group feeling they get from a federated social network.

It's like twitter, but minus the stuff you don't like, and made better. It introduces instances, which are connected but are their own separate site with their own rules and moderation, It has a 500 character limit for every "toot", and most of the instances have an amazing community from what I can tell. It honestly is the best alternative to Twitter. Veencorr • Mar 2018 • 3 agrees and 0 disagrees Disagree   Agree
A press release about the change, which was just implemented at the end of September, reads that this is “a software upgrade that will take the Steem blockchain from its current bandwidth system to a new system based on Resource Credits, or RCs. This upgrade will enable Steem DApps to create free accounts, making it easier than ever to onboard new users and cementing Steem’s lead as the blockchain with the lowest barriers-to-entry… Hardfork 20 also improves user experiences on Steem by enabling unlimited post editing on steemit.com, allowing curators to vote on a post within 15 minutes of it being published (a change from 30 minutes) and putting more rewards back in the hands of curators by removing an unfair advantage that self-voting authors had.”
If you think your images are sellable, EyeEm is the app for you. This smart platform allows you to publish your favorite photos, which image buyers, media outlets and big brands can then browse and potentially buy. What makes this image sharing platform different from regular stock sites is that it still has that Insta-community feel, and it’s an equally excellent place to go for inspiration.
This is the only app that you have to pay for on our list, but according to the creators you’ll be treated as a priority rather than a product because of this. There’s a 14 day free trial available so you can play around with the features on offer, but if you want to be part of their community it’ll cost you between $47.88 per year for the basic package and $359.88 per year for the business package which provides you with all the tools you need to make your account a professional, client friendly portfolio.
Join Robert Holden on a 4-Day retreat with Alternatives in the beautiful Montserrat Monastery in Catalonia Spain - Spiritual Growth and the Enneagram - last few places left - 11th-14th April https://www.eventbrite.co.uk/e/spiritual-growth-the-enneagram-with-robert-holden-retreat-in-montserrat-monastery-2019-registration-54112401650 …pic.twitter.com/gjZHeV7puk
While Path isn’t necessarily a true competitor to Instagram, it has many of the same features. You can capture photos in the app, apply filters, export them to other apps, or post them on your stream for friends to view. Most of the privacy concerns surrounding Path have been resolved, and it offers a very intimate approach to sharing. Rather than imploring you to build an army of followers, Path strives to keep things intimate by sharing photos with the people you care about most. The photo-editing features aren’t as good as the other apps mentioned here, but as a social network it is argueably a better experience than Instagram.
In 2016 Apple banned gab’s mobile app on its Appstore for promoting explicit adult content. This was followed by Play Store in 2017, which banned the app for violating hate speech guidelines of Google. Google further noted during its ban that the platform failed in demonstrating a minimum required level of moderation and encouraged violence. Despite all this, Gab still shelters people who are easy on hate speech and non-art nudity. That said, you’ll have to search for things that could offend you on Gab dedicatedly, or else, it is chiefly stuffed with pop culture art, memes, and fair discussions on a variety of topics. And even if you find something that’s offensive to you, like a discussion on online anonymity, you can use the scroll button and explore some memes on Trump.
And when you make the final switch, consider deactivating your Facebook account. Remember, deactivating Facebook is different from deleting it What Deactivating or Deleting Facebook Really Means for Privacy What Deactivating or Deleting Facebook Really Means for Privacy Thinking about quitting Facebook? Here's how deleting or deactivating Facebook can improve your online privacy. Read More .

Everything has its pros and cons and so does Facebook. While Facebook has become a part of our lives and it is loved by millions, it has got its share of criticisms. It has been panned across the globe for its ever changing privacy settings, which gives Facebook total control over the information that we provide on our accounts. If you are in mood for a surprise, just compare the privacy disclaimers of Facebook from its past to present to know the difference. Facebook’s experiments with the News Feed has also not gone down too well with users. The company’s Internet.org initiative has also made sure to irk net neutrality enthusiasts. To sum it up, these are good enough reasons to need Facebook alternatives.


Osfoora is a lot like the official Twitter for iPhone app was before the recent changes in version 4.0. That is to say, anyone who liked the original Tweetie will be immediately familiar with most of Osfoora. But Osfoora doesn't just stick to conventions, it jams a lot more features in as well. There's everything from a "home screen" with big icons for major functions to unread badges on the major sections.
In 2016 Apple banned gab’s mobile app on its Appstore for promoting explicit adult content. This was followed by Play Store in 2017, which banned the app for violating hate speech guidelines of Google. Google further noted during its ban that the platform failed in demonstrating a minimum required level of moderation and encouraged violence. Despite all this, Gab still shelters people who are easy on hate speech and non-art nudity. That said, you’ll have to search for things that could offend you on Gab dedicatedly, or else, it is chiefly stuffed with pop culture art, memes, and fair discussions on a variety of topics. And even if you find something that’s offensive to you, like a discussion on online anonymity, you can use the scroll button and explore some memes on Trump.
Plurk features a horizontal timeline and it lets you share pictures, videos or URLs for web-based articles. The platform stimulates its users to spend more time engaging with other Plurk members through the concept of Karma, which grants you access to more emoticons. This social network can be accessed from iPhones, Android devices or from PC or Mac computers.
Twitter that started as the fastest growing microblogging platform almost about a decade ago seems to be dying with its lack of innovation and senseless censorship. Looking at the current stats, Twitter’s active users have been reduced to 330 million worldwide. The platform is struggling to keep its users interested. Over the past few years, it has introduced GIF and Video support, and other exciting features which were too late to introduce to Social Media. Twitter in current form seems to have no life, except for some tweets from Beyonce and Trump. It started from being an ordinary man’s social platform to a network where people sign up to read what their favorite celebrities are tweeting, and it is failing in that too, as all the celebrities are moving to better-structured platforms like Instagram. This has pushed the bluebird away from our lives and left us with no choice but to look for Twitter alternatives.
External companies are also looking at reining in the data that Facebook has access to. Mozilla, which makes the Firefox web browser, has just launched a Facebook Container Extension (a downloadable plug-in) that prevents Facebook from tracking you across other websites. Other plug-ins, such as Ghostery for Google’s Chrome browser (also available for other browsers) and Facebook Disconnect 2016, offer their own tracker-blocking features.
last week's sales, the second figure the total sales: '1989' by Taylor Swift 6,000 / 10,933,000, '21' by Adele 9,000 / 29,516,000, '24k Magic' by Bruno Mars 8,000 / 5,100,000, '25' by Adele 10,000 / 21,912,000, 'American Teen' by Khalid 20,000 / 2,949,000, 'Astroworld' by Travis Scott 38,000 / 3,041,000, 'Beautiful Trauma' by Pink 7,000 / 3,261,000, 'Beerbongs & Bentleys' by Post Malone 52,000 / 4,766,000, the 'Black Panther' soundtrack 9,000 / 1,851,000, 'Camila' by Camila Cabello 9,000 / 1,848,000, 'Championships' Meek Mill 30,000 / 1,082,000, 'Culture II' by Migos 13,000 / 2,031,000, 'Damn.' by Kendrick Lamar 14,000 / 5,216,000, 'Dangerous Woman' by Ariana Grande 8,000 / 2,444,000, 'Divide' by Ed Sheeran 41,000 / 14,226,000, 'DNA' by the Backstreet Boys 8,000 / 546,000, 'Evolve' by Imagine Dragons 21,000 / 4,378,000, 'Goodbye & Good Riddance' by Juice WRLD 30,000 / 1,734,000, 'Head Above Water' by Avril Lavigne 16,000 / 204,000, 'I Am > I Was' by 21 Savage 28,000 / 779,000, 'In The Lonely Hour' by Sam Smith 9,000 / 8,013,000, 'Invasion Of Privacy' by Cardi B 27,000 / 2,623,000, 'Kamikaze' by Eminem 23,000 / 2,461,000, 'Love' by Michael Bublé 10,000 / 1,108,000, 'Love Yourself 轉 Answer' by BTS (Bangtan Boys) 15,000 / 2,286,000, the 'Mamma Mia! Here We Go Again' soundtrack 6,000 / 1,339,000, 'More Life' by Drake 13,000 / 4,133,000, 'Origins' by Imagine Dragons 28,000 / 1,092,000, 'Pray For The Wicked' by Panic! At The Disco 19,000 / 1,187,000, 'Queen' by Nicki Minaj 10,000 / 1,198,000, 'Question Mark' by XXXTentacion 55,000 / 3,210,000, 'Red Pill Blues' by Maroon 5 10,000 / 1,774,000, 'Reputation' by Taylor Swift 12,000 / 4,764,000, 'Scorpion' by Drake 43,000 / 4,936,000, 'Shawn Mendes' by Shawn Mendes 19,000 / 1,687,000, 'Simulation Theory' by Muse 6,000 / 652,000, 'Skins' by XXXTentacion 6,000 / 495,000, the 'Spider Man: Into The Spider-Verse' soundtrack 37,000 / 696,000, 'Starboy' by The Weeknd 10,000 / 4,105,000, 'Staying At Tamara's' by George Ezra 18,000 / 1,297,000, 'Still On My Mind' by Dido 22,000 / 114,000, 'Stoney' by Post Malone 28,000 / 4,391,000, 'Sweetener' by Ariana Grande 25,000 / 2,204,000, 'Tha Carter V' by Lil Wayne 14,000 / 1,491,000, 'The Greatest Showman' soundtrack 49,000 / 6,405,000, 'The Thrill Of It All' by Sam Smith 3,000 / 2,688,000, 'Trench' by Twenty One Pilots 18,000 / 1,065,000, 'Views' by Drake 13,000 / 4,816,000, 'X' by Ed Sheeran 13,000 / 11,616,000, and 'Youngblood' by 5 Seconds Of Summer 10,000 / 1,046,000. As expected, Ariana Grande turns back at no.1 this week with '7 Rings'. The smash rules now for an eighth non-consecutive week with 273,000 points. Last week's chart-topper, 'Jiwaru Days' by AKB 48, tumbles down at no.20 with 103,000 points. Three regional rap acts debuting for the first time on our tally: the French duo PNL (Peace N' Lovés), consisting of the brothers Tarik and Nabil Andrieu, shoots at no.32 with 'Au DD' and 81,000 points. Vladislav Balovatsky, known professionally as Capital Bra, is a German rapper with Ukrainian and Russian heritage. 'Cherry Lady' is currently his 12th no.1 hit in Germany and his first on the Global Top 40, it jumps at no.39 with 72,000 points. Both songs profits from massive streaming... new one-week records in France and Germany! Close behind 'Cherry Lady' bows American rapper Lil Nas X at no.40 with 'Old Town Road' and 72,000 points. The song achieved viral popularity from the 'Yeehaw Challenge' on the social media app Tik Tok. 'Girls Like You' by Maroon 5 feat. Cardi B reaches the Top 100 of the ALL TIME CHART with a jump at no.97 and a total of 9,235,000 points. On our weekly tally it holds no.18 in its 43rd week with 111,000 points. Outside the Top 40 waiting among other 'Baila Baila Baila' by Ozuna at no.43 and 'Look Back At It' by A Boogie Wit Da Hoodie at no.44 for their first appearance on the big list.
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