While there isn't a true Facebook alternative out there, you're not really looking for that anyway. You're ready for something different—a social network platform where everybody knows your name and you won't get trolled for posting. The following social media apps promise features such as less ad targeting, less fake news, and more security, so users can share updates, read the headlines, and communicate with more confidence in their security and privacy.

For those determined to exit the Facebook ecosystem, the best approach is more likely to be a patchwork of sites and apps that mirror individual features. Messaging is the easiest: apps such as Telegram and Signal offer messaging and group chats, as well as voice calls, with encryption to keep your communications private. Telegram even has a thriving collection of chatbots, similar to Facebook Messenger.

Swipe for Facebook is a replacement for both Facebook and (Facebook) Messenger, in case you need both in one. The Chat Heads functionality is still available in this app, in case you’re a fan of that, while PiP video functionality is also included, so that you can watch videos while you’re browsing your Facebook feed. This app allows you to sort your news feed by Most Recent, if you want, while the app is available in a ton of language, similar to Fella for Facebook.
With EyeEm you can take photos in the app or import them from your camera or phone. You can then edit and apply filters, as you’d expect, and add tags to help other users and potential buyers find your work. We love the EyeEm Selects feature, which scans your images and picks the shots that have the highest score according to their aesthetics algorithm. This safe and private tool makes it easier to work out which images are sellable, which in theory makes it easier for you to make money.
Auf diese Art „twittere” ich nun schon einige Wochen wieder über beide Kanäle. Als heute bei Twitter nach dem Ausfall eine kleine Diskussion begann, ob man nicht mal wieder Identi.ca ausprobieren sollte. Das bekam eine ziemliche Dynamik und ich musste feststellen, dass fast jeder meiner regelmäßigen Twitterkontakte bereits einen Identi.ca-Account hatte – zum Teil schon sehr lange, oft aber auch lange nicht genutzt.
One feature that’s specific to the business model for EyeEm is that users can offer their own photos voluntarily on the startup’s marketplace. EyeEm sells these images with stock licenses to Getty Images and other purchasers. Users then receive a share of the revenue generated. This means that EyeEm isn’t just a platform for displaying images – you can make money from them too. And it’s not just an incentive for the user to post as high-quality photographic content as possible: the social network itself requires this in order to finance its business through advertising.
It is good to read these comments. I am also looking for somewhere else to go. I do not like what fb is doing either. I have been reading some on these othe websites and as for me, i think i will try Mastodon. I like the things i have read about it. Good luck to everyone that is deciding to go somewhere else. Because it isn’t right that fb is trying to control everybody.
2. Was ich nicht tue ist mich mit jeweils einen Acount zu begnügen. Mein Bedarf wäre eigentlich eher ein totale Unterschied zwischen Login in eine Plattform und deren Nutzung. So habe ich je nach Funktion 6 verschiedene identi.ca-Accounts und mehr als 10 verschiedene Blogs. Ich bin immer sehr verwirrt darüber, dass ich für jeden neuen Account eine neue Mailadresse brauche. D.h. ich trenne sehr stark Inhalte. Das ist nocht immer einfach, aber ich brauche das irgendwie. Das ist sowohl für die Abonnenten als auch für mich einfacher zu sortieren. So wie mehrere Ordner unterhalb einer IMAP‐​Inbox.
It’s incredibly hard, and involves a good deal of luck, but if something is going to be a real Twitter successor/alternative, it needs to first and foremost find a way to get a critical mass of people using it. That can be a critical mass of a Twitter sub-culture, but it needs to be some group that moves in mass. App.Net get “Tech Twitter” to move, but it failed to get more than that (or to make them actually leave Twitter), but I don’t see that happening with Micro.Blog or Mastodon yet. I don’t know how you do that, but I think that’s how you get the momentum.

If you work in any kind of creative field – illustration, graphic design, film, you-name-it – or just want to hang out and share content in a space designed around tasteful images and art, then you should try out Ello. It wasn’t always like this, with the social network that used to called itself a “Facebook Killer” reeling in its ambitions to something more focused and tenable.
Flickr has strong organization tools for your images, being able to bring together collections into "Albums" rather than having just one feed. Flickr also has a "Groups" section that are open-sourced public albums. This is a nice way to find collections of images of similar topics, themes, gear, or geography, but these "Groups" are too often messy, unfiltered, and unorganized.

One feature that’s specific to the business model for EyeEm is that users can offer their own photos voluntarily on the startup’s marketplace. EyeEm sells these images with stock licenses to Getty Images and other purchasers. Users then receive a share of the revenue generated. This means that EyeEm isn’t just a platform for displaying images – you can make money from them too. And it’s not just an incentive for the user to post as high-quality photographic content as possible: the social network itself requires this in order to finance its business through advertising.


No matter which Twitter alternative you use; you would see the growing influence of Musical.ly on other platforms. Muical.ly allows you to use famous audio cues from the platform to record a video performance. After you record the video, you are given plenty of filters and effects to add upon it. It then gives you an ability to share between the other social media platforms. After you publish your performance, it goes out in the public thread. This might raise an arrow or two for its lousy privacy, but Musical.ly have its privacy policy in place, fortunately. You can quickly change the privacy setting and select who can see your posts.
Twitter has become a cultural icon since being introduced in 2006. Even President Donald Trump of the United States has gained notoriety for his use of Twitter. Users of the platform are able to send "tweets" which can be no longer than 280 characters. This is double the original limit of 140 characters. In some Asian languages, 140 characters remains the standard.
Polaroid's resurrection continued in 2016 with the release of their social multimedia platform SW/NG, and I'd put it down as one of the most under-rated social mobile platforms around. Forget Instagram Boomerangs, SW/NG brings pictures to life much in the same way Live Photos does on iPhone. Using the app feels similar to Instagram with the continued scroll of your feed, but pictures move as you scroll. The app feels cleaner than Instagram, and encourages users to think differently when composing an image given that a moving subject or background is more compelling.
Following local, national, and international news sources is a good place to start of course, but you can also keep an eye on relevant hashtags or create a Twitter list if you want to keep your news gathering separate from your socializing. For a boosted news experience on Twitter, connect your account to TweetDeck, where you’ve got more advanced search and filter tools.
For years, Plurk offered the service that is nearly identical to the ones provided by Twitter, and it increased the number of character you can use in a post to 360 just a few years ago. Nearly 70% of all the traffic on the platform comes from Taiwan, so if you are targeting markets in Western Europe or the United States, Plurk may not be the best social network for you.
of the week. Bad Habits also starts with about 1,000 in TEA units, and 24,000 in album sales. The latter figure was boosted by an array of merchandise/album bundles sold via NAV’s official webstore, all of which included pre-sale access to purchase tickets to NAV’s upcoming tour. On the new Billboard 200, Bad Habits is followed by another Republic Records release, as Ariana Grande’s Thank U, Next holds at No. 2 (62,000 units; down 7 percent). Since debuting at No. 1 on the Feb. 23-dated chart seven weeks ago, Thank U, Next has yet to leave the top two positions. The last time an album managed that feat (of spending its first seven chart weeks inside the top two) happened back in 2016, when another Republic album, Drake’s chart-topping Views, spent its first 17 weeks between Nos. 1 and 2 (May 21-Sept. 10, 2016). Back on the new chart, Juice WRLD’s former leader Death Race for Love dips 1-3 in its third week (54,000 units; down 27 percent). Rapper Rich the Kid earns his second top 10 album on the Billboard 200, as The World Is Yours 2 bows at No. 4. The set launches with 42,000 units (2,000 of that sum were in album sales). The artist previously scored a No. 2-charting album when The World Is Yours opened in the runner-up slot on the April 14, 2018-dated chart. XXXTentacion’s former No. 1, ?, bolts back up the list, rising 27-5 with 40,000 units (up 132 percent). The ? album’s jump is owed to its reissue with bonus tracks, and also within a number of merchandise/album bundles, commemorating the set’s one-year anniversary. Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack descends 3-6 on the new Billboard 200 with 35,000 units (down 13 percent), while A Boogie Wit da Hoodie’s Hoodie SZN dips 4-7 with 32,000 units (down 4 percent). Post Malone’s beerbongs & bentleys shifts 6-8 with 31,000 units (down less than 1 percent) and Queen’s Bohemian Rhapsody soundtrack slips 5-9 with 30,000 units (down 10 percent). Closing out the new top 10 is Mötley Crüe’s soundtrack to The Dirt, bowing at No. 10 with nearly 30,000 units (of which 15,000 were in album sales). It’s the first top 10 set for the rock band in more than a decade, and the act’s ninth top 10 effort overall. The group last visited in the top 10 with their most recent studio effort, Saints of Los Angeles, which debuted and peaked at No. 4 on the July 12, 2008-dated chart. Ariana Grande rewrites her longest command of the Billboard Hot 100, as "7 Rings," her second leader on the list, rules for an eighth week. She first topped the Hot 100 for seven weeks with "Thank U, Next" beginning in November. "Rings," released on Republic Records, holds at its No. 2 high on Radio Songs, despite a 1 percent dip to 91.8 million audience impressions in the week ending March 31, according to Nielsen Music. It drops to No. 3 on the Streaming Songs chart, after eight weeks at No. 1, with 35.5 million U.S. streams, down 3 percent, in the week ending March 28. On Digital Song Sales, it rebounds 6-5, after three weeks at No. 1 (17,000 downloads sold, down 5 percent, in the week ending March 28). Post Malone sports two songs in the Hot 100's top three for the first time, as "Wow." rises to a new high, pushing 4-2, and former one-week leader "Sunflower (Spider-Man: Into the Spider-Verse)," with Swae Lee, keeps at No. 3. "Wow." jumps 4-2 for a new peak on Streaming Songs, up 15 percent to 35.4 million streams in the week ending March 28, its first full frame of tracking after the March 19 premiere of its new official video. It's steady at No. 2 on Digital Song Sales (23,000, down 2 percent) and holds at No. 7 on Radio Songs (67.5 million, a new weekly best, up 3 percent). "Sunflower" rebounds 2-1 for a third week atop Streaming Songs (38.7 million U.S. streams, up 7 percent) and lifts 4-3 on Digital Song Sales (21,000, up 13 percent).
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